Behringer JN-80 8-Voice Polyphonic Synthesizer

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Key Features

Eight-voice analog synth provides warm, characterful sound
Versatile waveforms offer flexible pads, leads, and basses
BBD chorus delivers spacious width for richer patches
Aftertouch keys provide expressive, hands-on control
Arpeggiator offers creative patterns for easy idea-building

Behringer JN-80 8-Voice Polyphonic Synthesizer Overview

The Behringer JN-80 8-Voice Polyphonic Synthesizer is ideal for players who want expressive analog sounds with simple, hands-on control. You get eight voices driven by classic DCOs, giving you warm pads, punchy leads, and weighty basses without fuss. A multi-stage BBD chorus adds width and movement, helping your patches sit nicely in a mix. And with 49 full-size keys featuring velocity and aftertouch, you can shape every note naturally as you play.

There's also a helpful arpeggiator that keeps ideas flowing, whether you're sketching at home or building a full track. Plus, with 400 user memories, you can save and recall sounds quickly. It's a friendly synth for anyone who enjoys analog tone and practical creativity.

Product Ref: 358268

Full Description

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Hands-on analog control

You can shape sounds quickly thanks to the straightforward analog architecture. The DCO, VCF, and VCA stages respond clearly to each adjustment, so it’s easy to hear how each move affects your patch. A dedicated sub-oscillator adds extra body, and the noise generator lets you create brighter textures when you need them. This direct workflow keeps you focused on the music rather than digging through menus.

Expressive performance features

The 49-key keyboard includes velocity and aftertouch, giving you more dynamic control without extra gear. Pitch and mod wheels are spring-loaded, making bends and sweeps feel natural during a performance. If you enjoy shaping sound in real time, you’ll find the instrument responds smoothly to your playing style.

Creative modulation and movement

A powerful LFO lets you add motion to pitch, filter, or pulse width, helping you build evolving pads or dramatic leads. And because you can mix modulation with the chorus, you can achieve lush textures that keep arrangements feeling alive. These tools encourage experimentation, especially when paired with the flexible filter and envelope options.

Smart workflow and connectivity

The LCD and encoder make menu edits quick, while assignable switches bring your favourite presets within easy reach. You also get CV and pedal inputs for performance setups, plus full MIDI control, including NRPN/CC access to every parameter. This keeps the synth ready for studio sequencing, live rigs, and hybrid setups without complication.

Features

Eight-voice analog engine for warm, rich tones
Multiple waveforms for flexible sound design
Sub oscillator for extra depth and weight
BBD chorus for wide, lively patches
Arpeggiator with simple pattern options
Aftertouch keyboard for expressive control
Pitch and mod wheels for performance shaping
LCD menu system for quick parameter editing

Specifications

Voices: 8 polyphonic
Oscillator Types: Saw, square, pulse width
Sub Oscillator: One octave down
Filter: 24 dB lowpass with resonance
Chorus: Multi-stage BBD
Keyboard: 49 keys with velocity and aftertouch
Arpeggiator Modes: Up, down, up-down
MIDI: Full implementation with NRPN/CC
Memory: 400 user programs
Display: LCD with encoder
Inputs: CV and pedal
Performance Controls: Pitch and modulation wheels
Portamento: Polyphonic
Dimensions (W x D x H): 108.7 mm x 826.3 mm x 261.1 mm
Weight: 7.28 kg

Your order may contain items that use a 240V UK plug or a 220V EU plug

Any electrical items in your order may have been designed to work with a 240V circuit, using a United Kingdom G type plug connection or a 220V circuit, using an EU plug connection. An adapter or transformer may be required for these items to work properly and safely in your country. Some items work with a range of voltages, or have a switchable voltage control built in. Please refer to the specific product details for further information.

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