In-ear monitors are a great way of hearing exactly how you sound on stage or in the studio, without having to compete with bandmates. For both studio recording and live shows, they’re fast becoming a more popular way of listening back to what you’re playing, as you’re playing.
This alternative to monitor wedges helps prevent feedback on stage, protects hearing, and isolates background noise to keep you focused on your playing. That all sounds great, doesn’t it? But where do you start? Right here, because this is our list of the 9 best in-ear monitors for 2024.
In a hurry?
Here are our favourite in-ear monitors at the moment:
| Sennheiser IE 100 Pro | Great value for money in-ears with a powerful sound and durable build quality that can double as earphones for casual listening. Broadband dynamic drivers give punchy bass and distortion-free sound. | Check the current price |
| Shure SE846 Gen 2 | High-fidelity sound from four balanced armature drivers, improved bass response, optional wireless, and four colour-coded inserts for revoicing the monitors to your taste. | Check the current price |
| Westone Audio Pro X50 | High-quality IEMs with five balanced armature drivers for an incredibly detailed and rich sound quality. Up to 25 decibels of ambient noise reduction, ten customisable earpads, and a durable build. | Check the current price |
Why we’ve chosen these in-ear monitors
As always, we’ve tried to go for the widest possible range of in-ear monitors available to us. We’ve chosen monitors that are great for small gigs, festivals, studios, or casual listening, so you can find something that’ll fit your use case. Features like wireless connectivity, multiple voicings, and a range of different driver types are key to a user’s experience too, so we’ve tried to cover all this ground.
We wanted to cover a range of budgets too, so while we have some more accessible models, we’ve thrown in some more premium picks too. If the wallet’s a little tight for some of the picks on this list, we have a guide to the best budget in-ear monitors that might be a better way to get started.
We’ve also tried to select models with different levels of noise attenuation. Some performers, like drummers, will likely want a lot of attenuation, whereas vocalists and guitarists might look for less to hear some of the other instruments and their surroundings more clearly.
You may also want less noise attenuation in the studio for more free-flowing discussion around takes and mixes while you monitor. So, some IEMs on the list will deliver lots of noise reduction whereas others may be designed to let more ambient sound in. We also have a guide tailored to in-ear monitors for drummers, if that’s what you’re looking for.
What to look for in in-ear monitors
Everyone has their own preferences for in-ear monitoring. Considering you use them to listen back to live or studio mixes generally, a lot of the subjectivity of sound is the same as picking out a pair of studio monitors.
If you like a strong bassy sound, you might look for monitors with good low-frequency extension. Other instrumentalists may want clearer mids or a little extra treble, so look at frequency responses and think of what you want your monitoring to sound like. Do you want switchable voicings to tailor your sound depending on mood and situation?
Wired or wireless is always a major consideration for your choice of monitors too. Have you and your band invested in a wireless monitoring system for live shows? Do you know if the venues you frequent have wireless IEM systems? In that case, it might be worth investing in a set that has wireless Bluetooth compatibility.
Even if you pick a wired set, you may be able to use it with wireless bodypacks, but it’s never a guarantee. Having something that gives you both options – whilst pricier – will be a lot more versatile if you play live a lot and aren’t familiar with all of the venues and the equipment they’ll offer you.
You’re going to have these in for a while, so you’ll want something comfortable, many IEMs offer a range of swappable ear tips to make sure you have something that fits your ears.
Plus, as we mentioned previously, noise attenuation is important. You need to pick out a set of in-ear monitors that either block or let in the right amount of background noise to suit your taste. Drummers might want lots of attenuation, whereas vocalists won’t want too much reduction as they’ll need to hear the other instrumentalists around them.
The best in-ear monitors
1. Sennheiser IE 100 Pro – The best overall
Key features
- 10mm dynamic transducer
- Distortion-free sound at all volumes
- Slim, ergonomic design
Pros
- Comfortable for extended use
- Excellent noise isolation
- Durable, stage-proof construction
Cons
- Dynamic drivers can’t produce treble as well as other driver types
The Sennheiser IE 100 Pro deliver consistency and clarity, and they come with a removable cable.
