Music and audio are crucial to many forms of worship across pretty much all religions and denominations. From sermons to bands, choirs, pianos, and organs, countless elements need microphones and amplification from a good PA system.
Depending on the religion, the size, architecture, and shape of the space can vary – and this will inform the choice of sound system for the church or place of worship. So, if you’re looking to set up or improve a sound system within your venue, there’s a lot you’ll need to consider. In this article, we’ll discuss all these factors in detail and help you find the best system.
In a hurry?
Here’s a quick rundown of our sound system recommendations based on the size and type of your space and the kinds of requirements you might have.
| Building type | Requirements | Our recommended setup |
|---|---|---|
| Smaller buildings | Smaller buildings may be capable of managing systems with a few small speakers – sold either in an installation package or individually. If you have a worship band, you might want an active PA speaker or one or two column PA speakers. In these spaces, a compact analog mixer may also suffice for running audio to keep expenses low - although they may need to be paired with a graphic EQ or feedback processor to prevent noise from reflections coming back into the mic. A compact gooseneck mic is also good for speeches from fixed positions, like at a pulpit, or a small wireless system for those who like to move around the space. | PA: Electro-Voice ZLX-15P-G2 Mixer: Mackie ProFX12v3 Mic: Audio Technica PRO49QL |
| Medium-sized buildings | Medium-sized buildings are open to a lot more variance depending on layout. In spaces with more rounded roofs, like the typical architecture of mosques, ceiling speakers tend to be preferable. Zone-based 100V amplifiers give you more control over speakers, and a variety of passive speakers are often installed around the area. Typically, there’ll also be some larger installation speakers at front-of-house fed by the same amplifier. If worship bands or musical performances are at play, it may also be worth investing in a few subwoofers or a hanging microphone for choirs. Preachers may want to consider a wireless headset or lavalier system instead, giving them more freedom of movement and expandability for other people to speak during worship. At this scale, a digital mixer and a digital stagebox might also be necessary for musical performance. | PA: Electro-Voice ELX200-10 Subwoofer: Electro-Voice ELX200-12S Power Amp: Crown XLS 1002 DriveCore Mixer: Behringer X32 Mic: Shure GLXD14+/85 Wireless Lavalier System |
| Listed buildings | Many houses of worship are considerably older buildings, often of historical significance, or simply old enough that installation may be too destructive to the structure of the building. These spaces will instead want columns of speakers with narrow coverage set up in corners. Columns with a horizontal throw of 30 to 90 degrees are usually preferable to prevent feedback and reflections. Standard microphones may be a challenge due to the thickness of the walls and their reflectivity, but those with supercardioid or hypercardioid polar patterns will be best to prevent feedback. Wireless headset systems may be beneficial due to their rejection of atmospheric sound. | PA: G4M Full Column Power Amp: SubZero 360 W Multi-Zone 100V Line Mixer Amplifier Mixer: Allen and Heath CQ18T Mic: Sennheiser EW-D-ME3 Wireless System |
| Large buildings | Larger buildings will need a significant number of speakers. Considering larger houses of worship may be in spaces like disused theatres and cinemas, making the most of this space may depend on the throw of speakers. Multiple subwoofers are also advisable. Passive line array systems would be the ideal choice for this. A large-format digital mixer, and often any kind of mic setup the preacher prefers. Handheld, wireless, and goosenecks on podiums are all viable options in these spaces, but large wireless systems are usually the most adaptable and capable of running the multiple mics needed during larger worship sessions. | PA: SubZero HiCAST LA10 Flown PA System Mixer: Midas M32 Live Mic: Trantec S5.5 Custom Wireless System |
What is a PA system?
PA stands for ‘public address’. These systems consist of a set of inputs, an amplifier, and any number of speakers, depending on configuration. All these elements can come from a bunch of different things.
The inputs could be a digital stagebox, an external mixer, or a built-in mixer on the PA speakers themselves. The amplifier can be an external power amp, part of a powered mixer, or built into an active PA speaker. Meanwhile, the speakers can be a series of ceiling speakers, a column PA system, a standalone PA speaker, a PA speaker and subwoofer pairing, a speaker array, or a portable speaker.
If you want more information, check out our full breakdown of what PA systems are and what they can do.
Sound systems for churches and places of worship
What are your requirements?
When choosing a sound system for your church or place of worship, you need to first know what exactly you require. The system must suit the size and layout of the venue while addressing its specific needs, whether you’re amplifying speech, music, or a combination of both.
For smaller venues, such as chapels or meeting rooms, focus on compact and efficient systems. These should offer clear speech reproduction, minimal feedback, and straightforward controls. For larger sanctuaries or cathedrals, the priority shifts to ensuring coverage for the entire space, so consider systems with multiple speakers and zone control to handle acoustic challenges like echoes or uneven sound dispersion.
