The 12 Best Karaoke Microphones That Will Steal the Show


Looking to pick up some karaoke gear and don’t know where to start? We’ve chosen 12 of the best karaoke microphones you can buy, so your performances will always sound professional.

Our top picks

Don’t want to look through the full 12? Here are our favourite three mics:

Lenco BMC-090Best for budget wireless use and practising at home.Check the current price
Shure SM58Classic live vocal microphone for all vocals.Check the current price
Behringer ULM302MICDual system for wireless performance.Check the current price

Best karaoke microphones

1. Vocal-Star MP408

An excellent introductory karaoke microphone

Vocal-Star MP408Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: Unknown
  • Connectors: 1/4″ jack


  • Lightweight and reliable
  • Steel mesh grille and built-in pop filter for clarity
  • Cardioid polar pattern prevents feedback and rejects noise


  • Fixed wire with 1/4″ jack limits connectivity


The Vocal-Star MP408 is an ideal starter mic for karaoke. A wired mic that operates with a quarter-inch jack cable with three metres of length for freedom of movement, the MP408 is simple to set up in your karaoke system. Its dynamic capsule can handle the pressure of even the loudest vocalists, while its cardioid polar pattern rejects noise in busy environments.

The MP408’s mid-forward frequency response gives you a solid vocal sound. Plus, a steel grille and a built-in pop filter keep your voice crisp and clear. With its inviting price, this microphone is a great starter pick, backup, or option for practising at home.

Shop now | Vocal-Star MP408

2. Easy Karaoke Wireless Microphone

Entry-level wireless microphone

Easy Karaoke Wireless MicrophoneSpecifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 100 Hz – 14 kHz
  • Connectors: VHF wireless, receiver uses 1/4″ jack


  • VHF wireless microphone for easy setup
  • Range of 20 metres offers great freedom of movement
  • Broad frequency response and high sensitivity


  • Wireless architecture can occasionally be subject to interference
  • Batteries required to maintain connection between mic and receiver


The Easy Karaoke Wireless Microphone is another great starter mic. If the wired microphone architecture isn’t for you, this is the alternative to think about. Utilising VHF radio frequency technology to wirelessly send your signal to the included receiver, this wireless mic gives you a twenty-metre range and full freedom of movement.

Compatible with any PA mixer or karaoke system, you can easily plug the receiver into whatever equipment you need to use. This microphone’s frequency response and sensitivity offer a full, detailed sound that accurately represents your voice.

Shop now | Easy Karaoke Wireless Microphone

3. SubZero SZM-11 Beta

Professional live vocal mic

SubZero SZM-11 BetaSpecifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz – 16 kHz
  • Connectors: XLR


  • Well-crafted frequency response for detailed sound
  • Transformer balancing reduces noise floor
  • Durable build quality stands up to intense performances


  • XLR connection may not work with some karaoke systems without a jack cable


The SubZero SZM-11 Beta is a handheld dynamic microphone with a distinctive look. Built for intensive performances over long travelling schedules, this mic is rugged and reliable, and it has a cardioid polar pattern and mid-forward frequency response that put your voice upfront.

The SZM-11 also delivers a gentle low-frequency roll-off, reducing muddy lows that cloud up a mix; the exact ranges that live engineers would usually filter; and a subtle high-frequency presence boost, giving you a professional sound quality. Plus, this microphone’s transformer balancing helps to isolate the circuitry and reduce the overall noise floor.

Shop now | SubZero SZM-11 Beta

4.  Audio Technica ATR1300x

Reliable microphone designed with professional karaoke in mind

Audio Technica ATR1300xSpecifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 70 Hz – 12 kHz
  • Connectors: XLR output, with XLR to ¼” jack cable supplied


  • Clear, quality sound
  • Cardioid polar pattern provides focused sound
  • Built-in on/off switch for easy muting


  • Not as much high-frequency extension as some alternatives


The Audio Technica ATR1300x is a cardioid microphone that rejects noise and prevents feedback. Its built-in on/off switch makes it easy to mute at a moment’s notice, and thanks to a dynamic capsule design, it can easily handle high sound pressures.