Removable cables help protect the drivers, but with the use of another connector, they also allow you to convert them to wireless monitors.
The diaphragm of the IE 100 Pros ensures that the frequency range isn’t split between multiple drivers, resulting in a smoother, more unified sound. If you’re looking for a step up from the basic monitor earphones your system starts with, the Sennheiser IE 100 Pros are an excellent entry point to dedicated in-ear monitoring.
2. Shure SE846 – The best for bassists
Key features
- Four high-definition drivers
- Low-pass filter
- 37dB of noise isolation
Pros
- Customisable sound with nozzle inserts
- Excellent clarity and bass response
- Durable, detachable cables
Cons
- Premium price
The Shure SE846 Gen 2 earphones deliver unmatched clarity and precision, making them ideal for professionals and audiophiles alike. Each earbud features four high-definition balanced armature drivers, providing accurate sound reproduction across the frequency range, from 15Hz to 20kHz. The groundbreaking low-pass filter offers subwoofer-level bass performance, adding depth to your listening experience.
Comfort and fit are key, with a range of foam and silicone sleeves included to block up to 37dB of external noise. These earphones also come with interchangeable nozzle inserts, allowing you to customise the sound profile to suit your preferences. Options include balanced, extended, bright, or warm settings, giving you control over your listening experience.
Built for durability, the SE846 earphones come with two detachable, gold-plated cables and a reinforced carry case for easy storage. Whether you’re on stage or simply enjoying music, the SE846 offers top-tier performance and lasting reliability.
3. Westone Audio Pro X50 – The best for vocalists
Key features
- Five balanced armature drivers
- 20Hz-20kHz frequency coverage
- Detachable Linum T2 BaX cable
Pros
- Exceptional sound clarity and separation
- Comfortable with multiple ear tip options
- Durable, detachable cable with high-grade connectors
Cons
- Premium price point
The Westone Audio Pro X50 in-ear monitors are built for professionals. Each earbud houses five balanced armature drivers, offering precise separation across the frequency range from 20Hz to 20kHz. This results in a clean and accurate sound profile, ideal for monitoring or enjoying music with exceptional detail.
For a comfortable, customisable fit, the IEMs come with ten pairs of silicone and foam ear tips, ensuring a snug fit for all ear sizes. These tips, combined with the ergonomic earbud design, offer 25dB of noise isolation, allowing you to block out distractions during live performances or extended listening sessions.
The Pro X50 also features the high-grade Linum T2 BaX cable, which is both detachable and engineered for signal purity. Its durable build and premium connectors ensure long-lasting use, while the reinforced carry case makes it easy to store and transport these professional monitors. Whether you’re on stage or in the studio, the Pro X50 delivers flawless audio performance.
4. SubZero SZ-IEM
Key features
- True 20Hz-20kHz frequency range
- Silicon/memory foam ear tips
- Universal 3.5mm minijack connection
Pros
- Comfortable, noise-isolating fit
- Compatible with wireless systems
- Great for entry-level monitoring
Cons
- Lacks advanced customisation features
The SubZero SZ-IEM is an excellent choice if you need reliable in-ear monitors for live performances or everyday listening. With a frequency response of 20Hz to 20kHz, these monitors provide clear and accurate sound across the full spectrum.
You get a set of three silicon ear tips and one pair of memory foam tips, ensuring comfort and effective isolation from external noise. The SZ-IEM’s universal 3.5mm minijack connection is compatible with most wireless monitoring systems, making the IEMs a versatile tool for any setup.
When you’re off-stage, they work just as well with your phone or MP3 player. They’re a practical all-around option.
