{"id":8353,"date":"2022-05-10T12:31:05","date_gmt":"2022-05-10T11:31:05","guid":{"rendered":"http:\/\/gear4musicblog.kinsta.cloud\/?p=8353"},"modified":"2022-06-16T16:43:41","modified_gmt":"2022-06-16T15:43:41","slug":"what-is-a-ribbon-microphone-benefits-applications","status":"publish","type":"post","link":"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/","title":{"rendered":"What Is A Ribbon Microphone? Benefits &amp; Applications"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_is_a_ribbon_microphone\" >What is a ribbon microphone?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_type_of_polar_pattern_are_ribbon_mics\" >What type of polar pattern are ribbon mics?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_is_a_ribbon_microphone_used_for_What_can_I_record\" >What is a ribbon microphone used for? What can I record?\u00a0<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_are_the_key_ribbon_mic_applications\" >What are the key ribbon mic applications?<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Can_I_use_ribbon_mics_to_record_vocals\" >Can I use ribbon mics to record vocals?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Can_I_record_electric_and_acoustic_guitars_with_ribbon_mics\" >Can I record electric and acoustic guitars with ribbon mics?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Can_I_record_drums_with_ribbon_mics\" >Can I record drums with ribbon mics?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Can_I_record_brass_with_ribbon_mics\" >Can I record brass with ribbon mics?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#_Can_I_record_strings_with_ribbon_mics\" >\u00a0Can I record strings with ribbon mics?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Are_ribbon_mics_better\" >Are ribbon mics better?<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#_Are_ribbon_mics_more_sensitive_to_damage\" >\u00a0Are ribbon mics more sensitive to damage?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Do_ribbon_mics_need_phantom_power\" >Do ribbon mics need phantom power?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Do_ribbon_mics_need_a_preamp\" >Do ribbon mics need a preamp?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#Active_vs_passive_ribbon_mics_%E2%80%93_whats_the_difference\" >Active vs passive ribbon mics &#8211; what\u2019s the difference?<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_are_the_benefits_of_ribbon_microphones\" >What are the benefits of ribbon microphones?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#What_are_some_of_the_best_ribbon_microphones\" >What are some of the best ribbon microphones?<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#1_Shure_KSM353ED_Ribbon_Microphone\" >1. Shure KSM353\/ED Ribbon Microphone<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#_2_Royer_R-121_Studio_Ribbon_Microphone_Matched_Pair_Overview\" >\u00a02. Royer R-121 Studio Ribbon Microphone, Matched Pair Overview<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#3_Shure_KSM313NE_Dual_Voice_Ribbon_Microphone\" >3. Shure KSM313\/NE Dual Voice Ribbon Microphone<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#4_sE_Electronics_VR1_Ribbon_Mic\" >4. sE Electronics VR1 Ribbon Mic<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/#5_SubZero_R1_Ribbon_Microphone\" >5. SubZero R1 Ribbon Microphone<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Intro&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Ever found yourself wondering what a ribbon microphone is and what they&#8217;re used for? We answer the most commonly asked questions.<\/p>\n<p><span style=\"font-weight: 400;\"><strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Ribbon.html\" target=\"_blank\" rel=\"noopener\">Ribbon microphones<\/a><\/strong> seem to have a lot of myths surrounding them. Aside from the usual \u201cwhat is a ribbon mic?\u201d, they seem to be regarded as fragile microphones that can only to be handled by the most careful of audiophiles. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thankfully, we\u2019re here to show you what a ribbon mic is, what they\u2019re used for, and how they can benefit you. We&#8217;ll also dispel some myths whilst showing you some of the best ribbon mics available today. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We\u2019ve covered all types of microphones including <strong><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/what-is-a-pencil-microphone-benefits-applications\/\" target=\"_blank\" rel=\"noopener\">pencil microphones<\/a><\/strong> and<strong><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/what-is-a-side-address-microphone-benefits-applications\/\" target=\"_blank\" rel=\"noopener\"> side-address microphones<\/a><\/strong>, so we\u2019re going to nail the trifecta here with ribbon mics!<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;What is a ribbon microphone?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_a_ribbon_microphone\"><\/span><span style=\"font-weight: 400;\">What is a ribbon microphone?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">A<strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Ribbon.html\" target=\"_blank\" rel=\"noopener\"> ribbon microphone<\/a><\/strong> is a dynamic, predominantly side-address, bi-directional microphone. It uses a thin, electrically conductive piece of metal ribbon (usually aluminium) that is suspended within a strong magnetic field which then converts audio signals into sound waves. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a nutshell, they use a very thin piece of metal ribbon and magnets to pick up sound \u2013 hence the name!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The ribbon produces a similar response and sensitivity to that of a condenser but adds a lot more warmth and low-end emphasis to the recording whilst rolling off the high-end frequencies. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ribbon mics are often regarded as the warmest and most natural-sounding microphones. This means they don\u2019t colour the sound, providing an accurate representation &#8211; essentially, the \u201csound of your ears\u201d.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;What type of polar pattern are ribbon mics?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_type_of_polar_pattern_are_ribbon_mics\"><\/span><span style=\"font-weight: 400;\">What type of polar pattern are ribbon mics?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Ribbon mics almost always have a figure-of-8 polar pattern and are bi-directional, side-address microphones. This means they can record sound from both the front and back whilst rejecting anything from the side or top of the microphone. Of course, there are exceptions, but this is the general rule of thumb.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For more info on polar patterns, read our<\/span><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/microphone-polar-patterns-everything-you-need-to-know\/\"> <span style=\"font-weight: 400;\"><strong>everything you need to know about polar patterns article<\/strong><\/span><\/a><span style=\"font-weight: 400;\"> \u2013 it includes handy information if you want to understand the benefits and uses of each polar pattern.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;What is a ribbon microphone used for? What can I record? &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_a_ribbon_microphone_used_for_What_can_I_record\"><\/span><span style=\"font-weight: 400;\">What is a ribbon microphone used for? What can I record?\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Ribbon microphones can be used to record almost anything, including guitars, drum overheads, brass, strings, and room ambience. Although they can record vocals (and sound great doing so), they must be used under partially-controlled circumstances to protect the ribbon.