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Apollo Monitor Correction - optimise the acoustic performance of your monitors
Apollo Monitor Correction introduces powerful new features that elevate your studio monitoring experience. By integrating seamlessly with Sonarworks' SoundID Reference software, Apollo now provides precise speaker and headphone calibration directly through its onboard DSP. This means real-time correction without needing the SoundID Reference plug-in or app once your profiles are loaded onto Apollo.
With monitor correction, your room’s acoustic characteristics are measured using a microphone and the SoundID Reference Measure app, creating a profile that runs on Apollo's DSP for consistent accuracy. Headphone correction ensures a neutral listening experience by applying pre-calibrated profiles for over 500 popular headphone models. The target mode feature allows you to fine-tune your monitoring setup to match industry-standard references, including Flat Target, Dolby Atmos Music, and car audio environments, or create a custom target.
Please Note: This interface requires Apollo Monitor Correction Add-on and SoundID Reference licenses to use the Apollo Monitor Correction technology, available from sonarworks.com. For full compatibility information refer to help.uaudio.com
Immersive audio capabilities up to 9.1.6
Take your audio projects to a new dimension with Apollo x16’s support for formats up to 9.1.6, perfect for Dolby Atmos, Auro-3D, and Sony 360 Reality Audio. This interface provides 16 channels of immersive audio, allowing you to create multi-dimensional mixes with precise spatial positioning. Whether you're producing for film, games, or modern music production, the Apollo x16 makes it easy to expand your audio into fully immersive experiences. With the UAD Console app, setting up surround cues is straightforward, giving you the flexibility to handle large projects right from your workstation.
Pristine audio quality with elite-class conversion
The Apollo x16 is built with Universal Audio’s finest converters, ensuring every detail of your audio is captured with a dynamic range of 133 dB and ultra-low distortion. Its Dual-Crystal Clocking provides ultra-low jitter, delivering stable and precise conversion at all sample rates up to 192 kHz. This results in highly transparent recordings with no unwanted colouration, suitable for mastering and critical listening environments. With this interface, you’ll hear your audio with astonishing clarity, making it easier to make the right decisions during production and mixing.
Comprehensive I/O for professional integration
Designed for professional studios, the Apollo x16 offers versatile DB-25 connections for 16 x 16 analog I/O, along with stereo AES I/O and word clock capabilities. This interface allows easy integration with outboard gear, patchbays, and consoles, making it a seamless fit for both new and existing setups. The Apollo x16 also supports +24 dBu headroom, providing ample space for high-level signals without distortion. With these connections, you can set up complex routing configurations, connect multiple speakers for immersive audio, and fully integrate your studio gear for a streamlined workflow.
Powered by HEXA Core DSP and 200+ premium plug-ins
The Apollo x16 features HEXA Core DSP, allowing you to process plug-ins in real-time without taxing your computer’s CPU. With the Ultimate+ Edition, you gain access to over 200 premium UAD plug-ins, including industry staples like the Teletronix LA-2A and 1176 compressors, Pultec EQs, and modern tools like Auto-Tune and Capitol Chambers reverb. This DSP power enables you to record and monitor with effects applied, maintaining low latency and high performance even with large, complex sessions. This robust processing capacity helps you achieve polished, professional results from the recording phase through to the final mix.