5. Mackie MP-240 BTA – The best for drummers
Key features
- Hybrid dual-driver configuration
- Wireless Bluetooth freedom
- 40dB noise isolation
Pros
- Clear and detailed sound
- Comfortable, ergonomic design
- Versatile wired or wireless use
Cons
- Relies on batteries in Bluetooth mode
The Mackie MP-240 BTA is designed for musicians and audiophiles who need high-quality sound both on stage and on the go. Its dual hybrid driver configuration, featuring both dynamic and balanced armature drivers, ensures an exceptional balance of clarity, punchy bass, and crisp highs. The included custom crossover then enhances sound separation for detailed audio across the frequency range.
Comfort is a priority with the low-profile ergonomic design and multiple ear tip options, which also provide up to 40dB of noise isolation. This means you can focus on your performance without distractions. Whether you prefer a wired setup or want the freedom of wireless listening, the MP-240 BTA delivers. It includes a Bluetooth adapter for untethered use, complete with in-line controls for easy access to playback and calls.
Ideal for live performances or everyday use, the MP-240 BTA combines Mackie’s professional-grade audio quality with the convenience of wireless functionality.
6. Shure SE425
Key features
- Dual-driver design
- Detachable Kevlar-reinforced cable
- Blocks up to 37dB of external noise
Pros
- Accurate, balanced audio reproduction
- Comfortable with various ear sleeve options
- Durable, replaceable cable system
Cons
- Limited bass compared to some models
The Shure SE425 in-ear monitors contain dual high-definition MicroDrivers for precise and balanced sound, with separate tweeters and woofers delivering clear highs and rich lows. This level of detail makes them ideal for both on-stage monitoring and everyday listening.
Designed for long-term use, the SE425s feature a Kevlar-reinforced detachable cable, ensuring durability and flexibility. The over-ear design helps keep the cable securely in place, while gold-plated MMCX connectors offer 360-degree rotation for a custom fit. Additionally, the earphones come with multiple sleeve options, ensuring comfort for extended wear.
With sound isolation up to 37dB, you can enjoy uninterrupted listening, even in noisy environments. Whether you’re performing live or commuting, the SE425s deliver a high-quality listening experience that’s built to last.
7. Stagg 3 Driver
Key features
- Hybrid dual-armature and dynamic drivers
- Wide 15Hz – 35kHz frequency range
- Lightweight at only 20g
Pros
- Detailed sound across a wide frequency spectrum
- Comfortable for long sessions
- High sensitivity for clear audio at low volumes
Cons
- Limited noise isolation compared to higher-end models
The Stagg 3 Driver IEMs combine dual balanced armature and dynamic drivers to deliver a rich, expansive sound across an impressive 15Hz to 35kHz frequency range. This ensures exceptional clarity in both high and low frequencies, making these IEMs ideal for musicians seeking precise audio monitoring.
Weighing just 20g, these monitors are designed for long-lasting comfort, perfect for extended use on stage or in the studio. The 108 dB/mW sensitivity allows for detailed listening at lower volumes, helping to protect your ears while maintaining audio quality.
Each set comes with a durable EVA foam case and six pairs of ear tips, including memory foam and rubber, to ensure a secure and noise-isolating fit. Whether you’re performing live or just enjoying your music, the Stagg 3 Driver IEMs offer a great balance of comfort, performance, and value.
8. Sennheiser IE 400 Pro – The best for guitarists
Key features
- Dynamic wideband transducers
- 6 Hz to 19 kHz frequency response
- Ultra-low distortion
Pros
- Clear, powerful sound with deep bass
- Comfortable, secure fit for extended use
- Suitable for both stage and casual listening
Cons
- Lacks customisation options for sound tuning
The Sennheiser IE 400 Pro offer powerful, distortion-free sound in a compact design, making them ideal for both professional onstage monitoring and everyday use. With newly developed 7mm dynamic wideband transducers, they deliver exceptional clarity, deep bass, and a balanced midrange. The extended frequency response from 6Hz to 19kHz also ensures you hear every detail of your audio.