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You can use ribbon microphones to record:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Room ambience<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Drum overheads<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Vocals<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Guitar cabinets<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Spoken word<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Brass<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Woodwind<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Strings<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Drum overheads \u2013 best when paired with another for stereo recording<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Foley effects<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Choirs \u2013 when used as an overhead<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Ambient sounds<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Acoustic piano<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;What are the key ribbon mic applications?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_are_the_key_ribbon_mic_applications\"><\/span><span style=\"font-weight: 400;\">What are the key ribbon mic applications?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Ribbon mics can be applied to a lot of different sound sources \u2013 below, we\u2019ll highlight the key applications and some techniques. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In summary \u2013 place the mic a little further away and use the \u201cair test\u201d. If you can feel the air from the sound, move the mic back a little bit or place it slightly off-axis.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Can_I_use_ribbon_mics_to_record_vocals\"><\/span>Can I use ribbon mics to record vocals?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon microphones are widely regarded as some of the best vocal microphones, especially in the broadcasting world, owing to their incredible sensitivity and increased low-end frequency. These add weight and warmth that other mics simply can\u2019t capture. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Broadcasters love them as their \u201cboom\u201d brings out the presence and thickness of vocal performance without adding any colour. What you hear is what you get.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The bi-directional design is perfect for podcasters. You only need one microphone as the figure-of-eight pattern can record the host and the guest whilst sitting in front of each other. The pattern rejects all the off-axis sounds \u2013 like the crowd for example.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, there\u2019s one downside.<\/span> <span style=\"font-weight: 400;\">Due to the sensitivity of the ribbon, they&#8217;re often preferred by voiceover artists and singers with some experience in understanding how to be \u201caware\u201d of the mic. You need to stand further back from the microphone when singing \u2013 especially at volume. Get too close and the wind from your voice will vibrate the ribbon and cause distortion. Shout too loud and you potentially risk damaging it altogether if the ribbon vibrates too much.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s not to say that they can\u2019t handle loud SPL levels \u2013 because they can. You just need to record either slightly off-axis or a little further back when recording loud sound sources. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">A great way to combat any plosives and to protect your mic is to use a pop shield. This will not only cut the plosives but also help protect the ribbon.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Altering the axis slightly or using a pop shield won\u2019t affect the quality of sound thanks to the sensitivity of ribbon mics, it will just reduce the load on the ribbon. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ribbon mics with a figure-of-8 pattern are not recommended for live vocal applications on stage as the mic will pick up sounds behind the microphone \u2013 your sound engineer won\u2019t like that!<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Can_I_record_electric_and_acoustic_guitars_with_ribbon_mics\"><\/span>Can I record electric and acoustic guitars with ribbon mics?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon mics are ideal for electric and acoustic guitars thanks to the &#8216;warm and dark&#8217; sound they provide. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">They tame the higher frequencies that can overshadow electric guitar recording, especially at higher volumes, and return the low-end weight that often is lost in the mix. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The dynamic construction also allows for fast transients and re-introduces the mid-range punch. This makes them exceptional microphones for high-gain electric guitar cabinets.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you have a particular higher-pitched acoustic guitar, they can restore the low-end thickness.\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Can_I_record_drums_with_ribbon_mics\"><\/span>Can I record drums with ribbon mics?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Yes. Ribbon mics are great for capturing drum overhead sounds, offering a depth and weight that drummers will appreciate. <\/span><span style=\"font-weight: 400;\">You can capture the feel and ambience of the room whilst retaining the clarity and detail when recording drums. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ribbon mics remove a lot of the high-end shrill from cymbals when used as overhead mics, and thanks to the figure-of-8 pattern they\u2019re awesome for stereo recording, mixing the detail of the kit and the sound of your room. <\/span><span style=\"font-weight: 400;\">If you\u2019re close mic\u2019ing, just make sure you place the mic off-axis to protect the ribbon.\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Can_I_record_brass_with_ribbon_mics\"><\/span>Can I record brass with ribbon mics?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Yes. Ribbon microphones are less sensitive to high-end frequencies, so they bring out the low-end and warmer range within brass and woodwind instruments. They also do a great job of taking out the \u201chonk\u201d of trumpets, trombones, and other horns and can handle the volume thanks to a high SPL.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"_Can_I_record_strings_with_ribbon_mics\"><\/span>\u00a0Can I record strings with ribbon mics?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon mics are beautifully suited to strings, adding a cinematic, spacious sound thanks to the bi-directional recording. They do a great job of retaining the detail of the strings, whilst adding the feel of a room. If you have a particularly small room, the figure-of-8 will still make use of the ambience, bringing weight to the sound which makes it ideal for soundtracks.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Are ribbon mics better?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Are_ribbon_mics_better\"><\/span><span style=\"font-weight: 400;\">Are ribbon mics better?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">If you prefer the low-end warmth and presence of your sound without any colouration, a ribbon mic might be better for you. Ribbon mics essentially replicate the natural sound. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Think of it this way: your instrument + sound of the room = what you hear. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The way you hear your instrument is affected by the sound of your room. Ribbon mics recreate that same sound. You hear it in the mix the same way your ear hears it.