Ultimate+ Edition Plugins
- Vocals & Pitch Correction (2)
- Topline Vocal Suite
- Topline Key Finder
- Channel Strips & Preamps (19)
- API® Preamp
- API® Vision Channel Strip
- API® Vision Channel Strip Legacy
- Avalon® VT-737sp Channel Strip
- CS-1 Channel Strip
- Century Tube Channel Strip
- Helios® Type 69 Preamp and EQ
- LA-6176 Signature Channel Strip
- Manley® Reference Microphone Preamp
- Manley® VOXBOX Channel Strip
- Neve® 1073 Preamp & EQ
- Neve® 88RS Channel Strip
- Neve® 88RS Channel Strip Legacy
- Precision Channel Strip
- SSL® E Series Channel Strip
- SSL® E Series Channel Strip Legacy
- UA 610-A Preamp & EQ
- UA 610-B Preamp & EQ
- V76 Preamplifier
- Compressors / Limiters (36)
- API® 2500 Stereo Bus Compressor
- Chandler Limited® Zener Limiter®
- dbx® 160 Compressor / Limiter
- elysia® alpha compressor V2
- elysia® alpha Mix Compressor
- elysia® mpressor
- Empirical Labs EL8 Distressor™
- Fairchild 660 Compressor
- Fairchild 670 Compressor
- Fairchild 670 Legacy Compressor
- FATSO® Jr. Tape Sim. & Compressor
- FATSO® Sr. Tape Sim. & Compressor
- Manley Variable Mu® Limiter Compressor
- Precision Buss Compressor
- Sonnox® Oxford Limiter v2
- Summit Audio® TLA-100A Compressor
- SSL® G Series Bus Compressor
- SSL® G Series Bus Compressor Legacy
- Teletronix LA-2 Classic Leveler
- Teletronix LA-2A Gray Classic Leveler
- Teletronix LA-2A Silver Classic Leveler
- Teletronix LA-2A Legacy
- Teletronix LA-2A Tube Compressor
- Teletronix LA-3A Classic Audio Leveler
- Tube-Tech® CL 1B Compressor
- Tube-Tech® CL 1B MkII Compressor
- UA 1176 FET Compressor
- UA 1176 Rev A Classic Limiter
- UA 1176AE Classic Limiter
- UA 1176LN Rev E Classic Limiter
- UA 1176LN Legacy
- UA 1176SE Legacy
- UA 175B Tube Compressor
- UA 176 Tube Compressor
- Valley People® Dyna-mite™
- Vertigo Sound® VSC-2 Compressor
- Equalizers (32)
- API® 550A Parametric EQ
- API® 560 Graphic EQ
- Brainworx® bx_digital V2 EQ
- Brainworx® bx_digital V2 Mono EQ
- Brainworx® bx_digital V3 EQ
- Brainworx® bx_digital V3 Mix EQ
- Cambridge EQ
- Dangerous® BAX EQ Mix
- Harrison® 32C Channel EQ
- Harrison® 32C SE Channel EQ
- Hitsville EQ
- Helios® Type 69 Legacy EQ
- Maag EQ4® MS Equalizer
- Maag EQ4® EQ
- Massenburg DesignWorks® MDWEQ5-3B Parametric EQ
- Manley® Massive Passive EQ
- Millennia® NSEQ-2 EQ
- Neve® 1073 Legacy Classic Console EQ
- Neve® 1073SE Legacy Classic Console EQ
- Precision Equalizer
- Pultec EQP-1A Legacy EQ
- Pultec EQP-1A Passive EQ
- Pultec HLF-3C Passive EQ
- Pultec MEQ-5 Passive EQ
- Pultec Pro Legacy EQ
- Sonnox® Oxford Dynamic EQ
- Sonnox® Oxford EQ
- Tonelux® Tilt EQ
- Tonelux® Tilt Live EQ
- Trident® A-Range Classic Console EQ
- Tube-Tech® ME 1B EQ
- Tube-Tech® PE 1C EQ
- Special Processing (28)
- A/DA® Flanger
- A-Type Multiband Dynamic Enhancer
- Ampex® ATR-102 Mastering Tape Recorder
- Brainworx® bx_saturator V2
- Brainworx® bx_subsynth Subharmonic Synthesizer
- C-Suite C-Vox™ Noise & Ambience Reduction
- Eventide® H910 Harmonizer
- Little Labs® IBP Phase Alignment Tool
- Little Labs® Voice Of God Bass Resonance
- Moog® Multimode Filter
- Moog® Multimode Filter SE
- Moog® Multimode Filter XL
- Oxide Tape Recorder
- OTO® BISCUIT 8-Bit Effects
- Precision De-Esser
- Precision Enhancer Hz
- Precision Enhancer kHz
- Softube® Vocoder
- Sonnox® Oxford Inflator
- Sonnox® Oxford Envolution
- Sonnox® Oxford SuprEsser DS
- SPL® TwinTube Processor
- SPL® Vitalizer MK3-T
- Studer® A800 Multichannel Tape Recorder
- Thermionic Culture Vulture