Designed for comfort and durability, these IEMs come with silicone and memory foam ear tips that adapt to the shape of your ear for a secure fit. Their ultra-compact construction ensures they stay comfortable during long sessions. Plus, the IE 400 Pro can handle high sound pressure levels without clipping, making them perfect for loud environments.
9. Westone Audio MACH 30
Key features
- Triple balanced-armature drivers
- Linum Estron BaX reference-grade cable
- Lightweight ergonomic design
Pros
- Detailed sound with a wide frequency range
- Comfortable, fatigue-free listening
- High-quality cable for signal integrity
Cons
- High impedance may require amplification
The Westone Audio MACH 30 in-ears are crafted for those who want premium playback through their monitors.
Equipped with triple balanced-armature drivers, the MACH 30 delivers a rich and balanced audio profile, with a dedicated driver for lows, mids, and highs. This three-way design ensures clear separation across the frequency spectrum, providing a wide soundstage that’s ideal for live monitoring or immersive personal listening.
Lightweight and ergonomically designed, these IEMs are built for comfort, minimising listening fatigue during extended use. The Linum Estron BaX cable ensures superior signal integrity, allowing for crisp, accurate sound reproduction. Complete with 10 pairs of ear tips, a carry case, and a cloth bag, the MACH 30 offers both custom fit and protection, making it a durable and portable choice.
Why use in-ear monitors?
So, what are the benefits of in-ear monitors? Firstly, you get very clear and precise monitoring with a customisable mix. This means you no longer have to compete with bandmates to hear what you’re doing as you play, and you also don’t need to choose between hearing yourself and the other performers.
You also get a more detailed sound because you’re not relying on monitor wedges, which can be difficult to balance against crowd noise and front-of-house PA systems, especially without getting feedback from nearby mics.
In-ear monitors also provide at least some level of sound attenuation, which not only prevents the hearing damage risked by traditional stage monitors but actively protects it and lets you focus more on the monitor mix and your performance as a result.
You can find different levels of all of this, with different ear tips for comfort, switchable filters for different voicings, and wired and wireless connectivity, which are all amazing bonus features. You can even get custom-moulded in-ear monitors designed to perfectly fit your ear canal. These don’t come cheap, but that additional comfort is great for seasoned professionals who tour a lot.
Components of an in-ear monitor system
So, how do in-ear monitoring systems work? There are several different approaches, but on a fundamental level, they will at least consist of a transmitter, a receiver, and in-ear monitor earphones like those we’ve covered in this list.
The centre of any monitoring mix will be the mixer, either a live or recording console that will feed the monitoring system mixes for the performers to listen back to. Volume, panning, and EQ will all be handled here, shaping most of the sound.
Wireless systems feature a transmitter (which sends the signal) and a receiver (which the monitor earphones will then plug into). Either the transmitter or receiver, depending on the system’s design, will act like the personal mixer in wired setups, letting you adjust the mix and place instruments where you want them in your monitors relative to each other.
Sometimes the transmitter and receiver will be a personal mixer, allowing you to create custom monitoring mixes from this device that’s fed directly from the main mixer. This is more common in studios and can be part of either a wired or wireless setup, where wireless setups revolve around stationary or rackmount transmitters and a separate belt pack receiver.
Wireless monitoring systems will also feature antennas in most cases, either built into the transmitter or as removable extras. These help with signal stability, preventing interference and dropouts, and in some cases, extending the system’s range.
Which in-ear monitors are right for you?
So, which in-ear monitors are best for you? Well, it depends on what instrument of choice you go with, but we’ll make some recommendations based on our list here.
Drummers
Drummers will want loud in-ear monitors with a punchy low-end and lots of sound isolation first and foremost. It can be hard to hear anything over the bleed from behind the kit, and a lot of the definition of drum sounds lies in the lower frequencies.
From our picks, the incredible 40 dB of sound isolation and hybrid drivers of the Mackie MP-240 BTA that give low-end punch and detailed treble for cymbals would likely be most suitable. The wireless design is also beneficial as they’ll most likely stay in place more easily during a physically intense performance behind the kit.