<\/span>\u00a0<span style=\"font-weight: 400;\">However, if you want a specific or unique quality of a microphone to come through, or a highly detailed flat response, you might prefer something else.<\/span>\u00a0<span style=\"font-weight: 400;\">In short, ribbon mics are better if you want a low-end presence and less high-end detail.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"_Are_ribbon_mics_more_sensitive_to_damage\"><\/span>\u00a0Are ribbon mics more sensitive to damage?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Yes and no. Ribbon mics are quite robust, and, unless you\u2019re planning on launching a spaceshuttle in the room you\u2019re recording, you\u2019re unlikely to damage the ribbon through volume alone. However, some are sensitive to vibration at close quarters as the wind from your voice or loud sounds can vibrate the ribbon. <\/span><span style=\"font-weight: 400;\">Just use a pop filter or angle the mic subtly to reduce vibrations.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The ribbon can also be susceptible to dust if not looked after correctly, so it make sense to put the mic away after use.<\/span> <span style=\"font-weight: 400;\">Fortunately, mics like the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM353-ED-Ribbon-Microphone\/1FS8\" target=\"_blank\" rel=\"noopener\">Shure KSM353\/ED Ribbon Microphone<\/a><\/strong> use Roswellite instead of aluminium, meaning it can handle sound pressure levels at a closer range.\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Do_ribbon_mics_need_phantom_power\"><\/span><span style=\"font-weight: 400;\">Do ribbon mics need phantom power?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Only active ribbon mics need phantom power, but almost all ribbon microphones are passive which means they don&#8217;t. Ribbon mics that are unbalanced or without transformers may become damaged if you leave phantom power on. To be safe, just turn it off in your audio interface before connecting a ribbon mic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Breathe easy though, most ribbon mics, like the<\/span><strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM313-NE-Dual-Voice-Ribbon-Microphone\/1FS7\" target=\"_blank\" rel=\"noopener\"> Shure KSM313\/NE Dual Voice Ribbon Microphone<\/a><\/strong><span style=\"font-weight: 400;\"> are designed to ignore phantom power and will not become damaged if you forget to turn the phantom power off.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><strong><a href=\"https:\/\/service.shure.com\/s\/article\/ribbon-mics-phantom-power?language=en_US\">Shure say<\/a>: \u00a0<\/strong><span style=\"font-weight: 400;\">\u201cA ribbon microphone typically has a low impedance, transformer balanced output. Therefore, it can handle phantom power without a problem. No other precautions, besides proper wiring, are necessary.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">However, if you encounter a ribbon microphone where the output is unbalanced or does not employ a transformer, beware! In this case, contact the microphone&#8217;s manufacturer for advice.&#8221;<\/span>\u00a0<span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Unless you made the mic yourself or it\u2019s damaged already, you\u2019re ok. If you forget to turn the phantom power off, just switch it off and wait for 60 seconds before you unplug the mic and plug it back in again.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Do_ribbon_mics_need_a_preamp\"><\/span><span style=\"font-weight: 400;\">Do ribbon mics need a preamp?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Yes. Ribbon mics are almost always passive, therefore they have a low output compared to condenser mics. They&#8217;re at least 65dB of gain, which you can get from a high-gain, low-noise preamp.<\/span> <span style=\"font-weight: 400;\">You need a preamp that has an impedance at least 5 &#8211; 10x the ribbon microphone impedance.<\/span> <span style=\"font-weight: 400;\">Your interface will often have a preamp built-in, but if you need an extra push, the<\/span><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Cloud-Cloudlifter-CL-1-Mic-Activator\/137O\" target=\"_blank\" rel=\"noopener\"> Cloudlifter<\/a><\/strong><span style=\"font-weight: 400;\"> is a great option to add on top.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Active vs passive ribbon mics &#8211; what\u2019s the difference?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Active_vs_passive_ribbon_mics_%E2%80%93_whats_the_difference\"><\/span><span style=\"font-weight: 400;\">Active vs passive ribbon mics &#8211; what\u2019s the difference?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">This is an entire article waiting to happen, but, overall, passive ribbon mics require a preamp and active ribbon mics do not. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Passive ribbon mics use a high impedance preamp. If they didn&#8217;t, you wouldn&#8217;t be able to hear them at low volumes, whereas an active ribbon mic uses phantom power, so you can use them at all volumes.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"What_are_the_benefits_of_ribbon_microphones\"><\/span><span style=\"font-weight: 400;\">What are the benefits of ribbon microphones?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">There are 5 key advantages of a ribbon mic:<\/span><\/p>\n<ol>\n<li><span style=\"font-weight: 400;\">It&#8217;s the most natural-sounding mic<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Adds ambience to your sound through bi-directional recording<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Natural high-frequency roll-off cuts the harsh tones<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Retains low-end weight and accuracy<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Highly dynamic, high fidelity sound<\/span><\/li>\n<\/ol>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;What are some of the best ribbon microphones?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_are_some_of_the_best_ribbon_microphones\"><\/span><span style=\"font-weight: 400;\">What are some of the best ribbon microphones?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Often ribbon mics are known as the most expensive type of mic. Fortunately, this is not completely true \u2013 of course, some ribbon mics can run into the thousands, but, as always, you get what you pay for. To help make the choice easier, we\u2019ve rounded up five of what we think are the best ribbon microphones available today, starting from absolute professional, industry-standard options to the more beginner-friendly options.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We\u2019ve collected options from Shure, Royer, sE Electronics, and more, spanning a wide range of budgets.<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"1_Shure_KSM353ED_Ribbon_Microphone\"><\/span><span style=\"font-weight: 400;\">1. Shure KSM353\/ED Ribbon Microphone<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8362 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-1024x683.jpg\" alt=\"1500 x 1000\" width=\"455\" height=\"303\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-1024x683.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-450x300.jpg 450w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-768x512.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-1080x720.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-1280x853.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-980x653.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-480x320.