The Antelope Audio Goliath Audio Interface combines more than 20 years' of experience in digital audio, clocking and analog circuit development, all into an intuitive and versatile professional audio interface. The extremely fast Thunderbolt, USB and MADI I/O features a total of 36 analog inputs and 32 analog outputs, including Class-A mic preamps with pristine AD/DA converters, all powered by Antelope's renowned clocking technology.
Product Ref: 72003
64 Channels via Thunderbolt can be routed to a vast selection of digital and Analog I/O options, including MADI, AES, ADAT and S/PRIF for digital signals. The Goliath also features 36 Analog inputs and 32 Analog outputs; these include 4 instrument DI's, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-channels of Class-A mic preamps, 2 sets of Stereo Inserts and a pair of mastering-grade Monitor Outs on the rear. The DB25 connectors include 24 Outputs and 16 additional Line Inputs, making the Goliath the perfect choice for Hardware inserts and Summing. Additionally even more Analog I/O channels can be added by connecting one of Antelope's own Orion32 or Orion32+ via MADI, delivering a full 64 channels of Analog I/O simultaneously.
Utilising Antelope's powerful FPGA-based DSP engine, Goliath is able to process four zero latency mixers with custom effects such as the new AuraVerb reverb, as well as several new modern and vintage hardware EQ and compressor models. Antelope's new RealModel technology accurately models the actual components to vividly create the true sound of classic analog gear. Effects can then be combined to build custom FX Chains and saved as Presets within the AFX engine.
Goliath's precise clocking is run by Antelope's proprietary 4th generation of Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator - as featured in Antelope's flagship crystal-based master clocks. The Goliath interface also has the capability to be synced to the extremely accurate 10MX Atomic Clock, or it can be used as a master clock for two other products via the two outs on BNC.
Dedicated knobs make real-time control surprisingly simple for adjusting Mic Pre Gain and Instrument Inputs, while an assignable large volume knob controls Stereo, Surround or Headphone Monitor Outs. The Goliath also features dedicated buttons for Talkback, Mono and Mute, along with a flexible Antelope Button.
When using your computer, Goliath provides you with the ability to easily route any input to any output via a flexible colour-coded routing matrix within Antelope's control panel software for OS X and Windows. All of your favourite settings and prefered routes can then be saved to any of the five recallable presets. Additionally, the free iOS and Android app allows you to control everything wirelessly - ensuring you're completely in command of Goliath's vast connectivity at all times.
An offline DSP is no longer required to enhance the power of a modern DAW, thanks to Antelope's Thunderbolt™ speeds combined with the real-time FPGA mixers and FX. Antelope Audio interfaces utilise real-time DSP for specific tasks such as monitor mixing with reverb, tracking through accurately modeled EQ and Compression, as well as exceptional guitar amp models from Overloud Audio Tools. The custom Thunderbolt circuit enables you to route to external equipment in near real-time or route recorded guitars or other audio out of the Reamp Output to external pedals or other processors.
Goliath Audio Interface comes with full yet ever expanding list of Antelope Vintage FX models:
Any electrical items in your order may have been designed to work with a 240V circuit, using a United Kingdom G type plug connection. An adapter or transformer may be required for these items to work properly and safely in your country. Some items work with a range of voltages, or have a switchable voltage control built in. Please refer to the specific product details for further information.