The ATR1300x’s detachable cable is compatible with any mixer or karaoke system you might need to plug into. Built reliably to withstand anything, this mic is a solid choice for any performer.

Shop now | Audio Technica ATR1300x

5. Lenco BMC-090

Wireless Bluetooth mic with built-in speaker

Lenco BMC-090Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: Unknown
  • Connectors: Bluetooth, USB, and 3.5 mm jack detachable audio cable


  • Convenient all-in-one karaoke microphone
  • Built-in speaker for practice and small performances
  • Wireless Bluetooth connectivity


  • Built-in speaker is only 5 watts, so not suitable for filling larger spaces


The Lenco BMC-090 is an all-in-one solution for karaoke. From practice to performance, the BMC-090 can keep up with any setting. For practising at home, this mic has a built-in five-watt speaker, adjustable mic gain, and master volume. It can be powered solely by batteries, running for up to eight hours, giving you a long-standing performance.

This microphone has wireless Bluetooth connectivity as well as a minijack audio cable for wired use with other audio systems. An integrated phone holder makes it easy to stream your backing tracks or pull up lyrics, even without a system or CDJ involved! Plus, rounded out with an echo effect, you can add depth and space to your voice.

Shop now | Lenco BMC-090

6. Samson C05

Handheld condenser microphone provides a unique combination of live performance and studio sound

Samson C05Specifications

  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz – 18 kHz
  • Connectors: Bluetooth, USB, and 3.5 mm jack detachable audio cable


  • Extremely detailed, rich-sounding condenser microphone
  • Handheld design makes for comfortable use while performing
  • Shock-mounted capsule prevents handling noise


  • Condenser design can be more sensitive to loud signals
  • More susceptible to distortion with incorrect gain settings


The Samson C05 is something of an outlier on this list. While most microphones recommended for karaoke are dynamic, condenser microphones can be tailored to live use, giving you studio-quality sound in a comfortable, handheld design. This is exactly what the C05 does, giving you a full, detailed frequency response.

The C05’s cardioid polar pattern maintains that focused, upfront sound, while its shock-mounted capsule prevents handling noise. Gold-plated XLR connectors make sure the integrity of your signal is preserved. This handheld condenser comes complete with a carrying pouch, cable, and microphone clip.

Shop now | Samson C05

7. SubZero SZ-V1

Vintage-style dynamic mic with a voicing to match and a sleek look

SubZero SZ-V1Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz – 16 kHz
  • Connectors: XLR


  • Unique, vintage-inspired microphone
  • Vintage voicing provides a distinct, warm sound that’ll make you stand out
  • Durable zinc housing with chrome-plated finish for reliability


  • Vintage aesthetic may not always be as easy to handle as other handheld options
  • Old-school voicing might not suit all singers


The SubZero SZ-V1 draws inspiration from classic vintage vocal microphones from yesteryear. Taking notes from a recognisable design that was most famously used by Elvis, the SZ-V1 is an excellent pick for karaoke. A durable zinc housing with shining chrome plating protects internal circuitry while bringing its classic look and sound alongside it.

The SZ-V1’s high sound pressure handling; full, vintage-inspired frequency response; and cardioid dynamic capsule make it a great choice for singers who want to make sure they not only look the part but sound it too.

Shop now | SubZero SZ-V1

8. Shure PGA58

Accessible take on a live standard

Shure PGA58Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz – 16 kHz
  • Connectors: XLR


  • An affordable and inviting take on the classic SM58
  • Extremely reliable construction holds up under challenging conditions
  • Convenient on/off switch for muting signal when needed


  • Distinct sound from the SM58 but is not as smooth
  • More susceptible to handling noise than the SM58


The Shure PGA58 is a dynamic cardioid microphone which takes cues from their flagship live microphone, the SM58. Whilst it offers a slightly different sound than the SM58, it’s great value for money for those who want an SM58 without the price tag. Durable, reliable, consistent, and sounding great, the PGA58 is tested to the same rigorous standards as Shure’s other microphones.