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353.jpg 1500w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/span><span style=\"font-weight: 400;\">We\u2019ll start with one of the best ribbon microphones on the market today, the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM353-ED-Ribbon-Microphone\/1FS8\" target=\"_blank\" rel=\"noopener\">Shure KSM353\/ED Ribbon Microphone<\/a><\/strong>. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">At over \u00a32,000, it\u2019s certainly going to price out some buyers, but if you\u2019re serious about getting the absolute best sound humanly possible from a ribbon mic, then this is totally worth it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We mentioned that ribbon microphones can be a little sensitive to air and plosives. Well, you won\u2019t have any problems with this as the Roswellite ribbon element within the KSM353\/ED is stronger than traditional elements and can withstand higher sound pressure levels even at a closer range. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Roswellite ribbon element has a very robust, high tensile strength and shape memory which can withstand extreme sound pressure levels from drums, brass, and your shoutiest singers. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">With 146 dB, you\u2019re covered for all eventualities and you won&#8217;t warp the ribbon from years of use.<\/span> <span style=\"font-weight: 400;\">This is ideal for professional-level studio owners as the all-metal construction partnered with the double-shielded transformer helps to reduce radio frequency and magnetic interference that can occur from computers and speakers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Audiophiles will appreciate the tailored bass response that doesn\u2019t affect the overall output \u2013 this means you get all the power and volume of the low end without a volume drop. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The 30Hz \u2013 15,000Hz frequency response also provides all the mid-range punch and superior upper-range presence you need for the likes of guitars and spoken word.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Broadcasters and podcasters will appreciate the bi-directional polar pattern which delivers premium symmetrical audio as opposed to the reduced response or volume on the backside of some mics. You get the same sound on both sides, so interviews are captured well and the room ambience is incredibly smooth and accurate.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The fact that the Shure KSM353\/ED is incredibly hard-wearing, more so than almost any ribbon mic today, makes it a great option for travelling producers who want their own signature sound.<\/span><\/p>\n<p><strong>\u00a0Who is the Shure KSM353\/ED Ribbon Microphone for?<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Studio Engineers<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Broadcasters<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Internet radio presenters<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Travelling studio owners<\/span><\/li>\n<\/ul>\n<h4><span class=\"ez-toc-section\" id=\"_2_Royer_R-121_Studio_Ribbon_Microphone_Matched_Pair_Overview\"><\/span><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">2. Royer R-121 Studio Ribbon Microphone, Matched Pair Overview <img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8363 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-1024x1024.jpg\" alt=\"1200x1200\" width=\"518\" height=\"518\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer.jpg 1200w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\">The<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Royer-R-121-Studio-Ribbon-Microphone-Matched-Pair\/2LPV\" target=\"_blank\" rel=\"noopener\"> Royer R-121 Studio Ribbon Microphone<\/a><\/strong> is another industry-standard microphone used by the likes of top producers Al Schmitt, Steve Albini, and Bruce Sweiden. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pictured here in a matched pair, the Royer R-121 Studio Ribbon Microphone works best in conjunction with another of its kind to create a fuller, thicker sound or capture acoustic guitar and vocals at the same time with the exact same sonic quality.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The figure-of-8 polar pattern effectively rejects side noise, making it perfect for broadcasting and vocal capture. Its high SPL of 135dB then ensures you\u2019re ready to record the loudest of brass, wind, or electric guitar cabinets without distortion from the 2.5-micron aluminium ribbon.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The key benefit of this mic is the fact that it\u2019s been designed to maintain a consistent 30 &#8211; 15000Hz frequency response regardless of distance, so you can get close if you need to or enjoy the same detail with the microphone backed off. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">An absence of high-frequency phase distortion ensures you can capture loud vocals with inexperienced signers and enjoy the same sensitivity on both sides of the mic.<\/span> <span style=\"font-weight: 400;\">Enjoy smooth highs, thick lows, and punchy mids with incredible off-axis rejection.<\/span><\/p>\n<p><b>Who is the Royer R-121 Studio Ribbon Microphone, Matched Pair for?<\/b><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Choirs<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Orchestral recording artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Piano recording artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Drummers<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li>\n<\/ul>\n<h4><span class=\"ez-toc-section\" id=\"3_Shure_KSM313NE_Dual_Voice_Ribbon_Microphone\"><\/span><span style=\"font-weight: 400;\">3. Shure KSM313\/NE Dual Voice Ribbon Microphone<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8365 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_environmental-picture_2-1.jpg\" alt=\"533 x 800\" width=\"407\" height=\"611\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_environmental-picture_2-1.jpg 533w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_environmental-picture_2-1-200x300.jpg 200w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_environmental-picture_2-1-480x720.jpg 480w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/> <span style=\"font-weight: 400;\">This is where ribbon mics get interesting. The<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM313-NE-Dual-Voice-Ribbon-Microphone\/1FS7\" target=\"_blank\" rel=\"noopener\"> Shure KSM313\/NE Dual Voice Ribbon Microphone<\/a><\/strong> offers two distinct voices in the same microphone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It features a dual-voice diaphragm that provides recording artists with two distinct sound signatures. The front side has all the warmth and darker complexity you need when recording spoken word vocals, guitar amplifiers, brass, woodwind, upright bass, and kick drums. The back is brighter and more flattering, making it ideal for vocals, string instruments, drum overheads, and percussion.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You can even record the same audio source on both sides, layering overdubs to capture a different sonic experience each time.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Again, Shure has created this mic with Roswellite that is completely immune to windblasts and phantom power. It\u2019s also immune to something called \u2018shape memory\u2019 meaning it won&#8217;t get warped by extremely loud instruments like guitar cabinets or fast transients like snare drums. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Plus, it&#8217;s even built to withstand the noise of a jet engine thanks to the 146 dB max SPL!<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">If you want two distinct ribbon microphone sounds for recording versatility, start with the\u00a0 Shure KSM313\/NE Dual Voice Ribbon Microphone.