Regardless of venue size, all sound systems in places of worship need to prioritise clarity for spoken word. This is particularly important for sermons or readings, where every word must be intelligible. If your services include live music, look for a system capable of handling a broad frequency range and dynamic sound levels to maintain a balanced mix.
Ease of use is also vital. Volunteers or staff with varying levels of technical expertise will likely operate the system, so intuitive controls and reliable performance are essential. Investing in a scalable system can also accommodate future needs as your congregation grows.
What size is your place of worship?
The size of your place of worship plays a key role in selecting the right sound system. For small churches or chapels, a compact PA system is often the best choice. These systems typically feature fewer input channels, making them suitable for smaller ensembles or solo speakers.
A straightforward speaker setup with minimal cabling can cover the space effectively, ensuring clear sound without overcomplicating installation. A small-format analogue mixer may be sufficient, as long as it provides enough channels to accommodate your requirements, such as microphones and musical instruments. This setup keeps operation simple while delivering the clarity needed for both speech and music.
Medium-sized churches require larger sound systems to cover the increased space and accommodate more complex audio needs. Systems with higher wattage speakers, greater SPL (sound pressure level), and subwoofers are ideal for delivering clear sound across the entire venue.
With more input channels needed for larger choirs, bands, or a combination of both, a digital mixer can be a valuable addition if the budget allows. Digital mixers offer advanced features like presets and enhanced control, which can simplify operation for diverse services. Depending on the layout, multiple PA systems or speakers may be required to ensure even coverage throughout the church.
Large churches demand more advanced sound systems to handle their size and acoustic complexity. Line arrays are often used to deliver consistent audio coverage, particularly in spaces with high ceilings or irregular layouts. These systems ensure clarity for both speech and music across large congregations.
Multiple wireless microphone systems may be necessary to accommodate speakers, worship leaders, and performers, providing flexibility without the clutter of cables. In-ear monitoring systems are ideal for bands and choirs, allowing precise audio control. Digital mixers are crucial for managing these setups, offering extensive channel options, customisable settings, and streamlined operation for larger, more dynamic services.
Power distribution is a common challenge in churches, as power outlets are rarely located where they’re most needed. Investing in professional wiring ensures a reliable and safe setup. Passive PA systems with external power amplifiers are often a practical choice, offering flexibility in speaker placement and control.
Power amplifiers pair well with ceiling speaker systems, often used in mosques, to provide discreet yet effective audio coverage. The right amplifier allows you to adjust speaker volume for specific zones, improving clarity and preventing feedback near microphones. This setup provides better control over the sound environment, ensuring clear and consistent audio throughout the venue.
More considerations
Now that you’ve identified your requirements and taken into account your venue size, you need to evaluate the type of sound you need to amplify. Sermons and readings demand crystal-clear speech reproduction, whereas services with live music require systems capable of handling a wider frequency range and dynamic sound levels.
Pay close attention to speaker coverage, ensuring the entire congregation can hear clearly without any dead zones.
Room acoustics play a significant role in sound quality. High ceilings, reflective surfaces, and irregular layouts can lead to echoes or muddled sounds, and these are all quite common in the typical architecture of houses of worship.
For many older buildings, acoustic treatment will be out of the question, as it requires modifications to the building, but ceiling clouds over the stage are recommended if possible, and more comprehensive treatment is always a plus. However, if treatment isn’t possible, strategically placed speakers are another way of addressing these issues.
Additionally, count the number of inputs and outputs you’ll need for microphones, instruments, and other equipment. Wireless microphone systems should have a reliable operating range that comfortably reaches the stage from the receiver, a key factor for walking preachers. Similarly, ensure in-ear monitoring systems are robust enough for performers.
Sound system ideas
Sound system for a small church
A sound system for a small church should be compact, easy to use, and tailored to the venue’s needs. The primary focus is ensuring clear speech and adequate support for any musical elements.
For a straightforward setup, consider a passive or powered speaker system with one or two speakers, depending on room size. A pair of something like the previously recommended Electro-Voice ZLX-15P G2 would be great for most spaces.
Pair this with a small-format analogue mixer with enough channels for microphones and any musical instruments; the Mackie ProFX12v3 or Yamaha MG16XU would suffice here.
For speech, a wired gooseneck microphone like the Audio Technica PRO49QL Gooseneck Condenser Microphone or a basic wireless system like the Sennheiser EW-D ME3 works well, providing clarity without unnecessary complexity.
If music is a key element, a compact PA with a matching subwoofer like the Mackie Thump215 with a Thump118S may enhance the low-end frequencies, especially for keyboards or recorded backing tracks. Placement of speakers is important – position them to minimise feedback and maximise coverage.
This simple setup is cost-effective and ensures quality audio for sermons, hymns, and community gatherings, making it ideal for a smaller congregation or chapel.
Preachers who move around the room
Preachers who move around the stage and the congregation will need a flexible wireless microphone system.
Choose a system with a strong operating range that easily covers the distance between the receiver and all areas of the room, including the furthest seating rows.