The PGA58 features a built-in pop filter and a steel mesh grille to protect against plosives and being dropped. A handy on-off switch lets you quickly mute your signal when needed too, making the PGA58 a no-brainer for karaoke performers who want a little more professionalism in their mic of choice.

Shop now | Shure PGA58

9. Sennheiser e835

The other standard live microphone, rivalling the SM58

Sennheiser e835Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 40 Hz – 16 kHz
  • Connectors: XLR


  • Clear and precise dynamic vocal microphone
  • Defined midrange adds clarity and presence to your voice
  • Built-in hum-compensating coil reduces noise floor


  • Transient response isn’t as strong as some alternatives


The Sennheiser e835 is another common microphone for live performances. For those whose tastes don’t lean towards the Shure SM58, the e835 is the mic of choice. Its dynamic element is robust and can handle high sound pressures easily, whilst its cardioid polar pattern keeps a focused vocal sound that puts you at the forefront.

The e835 is precise, full, and detailed, helping you sound clear and intelligible. Its hum-compensating coil enhances this with a completely minimised noise floor. If you want to sound clear, professional, and detailed, look no further.

Shop now | Sennheiser e835

10. SubZero SZW-50

Excellent entry-level dual wireless system

SubZero SZW-50Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 70 Hz – 12 kHz
  • Connectors: Wireless UHF Transmission, receiver provides XLR and 1/4″ jack outputs


  • Wireless system with two microphones – perfect for duets
  • Wireless operating frequency can be switched to avoid interference
  • Convenient wireless design frees you from clutter and cables


  • UHF wireless frequency may require licensing in certain regions
  • Still vulnerable to interference


The SubZero SZW-50 is a great choice for any karaoke singer who wants to go wireless. It comprises a compact receiver with an antenna for easy setup and control and two handheld microphone transmitters, making this system accessible, inviting, and great for duets. It’s easy to synchronise the included microphones to the receiver with an infrared connection.

To avoid interference, the SZW-50 offers switching between 863 and 865 MHz frequencies, letting you keep your vocals clean and clear.

The two microphones in this set are dynamic cardioid transmitters, offering the same consistency and focus as many of the other mics on this list. Convenient and free from the clutter of wires, all you need to do is plug the receiver into the PA system or karaoke machine you’re using and you’re ready to go.

Shop now | SubZero SZW-50

11. Shure SM58

An icon of live vocal microphones

Shure SM58Specifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz – 15 kHz
  • Connectors: XLR


  • A gold standard for live vocals
  • Warm sound and sharp presence boost cuts through any mix
  • Extremely rugged construction survives extensive stress testing


  • Sensitive to plosives despite internal pop filter
  • Boosted high frequencies can sound nasal on higher-pitched voices


The Shure SM58 barely needs any introduction at this point, but we’ll give it one anyway. Seen on stages all over the world, this dynamic microphone bears the gold standard for live vocal microphones, over 50 years since its release. Its sound is defined by a distinctive and focused midrange, with a high-frequency presence boost to cut your voice through any backing track.

The other major advantage of this microphone is its internal shock mount which keeps any handling noise to an absolute minimum. Its polar pattern is cardioid, sharpening the SM58’s clarity by rejecting any background or ambient noise.

Famous vocalists that have used this microphone include the likes of Henry Rollins, Patti Smith, Paul McCartney, Roger Daltrey, Frank Sinatra, and Mick Jagger – so, you know it’s going to be good.

Shop now | Shure SM58

12. Behringer ULM302MIC

The next step in dual wireless systems

Behringer ULM302MICSpecifications

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 20 Hz – 20 kHz
  • Connectors: Digital Wireless Transmission, XLR and 1/4″ jack outputs on receiver


  • A more advanced dual wireless system
  • Includes two dynamic handheld microphone transmitters
  • Range of up to 60 metres


  • Licensing may be required in certain regions
  • Respectable battery life, but consider backup batteries


The Behringer ULM302MIC is a dual wireless handheld system that takes a few further steps into wireless vocal technology. Convenient and easy to set up, this system offers 24-bit 48 kHz audio, providing an audio resolution that’s more detailed than CDs.