<\/span><\/p>\n<p><b>Who is the Shure KSM313\/NE Dual Voice Ribbon Microphone for?<\/b><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Home studio owners<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Travelling producers<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Acoustic artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Voiceover artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Anyone recording extremely loud instruments\/sound sources<\/span><\/li>\n<\/ul>\n<h4><span class=\"ez-toc-section\" id=\"4_sE_Electronics_VR1_Ribbon_Mic\"><\/span><span style=\"font-weight: 400;\">4. sE Electronics VR1 Ribbon Mic<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8367 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-1024x1024.jpg\" alt=\"1200 x 1200\" width=\"507\" height=\"507\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1.jpg 1200w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/span><span style=\"font-weight: 400;\">Next up, we have the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/sE-Electronics-VR1-Ribbon-Mic\/DR1\" target=\"_blank\" rel=\"noopener\">sE Electronics VR1 Ribbon Mic<\/a><\/strong> which provides incredible ribbon microphone recording presence at a lower budget. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This makes our best ribbon microphones shortlist thanks to its Rupert Neve-designed circuit that offers detailed highs and powerful lows.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The key difference here between the others is that it captures a wider frequency response of 20Hz-18KHz, making it a great all-rounder for acoustic instruments when you need exceptional detail in the higher-end spectrum. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">What you gain in detail, you do lose in SPL owing to the 135dB max SPL \u2013 but good luck achieving that sound unless you have a jet engine in your studio.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With this microphone, you can capture lower-level sound sources in great detail, provided you have enough gain, which makes it ideal for those who want to record acoustic guitars, vocals, string instruments, or retain the bite and edge on high gain guitar cabinets without sacrificing low end.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It&#8217;s a great ribbon mic for those who want pro-level sound on an intermediate budget.<\/span><\/p>\n<p><b>Who is the sE Electronics VR1 Ribbon Mic for?<\/b><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Home recording artists <\/span><\/li>\n<li><span style=\"font-weight: 400;\">Voiceover artists <\/span><\/li>\n<li><span style=\"font-weight: 400;\">Acoustic artists <\/span><\/li>\n<li><span style=\"font-weight: 400;\">Piano players <\/span><\/li>\n<li><span style=\"font-weight: 400;\">String recording artists<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li>\n<\/ul>\n<h4><span class=\"ez-toc-section\" id=\"5_SubZero_R1_Ribbon_Microphone\"><\/span><span style=\"font-weight: 400;\">5. SubZero R1 Ribbon Microphone<\/span><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8368 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-1024x1024.jpg\" alt=\"1200 x 1200\" width=\"498\" height=\"498\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1.jpg 1200w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><\/span><span style=\"font-weight: 400;\">Last but not least, we have the<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/SubZero-R1-Ribbon-Microphone\/154Q\" target=\"_blank\" rel=\"noopener\"> SubZero R1 Ribbon Microphone<\/a><\/strong> which offers lush ribbon mic detail at a beginner price range.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With a frequency response of 30 Hz &#8211; 18kHz, you\u2019re going to enjoy a smooth top-end tonal quality and the low-end power you want from a ribbon microphone. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The 99% pure aluminium, 2.5-micron ribbon gives you a vintage tone with a mellow sound quality that makes it perfect for acoustic guitar, but can also be used as a drum overhead where you want to capture the punch and power of a cocktail drum kit without losing the bottom end.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Additionally, the impressive 148dB max SPL ensures you\u2019re not going to run into any volume problems, whilst the built-in pop filter and shock mount protect the ribbon, making it ideal for home studio enthusiasts who might have to pack down every day. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finally, the included shock mount is perfect for positioning the mic accurately when recording and reduces any mechanical noise.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is ribbon mic quality recording at a fraction of the cost \u2013 ideal for those just starting out in recording or experimenting with ribbon mics.<\/span><\/p>\n<p><b>Who is the SubZero R1 Ribbon Microphone for?<\/b><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Beginner recording artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Home studio recording artists<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Schools<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Theatres<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Internet radio<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Broadcasters<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Conclusion&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">That wraps up our complete guide to ribbon microphones. Post a comment below and let us know if you think we\u2019ve missed any of the best ribbon microphones, if you have any tips on recording with ribbon microphones or if you have any questions on the key benefits and uses of ribbon mics.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.gear4music.com\/Microphones\/Ribbon.html&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP RIBBON MICROPHONES&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;e6ee07a9-4e60-40b4-a547-e1aa0a89644a&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;gcid-a3f0e0c4-68cb-4983-969e-b86a5466020b&#8221; button_border_color=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; button_on_hover=&#8221;off&#8221; custom_margin=&#8221;||||true|false&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;13.3vw||0px||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;9px|45px|9px|30px|true|false&#8221; custom_padding_tablet=&#8221;15px|45px|15px|30px|true|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; custom_css_main_element=&#8221;||height: 44px !important;&#8221; global_colors_info=&#8221;{%22gcid-a3f0e0c4-68cb-4983-969e-b86a5466020b%22:%91%22button_text_color%22%93,%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22button_border_color%22,%22button_icon_color%22,%22button_bg_color__hover%22%93}&#8221; custom_css_main_element_tablet=&#8221;width: 258px !important;||height: 55px !important;&#8221; custom_css_main_element_last_edited=&#8221;on|tablet&#8221; button_bg_color__hover_enabled=&#8221;on|hover&#8221; button_bg_color__hover=&#8221;#f08000&#8243; button_bg_enable_color__hover=&#8221;on&#8221; button_text_color__hover_enabled=&#8221;on|hover&#8221; button_text_color__hover=&#8221;#FFFFFF&#8221; button_icon_color__hover_enabled=&#8221;on|hover&#8221; button_icon_color__hover=&#8221;#000000&#8243; custom_css_main_element_phone=&#8221;width: 258px !important;||height: 55px !important;&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ever found yourself wondering what a ribbon microphone is and what they&#8217;re used for? We answer the most commonly asked questions. Ribbon microphones seem to have a lot of myths surrounding them. Aside from the usual \u201cwhat is a ribbon mic?