- Vertigo Sound® VSM-3 Mix Satellite
- Vibe Analog Machines
- Vibe Analog Machines Essentials
- Instruments (7)
- Anthem Analog Synthesizer
- Electra 88 Vintage Keyboard Studio
- Moog® Minimoog Synth
- Opal Morphing Synth
- PolyMAX Polyphonic Synth
- Ravel Grand Piano
- Waterfall B3 Organ
- Delay & Modulation (11)
- A/DA® STD-1 Stereo Tapped Delay
- Brigade Chorus Pedal
- Cooper® Time Cube MkII Delay
- EP-34 Tape Echo
- Galaxy Tape Echo
- KORG® SDD-3000 Digital Delay
- MXR® Flanger/Doubler
- Precision Delay Mod
- Precision Delay Mod L
- Studio D Chorus
- Waterfall Rotary Speaker
- Reverbs & Rooms (14)
- AKG® BX 20 Spring Reverb
- Capitol Chambers
- DreamVerb Room Modeler
- EMT® 140 Classic Plate Reverb
- EMT® 250 Electronic Reverb
- Hitsville Reverb Chambers
- Lexicon® 224 Digital Reverb
- Lexicon® 480L Digital Reverb and Effects
- Ocean Way Studios Deluxe
- Ocean Way Studios
- Precision Reflection Engine
- Pure Plate Reverb
- RealVerb Pro Custom Room Modeler
- UAD Sound City Studios
- Mastering (15)
- Brainworx® bx_masterdesk
- Brainworx® bx_masterdesk Classic
- Brainworx® bx_refinement
- Capitol Mastering Compressor
- Chandler Limited® Curve Bender Mastering EQ
- C-Suite C-Max™ Limiter
- Dangerous® BAX EQ Master
- elysia® alpha Master Compressor
- Hitsville Mastering EQ
- Manley® Massive Passive Mastering EQ
- Precision K-Stereo Ambience Recovery
- Precision Limiter
- Precision Maximizer
- Precision Multiband
- Shadow Hills Mastering Compressor Class A
- Guitar & Bass (41)
- Ampeg® B-15N Bass Amplifier
- Ampeg® SVT-3 PRO Bass Amplifier
- Ampeg® SVT-VR Bass Amplifier
- Ampeg® SVT-VR Classic Bass Amplifier
- Bermuda Triangle
- Brainworx® bx_tuner
- Chandler Limited® GAV19T Amplifier
- C-Suite C-Axe™ Guitar Noise Suppressor
- Diezel® Herbert Amplifier
- Diezel® VH4 Amplifier
- Eden® WT800 Bass Amplifier
- ENGL® E646 VS Limited Edition
- ENGL® E765 Retro Tube
- ENGL® Savage 120 Amplifier
- Fender® ’55 Tweed Deluxe
- Friedman® BE100 Amplifier
- Friedman® Buxom Betty Amplifier
- Friedman® DS40 Amplifier
- Fuchs® Overdrive Supreme 50 Amplifier
- Fuchs® Train II Amplifier
- Gallien-Krueger® 800RB Bass Amp
- Marshall® Bluesbreaker 1962
- Marshall® JMP 2203
- Marshall® Plexi Classic
- Marshall® Plexi Super Lead 1959
- Marshall® Silver Jubilee 2555
- Raw Distortion
- Softube® Amp Room Half-Stack
- Softube® Bass Amp Room
- Softube® Bass Amp Room 8x10
- Softube® Metal Amp Room
- Softube® Vintage Amp Room
- TS Overdrive Pedal
- Sound Machine® Wood Works
- Suhr® PT100 Amplifier
- Suhr® SE100 Amplifier
- UAD Dream ’65 Reverb Amplifier
- UAD Lion ’68 Super Lead Amp
- UAD Ruby ’63 Top Boost Amplifier
- UAD Woodrow ’55 Instrument Amplifier
- UAD Showtime ’64 Tube Amp
- LUNA Extensions (4)
- Ampex® ATR-102 Master Tape Extension
- API® Summing Extension
- API® Vision Console Emulation
- Studer® A800 Multitrack Tape Extension
Features
- 18 x 20 Thunderbolt audio interface with elite-class Apollo X Gen 2 audio conversion
- Supports immersive audio formats up to 9.1.6 with built-in Bass Management
- HEXA Core DSP for powerful plug-in processing with access to over 200 UAD titles
- 16 x 16 analog I/O via DB-25 connections with +24 dBu headroom settings
- Top-tier A/D and D/A conversion with low distortion and wide dynamic range
- Apollo Monitor Correction powered by Sonarworks for precise room tuning
- Compatible with both Mac and Windows operating systems
- Integrates with LUNA for real-time recording with an analog studio sound