A lavalier (lapel) or headset microphone is ideal for hands-free use, offering clarity and comfort, so we’d recommend the Shure GLXD14+/85. Ensure the wireless receiver is compatible with your mixer and positioned to maintain an uninterrupted signal.
The sound system should also minimise feedback, especially if the preacher is near speakers.
Opt for a system with automatic feedback suppression, or carefully place speakers to avoid direct alignment with the microphone.
For additional control, consider a digital mixer with wireless app integration, allowing sound adjustments from anywhere in the room.
Amplifying a band
Amplifying a band in a church requires a system capable of handling multiple inputs and delivering a balanced sound across a wide frequency range. Begin with a mixer that has sufficient channels to accommodate all instruments, vocals, and additional sources.
A digital mixer like the Behringer X32 or the Allen & Heath CQ18T is ideal, offering features like EQ presets, effects, and the ability to save settings for different services.
Pair the mixer with a PA system featuring full-range speakers and subwoofers to handle dynamic sound levels and low-end frequencies. Passive or powered speaker systems can work, but ensure they have enough power for the venue size.
A passive installation system like the Behringer SAT 1004 can help with coverage for spaces with complex architecture.
Microphones should suit the setup, including dynamic mics for vocals and instruments, and condenser mics for overheads or acoustic instruments. In-ear monitoring systems like the NUX B-7PSM are highly recommended for band members to ensure precise audio without adding stage clutter.
Strategic speaker placement and acoustic treatment can help manage sound clarity and prevent feedback.
Amplifying a choir or acoustic performance
Amplifying a choir or acoustic performance in a church requires a sound system that captures natural tones and ensures clarity across all vocal ranges. Use condenser microphones, as they are sensitive and capable of capturing the nuances of vocal harmonies and acoustic instruments.
Overhead microphones like the Audio-Technica PRO45 or boundary microphones can work well for larger choirs, whilst also picking up sermons if placed in the right spot.
You’ll also need a mixer with sufficient channels, allowing individual control of microphones for balance.
A digital mixer is a great option for fine-tuning EQ and adding subtle reverb, enhancing the overall sound without overwhelming the natural acoustics. Choose a mixer with the right number of inputs and footprint for the size of the space.
A smaller digital mixer like the Allen & Heath CQ18T may be better for compact spaces, while very large buildings with more elaborate performances may need a full-sized live console such as the Midas M32 Live.
For speakers, opt for full-range systems capable of covering the entire congregation. Avoid placing speakers too close to the microphones to minimise feedback.
If acoustic instruments are part of the performance, ensure they have dedicated microphones or pickups. For choirs, monitor speakers can help performers hear themselves clearly.
Our top tips for installing a sound system
1. Plan for coverage
Ensure the sound system covers the entire space evenly. Identify any areas where sound may be weaker, such as corners or balconies, and use additional speakers or zone control to maintain consistent audio quality.
2. Account for acoustics
Analyse the room’s acoustics, considering high ceilings, reflective surfaces, and unique architectural features. Add acoustic panels or choose speakers with focused dispersion to minimise echoes and enhance clarity.
3. Position speakers carefully
Place speakers to avoid direct alignment with microphones and prevent feedback. Keep speakers elevated and angled to reach the audience effectively without overpowering the front rows.
4. Futureproof your system
Choose scalable equipment to accommodate future upgrades or changes. Ensure the mixer, microphones, and speakers have the capacity to support growing needs or additional features.
5. Test thoroughly before use
Conduct comprehensive tests with the system fully set up. Check sound clarity, feedback, and volume balance across the room, adjusting as needed to ensure reliable performance during services.
FAQs
What makes a good sound system in a church?
A good sound system in a church ensures clear and balanced audio throughout the worship space. It requires high-quality microphones, speakers, and mixers tailored to the acoustics of the building. Proper speaker placement and professional calibration enhance speech intelligibility and music quality.
What is needed for a church sound system?
A church sound system needs reliable microphones, amplifiers, mixers, and speakers suited to the space. Acoustic treatment and cabling are essential for reducing feedback and noise. Digital consoles and wireless solutions improve flexibility for diverse services and events.
How do you get a good church sound?
To get a good church sound, you need to understand your space’s acoustics and use high-quality audio equipment that suits the venue. Position the microphones and speakers strategically to minimise echo and feedback, and adjust the EQ to project optimal sound throughout the place of worship.
Final thoughts
It’s a complex topic, but choosing the right sound system for your church or any other place of worship is crucial for delivering engaging, loud, and clear sermons and music. The main considerations are the size and acoustics of your space and the type of sound you’ll be amplifying, whether it’s spoken word or band/choir performances.
Hopefully, this guide has taught you everything you need to know about finding the perfect system. To learn more, check out the articles linked below.
Analog vs. Digital Mixers – What’s the Difference?
What is Audio Feedback and How Do I Fix It?
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