Low latency of 14.5 ms at most means that this system is responsive and natural-sounding. Its battery life per microphone is at least 24 hours from just two AA batteries, giving you plenty of performance time before having to think about replacing them. With a fixed frequency of 2.4 GHz, this system is license-free in most regions and extremely resistant to interference.

The included microphones are cardioid dynamic microphones, and they can easily handle the full dynamic range of the human voice whilst rejecting background noise to prevent feedback. The receiver’s front panel provides easy monitoring of battery life and signal of each microphone, and there’s a quick mute function to cut your mic when needed.

You can use either XLR or quarter-inch jack outputs to connect to any PA system or karaoke system, making it easy to set up and freeing to perform without wires!

Shop now | Behringer ULM302MIC

Things to consider when buying a karaoke microphone

Sound quality

Shure SM58 Dynamic Cardioid Vocal MicrophoneSound quality is key for picking a karaoke microphone. When your vocals are front and centre, what could be more important than the quality of your vocal sound?

Frequency response is a good measure of a microphone’s sound. Whilst it won’t always tell you exactly how a microphone sounds, it should give you a general idea of what you’ll hear out of it.

The microphone’s polar pattern will also influence its sound, and for karaoke, you want to make sure you have a cardioid polar pattern or similar pattern – like supercardioid or hypercardioid.

This will reject background noise and keep your voice the focus, so if you’re performing in crowded bars, all that other sound will stay away from your mic. It will also reduce the likelihood of feedback.

The other thing to keep an eye out for is noise floor. This can be tough to identify as most dynamic microphones tend not to have published self-noise figures, but it’s worth checking user reviews to make sure your microphone’s base noise level won’t interfere with your voice.


You need to know what you’re plugging into and how you’re going to do so. The most common connectivity options for karaoke microphones are XLR connectors and a quarter-inch jack. No matter what your microphone of choice has on offer, if it doesn’t include the correct cables, it’s not going to work! It’s worth checking what you’re connecting to and what kind you need.

Most karaoke systems tend to only accept quarter-inch jack cables, whereas most PA systems feature both quarter-inch and XLR connectors. It’s best for your signal quality to connect like to like – XLR to XLR or quarter-inch to quarter-inch. However, cables that convert the two are readily available if you need them.

Wireless systems are a little different because the microphones transmit… wirelessly! So, how do you connect those to a PA system or karaoke machine? Fortunately, this is still fairly easy. First off, the range will dictate the distance between the receiver unit and the microphone transmitter. It’s best if this is clear and unobstructed as much as possible, for a clean transmission.

Depending on the wireless system you’ve chosen, there’ll be either wireless plug-in receivers or a separate receiver unit. Whichever you get, these will have XLR or jack connectors to immediately plug into the input you need them to.

Desktop or rack receivers may have multiple outputs, one per microphone in the system, or offer a combined mix output where you can balance mic volumes on the unit. So, be mindful of how many inputs you have and need for your mics!

Backing tracks

Lenco BMC-090The next step – how are you running your backing tracks? Depending on your setup, there are a number of different answers.

Karaoke systems often have built-in players and screens for CDGs (CDs with Graphics). These display lyrics in time with the instrumental part, and they’re a great all-in-one solution. However, your range of songs might be limited and you may need to switch CDs to find the song you want.

CDGs often won’t work with a PA system-based setup unless you also already have a separate karaoke system or CDG player to use in conjunction with it.

Streaming offers flexibility and, sometimes, lyrics to display in time with the track too, if you’re lucky. YouTube, especially, has a wide range of karaoke instrumentals, and they display lyrics since they’re in a video format.

Spotify has a hidden karaoke mode that’s worth checking out in certain regions, letting you perform along to the original backing track instead of a remake for a more authentic sound too! This can be activated from your smartphone or tablet for a portable and simple setup.