- Supports Dolby Atmos, Auro-3D, and Sony 360 Reality Audio mixing formats
- Offers Essentials+ and Ultimate+ software editions, including award-winning plug-ins
- Expandable up to 64 channels with multiple Apollo units for large-format studio setups
- Control and configure plug-in routing and monitoring via the UAD Console app
Specifications
- System I/O complement:
- Simultaneous channel I/O count (analog + digital): 18 x 20
- Analog line inputs: 16
- Analog line outputs (DC coupled): 16
- Analog monitor outputs (DC coupled): Two (one stereo pair)
- Digital audio ports (AES/EBU): One input, one output
- Thunderbolt 3 ports: Two
- Word clock: One input, one output
- Thunderbolt compatibility: Mac only; Thunderbolt 1 and 2 connections supported via Apple Thunderbolt 3 to Thunderbolt 2 adapter
- A/D – D/A conversion:
- Simultaneous A/D conversion: 16 channels
- Simultaneous D/A conversion: 18 channels
- Supported sample rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Bit depth per sample: 24
- Analog round-trip latency: 1.1 milliseconds @ 96 kHz sample rate
- Analog round-trip latency through four UAD legacy plug-ins: 1.1 milliseconds @ 96 kHz sample rate (no additional latency via Realtime UAD Processing)
- Analog I/O:
- Line inputs 1–16:
- Frequency response: 20 Hz – 20 kHz, ±0.04 dB
- Dynamic range: 124 dB (A-weighted)
- THD + noise (1 kHz @ 23 dBu, -1 dBFS): -115 dB (0.00018%)
- Maximum input level: 24 dBu
- Input impedance: 10 K Ω
- Connector type: Two female DB25, Tascam wiring
- Line outputs 1–16:
- Frequency response: 20 Hz – 20 kHz, ±0.02 dB
- Dynamic range: 127 dB (A-weighted)
- THD + noise (1 kHz @ 23 dBu, -1 dBFS): -123 dB (0.000068%)
- Maximum output level: 24 dBu
- Reference level @ +4 dBu: 24 dBu
- Reference level @ -10 dBV: 12.2 dBu
- Output impedance: 100 Ω
- Connector type: Two female DB25, Tascam wiring
- Monitor outputs 1–2:
- Frequency response: 20 Hz – 20 kHz, ±0.02 dB
- Dynamic range: 133 dB (A-weighted)
- Total harmonic distortion + noise ratio (1 kHz @ -1 dBFS): -129 dB (0.000037%)
- Maximum output level: 24 dBu
- Reference level @ +4 dBu: 24 dBu
- Reference level @ -10 dBV: 10 dBV (12.2 dBu)
- Output impedance: 100 Ω
- Connector type: Balanced male XLR (pin 2 hot)
- Digital I/O:
- AES/EBU:
- Digital audio ports: One input, one output
- AES/EBU channels: One stereo input, one stereo output
- Supported sample rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Connector type: XLR
- Format: IEC 60958 Type I
- Word clock:
- Connector type: BNC
- Lock range: ±4% of any supported sample rate
- Word clock input termination: 75 Ω, switchable
- Synchronization sources: Internal, Word Clock, AES/EBU
- Electrical:
- Power supply: External AC-to-DC power supply, level VI compliant
- AC input connector type: IEC male
- AC requirements: 100V – 240V AC, 47 – 63 Hz, 1.6 A max
- DC connector type: XLR 4-pin locking male (Neutrik P/N NC4MDM3-H)
- DC requirements: 12 VDC, 9 A
- Maximum power consumption: 72 Watts (30 W typical)
- Environmental:
- Ambient temperature range: 32º to 104º F (0º to 40º C)
- Mechanical:
- Dimensions:
- Width: 19" (482.6 mm)
- Height (1U rack space): 1.74" (44.2 mm)
- Depth, chassis only: 12" (305 mm)
- Depth, including knob & jack protrusions: 13.5" (343.1 mm)
- Shipping box (width x depth x height): 23.62" x 16.73" x 7.68" (600 mm x 425 mm x 195 mm)
- Weight:
- Shipping weight (with box & accessories): 16.76 lbs (7.6 kg)
- Weight (bare unit): 8.5 lbs (3.88 kg)
- Product Code: APX16G2-ULT