\u201d, they seem to be regarded as fragile microphones that can only to be handled [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":8371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"<p>Ever found yourself wondering what a ribbon microphone is and what they're used for? We answer the most commonly asked questions.<\/p><p><span style=\"font-weight: 400;\"><strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Ribbon.html\" target=\"_blank\" rel=\"noopener\">Ribbon microphones<\/a><\/strong> seem to have a lot of myths surrounding them. Aside from the usual \u201cwhat is a ribbon mic?\u201d, they seem to be regarded as fragile microphones that can only to be handled by the most careful of audiophiles. <\/span><\/p><p><span style=\"font-weight: 400;\">Thankfully, we\u2019re here to show you what a ribbon mic is, what they\u2019re used for, and how they can benefit you. We'll also dispel some myths whilst showing you some of the best ribbon mics available today. <\/span><\/p><p><span style=\"font-weight: 400;\">We\u2019ve covered all types of microphones including <strong><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/what-is-a-pencil-microphone-benefits-applications\/\" target=\"_blank\" rel=\"noopener\">pencil microphones<\/a><\/strong> and<strong><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/what-is-a-side-address-microphone-benefits-applications\/\" target=\"_blank\" rel=\"noopener\"> side-address microphones<\/a><\/strong>, so we\u2019re going to nail the trifecta here with ribbon mics!<\/span><\/p><hr \/><h3><span style=\"font-weight: 400;\">What is a ribbon microphone?<\/span><\/h3><p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">A<strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Ribbon.html\" target=\"_blank\" rel=\"noopener\"> ribbon microphone<\/a><\/strong> is a dynamic, predominantly side-address, bi-directional microphone. It uses a thin, electrically conductive piece of metal ribbon (usually aluminium) that is suspended within a strong magnetic field which then converts audio signals into sound waves. <\/span><\/p><p><span style=\"font-weight: 400;\">In a nutshell, they use a very thin piece of metal ribbon and magnets to pick up sound \u2013 hence the name!<\/span><\/p><p><span style=\"font-weight: 400;\">The ribbon produces a similar response and sensitivity to that of a condenser but adds a lot more warmth and low-end emphasis to the recording whilst rolling off the high-end frequencies. <\/span><\/p><p><span style=\"font-weight: 400;\">Ribbon mics are often regarded as the warmest and most natural-sounding microphones. This means they don\u2019t colour the sound, providing an accurate representation - essentially, the \u201csound of your ears\u201d.<\/span><\/p><hr \/><h3><span style=\"font-weight: 400;\">What type of polar pattern are ribbon mics?<\/span><\/h3><p><span style=\"font-weight: 400;\">Ribbon mics almost always have a figure-of-8 polar pattern and are bi-directional, side-address microphones. This means they can record sound from both the front and back whilst rejecting anything from the side or top of the microphone. Of course, there are exceptions, but this is the general rule of thumb.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">For more info on polar patterns, read our<\/span><a href=\"http:\/\/gear4musicblog.kinsta.cloud\/microphone-polar-patterns-everything-you-need-to-know\/\"> <span style=\"font-weight: 400;\"><strong>everything you need to know about polar patterns article<\/strong><\/span><\/a><span style=\"font-weight: 400;\"> \u2013 it includes handy information if you want to understand the benefits and uses of each polar pattern.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p><hr \/><h3><span style=\"font-weight: 400;\">What is a ribbon microphone used for? What can I record?\u00a0<\/span><\/h3><p><span style=\"font-weight: 400;\">Ribbon microphones can be used to record almost anything, including guitars, drum overheads, brass, strings, and room ambience. Although they can record vocals (and sound great doing so), they must be used under partially-controlled circumstances to protect the ribbon.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">You can use ribbon microphones to record:<\/span><\/p><ul><li><span style=\"font-weight: 400;\">Room ambience<\/span><\/li><li><span style=\"font-weight: 400;\">Drum overheads<\/span><\/li><li><span style=\"font-weight: 400;\">Vocals<\/span><\/li><li><span style=\"font-weight: 400;\">Guitar cabinets<\/span><\/li><li><span style=\"font-weight: 400;\">Spoken word<\/span><\/li><li><span style=\"font-weight: 400;\">Brass<\/span><\/li><li><span style=\"font-weight: 400;\">Woodwind<\/span><\/li><li><span style=\"font-weight: 400;\">Strings<\/span><\/li><li><span style=\"font-weight: 400;\">Drum overheads \u2013 best when paired with another for stereo recording<\/span><\/li><li><span style=\"font-weight: 400;\">Foley effects<\/span><\/li><li><span style=\"font-weight: 400;\">Choirs \u2013 when used as an overhead<\/span><\/li><li><span style=\"font-weight: 400;\">Ambient sounds<\/span><\/li><li><span style=\"font-weight: 400;\">Acoustic piano<\/span><\/li><\/ul><hr \/><h3><span style=\"font-weight: 400;\">What are the key ribbon mic applications?<\/span><\/h3><p><span style=\"font-weight: 400;\">Ribbon mics can be applied to a lot of different sound sources \u2013 below, we\u2019ll highlight the key applications and some techniques. <\/span><\/p><p><span style=\"font-weight: 400;\">In summary \u2013 place the mic a little further away and use the \u201cair test\u201d. If you can feel the air from the sound, move the mic back a little bit or place it slightly off-axis.<\/span><\/p><h4>Can I use ribbon mics to record vocals?<\/h4><p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon microphones are widely regarded as some of the best vocal microphones, especially in the broadcasting world, owing to their incredible sensitivity and increased low-end frequency. These add weight and warmth that other mics simply can\u2019t capture. <\/span><\/p><p><span style=\"font-weight: 400;\">Broadcasters love them as their \u201cboom\u201d brings out the presence and thickness of vocal performance without adding any colour. What you hear is what you get.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">The bi-directional design is perfect for podcasters. You only need one microphone as the figure-of-eight pattern can record the host and the guest whilst sitting in front of each other. The pattern rejects all the off-axis sounds \u2013 like the crowd for example.<\/span><\/p><p><span style=\"font-weight: 400;\">However, there\u2019s one downside.<\/span> <span style=\"font-weight: 400;\">Due to the sensitivity of the ribbon, they're often preferred by voiceover artists and singers with some experience in understanding how to be \u201caware\u201d of the mic. You need to stand further back from the microphone when singing \u2013 especially at volume. Get too close and the wind from your voice will vibrate the ribbon and cause distortion. Shout too loud and you potentially risk damaging it altogether if the ribbon vibrates too much.<\/span><\/p><p><span style=\"font-weight: 400;\">That\u2019s not to say that they can\u2019t handle loud SPL levels \u2013 because they can. You just need to record either slightly off-axis or a little further back when recording loud sound sources. <\/span><\/p><p><span style=\"font-weight: 400;\">A great way to combat any plosives and to protect your mic is to use a pop shield. This will not only cut the plosives but also help protect the ribbon.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Altering the axis slightly or using a pop shield won\u2019t affect the quality of sound thanks to the sensitivity of ribbon mics, it will just reduce the load on the ribbon. <\/span><\/p><p><span style=\"font-weight: 400;\">Ribbon mics with a figure-of-8 pattern are not recommended for live vocal applications on stage as the mic will pick up sounds behind the microphone \u2013 your sound engineer won\u2019t like that!