Amazon Music has added karaoke functionality to its Echo Show display range as well. While Amazon’s setup is somewhat limiting since it requires you to bring their Echo display system to your karaoke night, it’s great for home practice or regular venues if you want a larger screen to get everybody involved in the performance!


Frankly, half of the fun of karaoke is in the showmanship! You’ve got to look the part if you want to really entertain a crowd, and picking a mic that you think looks cool plays into this. That’s why karaoke mics have some of the loudest and most unique designs going, so you can sing into something that looks straight out of the 1950s, something futuristic, or something sleek and modern.

Either way, you can look the part with a pro mic like the SM58, go vintage with something like the SZ-V1, or grab attention with the bright pink of the Lenco BMC-090. At the end of the day, it’s all about your style, so pick what speaks to you!

Extra gear

Sol 12W Mini Par Party Light With Crystal Ball by Gear4musicSo, you’ve got your microphone picked out, but what else do you need? Consider the flow of your signal and what you’ll need to get the results you want.

What will your microphone be connected to? What will then output your sound? Can you connect your backing tracks to it or will you need to use something else to get that out to the crowd?

This is where integrated karaoke systems can come in handy. These will often also include microphones, while these vary in quality, many of them are at least good enough to get started and you can think about upgrading later.

Picking a single microphone may give you better sound quality, but you might then need to think about what you’re connecting to and where.

Does the venue have a sound system or will you have to supply your own? Do you want compact portable speakers, and are they powerful enough to fill the space? Do your speakers have a built-in mixer to plug your mic, CDG player, or phone right into, or do you need a mixer?

You can build either setup for similar prices, and often the single microphone and PA system will have better sound quality. In some cases, however, this can be overkill, too expensive, or simply too bulky and awkward to travel around with or set up at home.

Meanwhile, all-in-one systems are simple to set up, more convenient, and very portable. So make sure you think about the context you’re performing in and what makes the most sense for you!

After that, you can consider some fun extras, like lights and effects machines to pair with your performance if you want to add a little extra pizzazz to your karaoke performances, which would never go amiss.


What is the best wired microphone for karaoke?

The best wired microphone for karaoke is the Shure SM58. Its simple mid-forward sound has been proven time and again to be great for human vocals and it can take a huge amount of gain before causing feedback, ensuring your voice fills the room. Plus, it’s built like a tank. The SM58 is a standard in professional live sound applications for these reasons and so many others, and karaoke has a lot of the same requirements! So why not go with a tried and tested classic?

What microphone makes you sing well?

No microphone will improve your singing technique, but a handheld microphone that can cope with high sound pressure levels is a good place to start. You’ll be holding the mic close to you, and will probably get quite loud – so you’ll need a mic that can handle this. You’ll want at least a cardioid polar pattern to reject background noise and something with an internal shock mount to reduce handling noise. A better microphone is no substitute for good technique though, so make sure you practise and perform as much as you can!

What type of microphone is best for karaoke?

A dynamic microphone is the best choice for karaoke of any kind. This is because they’re built to be tough and able to handle louder sound pressures. Condensers are often too sensitive to loud sounds and more susceptible to distortion if the gain settings aren’t right. Whether you want a wireless or wired mic is up to you, but wireless has more freedom of movement, while wired offers improved sound.

Shure SM58

Final thoughts

We’ve covered a wide range of different microphones that are well-suited to karaoke. From dynamics to condensers, wired to wireless, modern and full-sounding to warm and vintage, there’s a lot to choose from! So we hope this list of the 12 best karaoke microphones has whittled down your options.

The only thing left is to make your pick and get performing!

And if you want to browse our range of karaoke gear, including CDGs, portable speakers, and integrated systems to use with your new mic, check it out for yourself below


Content Writer - Live Sound

Callum is a former audio and music technology student who has a love of punk, rock, metal, and electronic music. In his spare time, he produces music, and DJs occasionally. He's also a freelance engineer when possible, helping local bands make their noise even noisier.



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