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Based on the chassis and feature spec of the acclaimed 4400a, but with the highly specialised capsule of the original Titan, it delivers full and perfectly balanced mid and low frequencies, while its Titanium capsule produces un-hyped but ultra-detailed HF response.
It is thus ideally suited for percussive recordings, including studio use for drums (and of course percussion), picked guitar, hammer action on piano, kick drum, slap bass etc.
More, it is the ideal broadcast mic for spoken word; since the intelligibility of any speech recording comes with good definition of HF (the percussive elements of speech such as ?p? and ?t? sounds), it is especially important for any mic used to deliver great HF response. However, simply hyping the HF with an EQ bump can cause the sound to be sibilant and harsh sounding. The T2 delivers perfectly balanced HF response due to its very fast HF transient response, giving exceptional intelligibility without the hype.
- Frequency Response: 20Hz-20KHz
- Sensitivity: 28mv/pa-31 ± 1dB
- Polar Pattern: Omni, Cardioid, supercardioid, Figure 8
- Impedance: ? 50 Ohms
- Equivalent Noise Level: 14dB(A weighted)
- Max SPL for 0.5% THD@1000Hz for 0.5%: 140dB minimum
- Power Requirement: Phantom power 48V±4V
- Connector: 3-pin
sE Electronics Project Studio Reflexion Filter Vocal Booth
After 3 years and many poor imitations of SE's now industry standard design, they have gone back to the drawing board to produce what many budget concuos customers have so desired... an entry level Reflexion Filter product which actually does the job properly!
Due to patents pending on their original design, competitors who have tried to emulate the success of SE's original RF Pro have not managed to do so succesfuly since their designs are limited, and as a result, so are their performances.
The Project Studio RF uses the same basic design as the Pro version, and while it can never be fully as effective as its more expensive big brother, it easily ouut performs copies and for project studio use is just the job. The metal frame is lined with the same patented polyester fibreboard as the Pro version uses for its outer layer. This material has extremely good acoustic absorbtion properties; much better than simple foam products. This is then further lined with a high density 'crystal' foam with curved undulations rather the cheaper and less effective ribbed, medium density foams that are widely used by other companies.
The result is a product which looks fantastic and 'sounds' even better when recording vocals and acoustic guitars... its not an RF Pro, but it's the best of the rest!