<\/span><\/p><h4>Can I record electric and acoustic guitars with ribbon mics?<\/h4><p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon mics are ideal for electric and acoustic guitars thanks to the 'warm and dark' sound they provide. <\/span><\/p><p><span style=\"font-weight: 400;\">They tame the higher frequencies that can overshadow electric guitar recording, especially at higher volumes, and return the low-end weight that often is lost in the mix. <\/span><\/p><p><span style=\"font-weight: 400;\">The dynamic construction also allows for fast transients and re-introduces the mid-range punch. This makes them exceptional microphones for high-gain electric guitar cabinets.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">If you have a particular higher-pitched acoustic guitar, they can restore the low-end thickness.\u00a0<\/span><\/p><h4>Can I record drums with ribbon mics?<\/h4><p><span style=\"font-weight: 400;\">Yes. Ribbon mics are great for capturing drum overhead sounds, offering a depth and weight that drummers will appreciate. <\/span><span style=\"font-weight: 400;\">You can capture the feel and ambience of the room whilst retaining the clarity and detail when recording drums. <\/span><\/p><p><span style=\"font-weight: 400;\">Ribbon mics remove a lot of the high-end shrill from cymbals when used as overhead mics, and thanks to the figure-of-8 pattern they\u2019re awesome for stereo recording, mixing the detail of the kit and the sound of your room. <\/span><span style=\"font-weight: 400;\">If you\u2019re close mic\u2019ing, just make sure you place the mic off-axis to protect the ribbon.\u00a0<\/span><\/p><h4>Can I record brass with ribbon mics?<\/h4><p><span style=\"font-weight: 400;\">Yes. Ribbon microphones are less sensitive to high-end frequencies, so they bring out the low-end and warmer range within brass and woodwind instruments. They also do a great job of taking out the \u201chonk\u201d of trumpets, trombones, and other horns and can handle the volume thanks to a high SPL.<\/span><\/p><h4>\u00a0Can I record strings with ribbon mics?<\/h4><p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Yes. Ribbon mics are beautifully suited to strings, adding a cinematic, spacious sound thanks to the bi-directional recording. They do a great job of retaining the detail of the strings, whilst adding the feel of a room. If you have a particularly small room, the figure-of-8 will still make use of the ambience, bringing weight to the sound which makes it ideal for soundtracks.<\/span><\/p><hr \/><h3><span style=\"font-weight: 400;\">Are ribbon mics better?<\/span><\/h3><p><span style=\"font-weight: 400;\">If you prefer the low-end warmth and presence of your sound without any colouration, a ribbon mic might be better for you. Ribbon mics essentially replicate the natural sound. <\/span><\/p><p><span style=\"font-weight: 400;\">Think of it this way: your instrument + sound of the room = what you hear. <\/span><\/p><p><span style=\"font-weight: 400;\">The way you hear your instrument is affected by the sound of your room. Ribbon mics recreate that same sound. You hear it in the mix the same way your ear hears it.<\/span>\u00a0<span style=\"font-weight: 400;\">However, if you want a specific or unique quality of a microphone to come through, or a highly detailed flat response, you might prefer something else.<\/span>\u00a0<span style=\"font-weight: 400;\">In short, ribbon mics are better if you want a low-end presence and less high-end detail.<\/span><\/p><h4>\u00a0Are ribbon mics more sensitive to damage?<\/h4><p><span style=\"font-weight: 400;\">Yes and no. Ribbon mics are quite robust, and, unless you\u2019re planning on launching a spaceshuttle in the room you\u2019re recording, you\u2019re unlikely to damage the ribbon through volume alone. However, some are sensitive to vibration at close quarters as the wind from your voice or loud sounds can vibrate the ribbon. <\/span><span style=\"font-weight: 400;\">Just use a pop filter or angle the mic subtly to reduce vibrations.<\/span><\/p><p><span style=\"font-weight: 400;\">The ribbon can also be susceptible to dust if not looked after correctly, so it make sense to put the mic away after use.<\/span> <span style=\"font-weight: 400;\">Fortunately, mics like the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM353-ED-Ribbon-Microphone\/1FS8\" target=\"_blank\" rel=\"noopener\">Shure KSM353\/ED Ribbon Microphone<\/a><\/strong> use Roswellite instead of aluminium, meaning it can handle sound pressure levels at a closer range.\u00a0<\/span><\/p><h4><span style=\"font-weight: 400;\">Do ribbon mics need phantom power?<\/span><\/h4><p><span style=\"font-weight: 400;\">Only active ribbon mics need phantom power, but almost all ribbon microphones are passive which means they don't. Ribbon mics that are unbalanced or without transformers may become damaged if you leave phantom power on. To be safe, just turn it off in your audio interface before connecting a ribbon mic.<\/span><\/p><p><span style=\"font-weight: 400;\">Breathe easy though, most ribbon mics, like the<\/span><strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM313-NE-Dual-Voice-Ribbon-Microphone\/1FS7\" target=\"_blank\" rel=\"noopener\"> Shure KSM313\/NE Dual Voice Ribbon Microphone<\/a><\/strong><span style=\"font-weight: 400;\"> are designed to ignore phantom power and will not become damaged if you forget to turn the phantom power off.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><strong><a href=\"https:\/\/service.shure.com\/s\/article\/ribbon-mics-phantom-power?language=en_US\">Shure say<\/a>: \u00a0<\/strong><span style=\"font-weight: 400;\">\u201cA ribbon microphone typically has a low impedance, transformer balanced output. Therefore, it can handle phantom power without a problem. No other precautions, besides proper wiring, are necessary.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">However, if you encounter a ribbon microphone where the output is unbalanced or does not employ a transformer, beware! In this case, contact the microphone's manufacturer for advice.\"<\/span>\u00a0<span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">Unless you made the mic yourself or it\u2019s damaged already, you\u2019re ok. If you forget to turn the phantom power off, just switch it off and wait for 60 seconds before you unplug the mic and plug it back in again.<\/span><\/p><h4><span style=\"font-weight: 400;\">Do ribbon mics need a preamp?<\/span><\/h4><p><span style=\"font-weight: 400;\">Yes. Ribbon mics are almost always passive, therefore they have a low output compared to condenser mics. They're at least 65dB of gain, which you can get from a high-gain, low-noise preamp.<\/span> <span style=\"font-weight: 400;\">You need a preamp that has an impedance at least 5 - 10x the ribbon microphone impedance.<\/span> <span style=\"font-weight: 400;\">Your interface will often have a preamp built-in, but if you need an extra push, the<\/span><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Cloud-Cloudlifter-CL-1-Mic-Activator\/137O\" target=\"_blank\" rel=\"noopener\"> Cloudlifter<\/a><\/strong><span style=\"font-weight: 400;\"> is a great option to add on top.<\/span><\/p><hr \/><h3><span style=\"font-weight: 400;\">Active vs passive ribbon mics - what\u2019s the difference?<\/span><\/h3><p><span style=\"font-weight: 400;\">This is an entire article waiting to happen, but, overall, passive ribbon mics require a preamp and active ribbon mics do not. <\/span><\/p><p><span style=\"font-weight: 400;\">Passive ribbon mics use a high impedance preamp. If they didn't, you wouldn't be able to hear them at low volumes, whereas an active ribbon mic uses phantom power, so you can use them at all volumes.