Vocalists
Vocalists will be looking for definition and detail above all. Needing to clearly hear not just yourself, but the rest of the band too, means that you’ll want a little less isolation and a more intricate driver design.
As such, the Westone Audio Pro X50 would be a great choice, offering a premium build quality that’ll keep up with intense motion and an incredibly intricate driver combination.
Bassists
If you’re a bassist, you’ll want a good amount of isolation too, but you’ll likely need to lock between guitars and drums, needing a fuller frequency response to hear them clearly. Isolation isn’t as much of a concern and could even be beneficial, letting the on-stage bass amp tone give you a little additional clarity.
Here, the Shure SE846 Gen 2 would be ideal. Given their quad-driver design with two specially designed bass drivers, the SE846 define themselves well into sub-bass frequencies while having enough treble detail to let guitars and that upper-mid clank bite through the monitor mix.
Guitarists
Guitarists can work with a wide range of tones, from clean and bright, dark and moody, or blown-out and aggressive. Here, dynamic range is king, and likely want harmonic distortion at a minimum – you’ve got enough of that going on as it is.
Sensitive, full-range, and with an absorption design that prevents harsh resonant peaks that could easily poke out of an amp or pedal tone, the Sennheiser IE 400 Pro would make a good choice.
Wireless vs. wired in-ear monitors
The wireless vs. wired in-ear monitors question isn’t quite as logistically challenging as it can be with other audio products. The question really comes down to the kind of system you’re using, how much movement you make on stage, and preference.
Wired in-ear monitors will need to be either connected to a belt pack receiver or a personal mixer. Being tied to a personal mixer isn’t ideal for live performances, as you can’t really move around much, so if the monitoring system hinges on personal mixers, wireless may be the best way to go. However, belt packs usually allow enough movement and flexibility for most performances.
The only exception may be extremely animated performers like vocalists and drummers who may find that the wired connection to a beltpack receiver might still be loosened by their movements. If you’re playing and performing with high energy, you might be better off going wireless.
Keep your IEMs clean
Don’t forget to clean your IEMs! Your ears can be very susceptible to infections from bacteria and external factors, so it’s important to make sure you keep your monitors clean between shows. This protects the health of your ears by preventing infection, and keeps your IEMs sounding their very best, as blockages can dull the frequency response.
Clean the foam inserts with warm, soapy water, and rinse and dry before using them again. Use proper cleaning tools to access the rest of the monitor, regularly swap out the foam inserts and buy replacements.
Try also to store the cable safely. If your cable is twisted or bent severely in storage it can damage the internal wiring. If you can, keep a backup cable and an extra set of IEMs around so you have a second option in case anything goes wrong.
FAQs
Do professional musicians use in-ear monitors?
Professional musicians regularly use in-ear monitors for live performances and studio sessions. These monitors provide clear, personalised sound and isolate external noise, allowing musicians to hear themselves and their bandmates with precision during performances.
Are in-ear monitors worth it?
In-ear monitors are highly worth it for musicians and serious audiophiles seeking precise sound control. They offer superior sound isolation, protect hearing, and deliver a more accurate audio experience compared to standard monitors or speakers.
Are in-ear monitors better than earbuds?
In-ear monitors are generally considered better than earbuds for sound quality and noise isolation. They offer tailored audio, fit securely, and are designed for professional use, making them a superior choice for musicians and audiophiles alike.
Final thoughts
So, we’ve gone over the function and purpose of in-ear monitors, why you might want a pair, various types available, who the designs are best for, and how to maintain them correctly. Hopefully, you’ve found this information useful and feel better equipped to choose the best in-ear monitors for you!
To learn more, check out some of our other live sound guides:
What is Audio Feedback and How Do I Fix It?
A Guide to Stage Lighting Design and Putting On a Stellar Show
The 12 Best Wireless Microphones for Unrestrained Live Vocals
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