<\/span><\/p><h4><span style=\"font-weight: 400;\">What are the benefits of ribbon microphones?<\/span><\/h4><p><span style=\"font-weight: 400;\">There are 5 key advantages of a ribbon mic:<\/span><\/p><ol><li><span style=\"font-weight: 400;\">It's the most natural-sounding mic<\/span><\/li><li><span style=\"font-weight: 400;\">Adds ambience to your sound through bi-directional recording<\/span><\/li><li><span style=\"font-weight: 400;\">Natural high-frequency roll-off cuts the harsh tones<\/span><\/li><li><span style=\"font-weight: 400;\">Retains low-end weight and accuracy<\/span><\/li><li><span style=\"font-weight: 400;\">Highly dynamic, high fidelity sound<\/span><\/li><\/ol><hr \/><h3><span style=\"font-weight: 400;\">What are some of the best ribbon microphones?<\/span><\/h3><p><span style=\"font-weight: 400;\">Often ribbon mics are known as the most expensive type of mic. Fortunately, this is not completely true \u2013 of course, some ribbon mics can run into the thousands, but, as always, you get what you pay for. To help make the choice easier, we\u2019ve rounded up five of what we think are the best ribbon microphones available today, starting from absolute professional, industry-standard options to the more beginner-friendly options.<\/span><\/p><p><span style=\"font-weight: 400;\">We\u2019ve collected options from Shure, Royer, sE Electronics, and more, spanning a wide range of budgets.<\/span><\/p><h4><span style=\"font-weight: 400;\">1. Shure KSM353\/ED Ribbon Microphone<\/span><\/h4><p><span style=\"font-weight: 400;\"><img class=\" wp-image-8362 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/ksm353-1024x683.jpg\" alt=\"1500 x 1000\" width=\"455\" height=\"303\" \/><\/span><span style=\"font-weight: 400;\">We\u2019ll start with one of the best ribbon microphones on the market today, the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM353-ED-Ribbon-Microphone\/1FS8\" target=\"_blank\" rel=\"noopener\">Shure KSM353\/ED Ribbon Microphone<\/a><\/strong>. <\/span><\/p><p><span style=\"font-weight: 400;\">At over \u00a32,000, it\u2019s certainly going to price out some buyers, but if you\u2019re serious about getting the absolute best sound humanly possible from a ribbon mic, then this is totally worth it.<\/span><\/p><p><span style=\"font-weight: 400;\">We mentioned that ribbon microphones can be a little sensitive to air and plosives. Well, you won\u2019t have any problems with this as the Roswellite ribbon element within the KSM353\/ED is stronger than traditional elements and can withstand higher sound pressure levels even at a closer range. <\/span><\/p><p><span style=\"font-weight: 400;\">The Roswellite ribbon element has a very robust, high tensile strength and shape memory which can withstand extreme sound pressure levels from drums, brass, and your shoutiest singers. <\/span><\/p><p><span style=\"font-weight: 400;\">With 146 dB, you\u2019re covered for all eventualities and you won't warp the ribbon from years of use.<\/span> <span style=\"font-weight: 400;\">This is ideal for professional-level studio owners as the all-metal construction partnered with the double-shielded transformer helps to reduce radio frequency and magnetic interference that can occur from computers and speakers.<\/span><\/p><p><span style=\"font-weight: 400;\">Audiophiles will appreciate the tailored bass response that doesn\u2019t affect the overall output \u2013 this means you get all the power and volume of the low end without a volume drop. <\/span><\/p><p><span style=\"font-weight: 400;\">The 30Hz \u2013 15,000Hz frequency response also provides all the mid-range punch and superior upper-range presence you need for the likes of guitars and spoken word.<\/span><\/p><p><span style=\"font-weight: 400;\">Broadcasters and podcasters will appreciate the bi-directional polar pattern which delivers premium symmetrical audio as opposed to the reduced response or volume on the backside of some mics. You get the same sound on both sides, so interviews are captured well and the room ambience is incredibly smooth and accurate.<\/span><\/p><p><span style=\"font-weight: 400;\">The fact that the Shure KSM353\/ED is incredibly hard-wearing, more so than almost any ribbon mic today, makes it a great option for travelling producers who want their own signature sound.<\/span><\/p><p><strong>\u00a0Who is the Shure KSM353\/ED Ribbon Microphone for?<\/strong><\/p><ul><li><span style=\"font-weight: 400;\">Studio Engineers<\/span><\/li><li><span style=\"font-weight: 400;\">Broadcasters<\/span><\/li><li><span style=\"font-weight: 400;\">Internet radio presenters<\/span><\/li><li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li><li><span style=\"font-weight: 400;\">Travelling studio owners<\/span><\/li><\/ul><h4><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">2. Royer R-121 Studio Ribbon Microphone, Matched Pair Overview <img class=\" wp-image-8363 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Royer-1024x1024.jpg\" alt=\"1200x1200\" width=\"518\" height=\"518\" \/><\/span><\/h4><p><span style=\"font-weight: 400;\">The<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Royer-R-121-Studio-Ribbon-Microphone-Matched-Pair\/2LPV\" target=\"_blank\" rel=\"noopener\"> Royer R-121 Studio Ribbon Microphone<\/a><\/strong> is another industry-standard microphone used by the likes of top producers Al Schmitt, Steve Albini, and Bruce Sweiden. <\/span><\/p><p><span style=\"font-weight: 400;\">Pictured here in a matched pair, the Royer R-121 Studio Ribbon Microphone works best in conjunction with another of its kind to create a fuller, thicker sound or capture acoustic guitar and vocals at the same time with the exact same sonic quality.<\/span><\/p><p><span style=\"font-weight: 400;\">The figure-of-8 polar pattern effectively rejects side noise, making it perfect for broadcasting and vocal capture. Its high SPL of 135dB then ensures you\u2019re ready to record the loudest of brass, wind, or electric guitar cabinets without distortion from the 2.5-micron aluminium ribbon.<\/span><\/p><p><span style=\"font-weight: 400;\">The key benefit of this mic is the fact that it\u2019s been designed to maintain a consistent 30 - 15000Hz frequency response regardless of distance, so you can get close if you need to or enjoy the same detail with the microphone backed off. <\/span><\/p><p><span style=\"font-weight: 400;\">An absence of high-frequency phase distortion ensures you can capture loud vocals with inexperienced signers and enjoy the same sensitivity on both sides of the mic.<\/span> <span style=\"font-weight: 400;\">Enjoy smooth highs, thick lows, and punchy mids with incredible off-axis rejection.<\/span><\/p><p><b>Who is the Royer R-121 Studio Ribbon Microphone, Matched Pair for?<\/b><\/p><ul><li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li><li><span style=\"font-weight: 400;\">Choirs<\/span><\/li><li><span style=\"font-weight: 400;\">Orchestral recording artists<\/span><\/li><li><span style=\"font-weight: 400;\">Piano recording artists<\/span><\/li><li><span style=\"font-weight: 400;\">Drummers<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li><\/ul><h4><span style=\"font-weight: 400;\">3. Shure KSM313\/NE Dual Voice Ribbon Microphone<\/span><\/h4><p><img class=\" wp-image-8365 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_environmental-picture_2-1.jpg\" alt=\"533 x 800\" width=\"407\" height=\"611\" \/> <span style=\"font-weight: 400;\">This is where ribbon mics get interesting. The<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-KSM313-NE-Dual-Voice-Ribbon-Microphone\/1FS7\" target=\"_blank\" rel=\"noopener\"> Shure KSM313\/NE Dual Voice Ribbon Microphone<\/a><\/strong> offers two distinct voices in the same microphone.<\/span><\/p><p><span style=\"font-weight: 400;\">It features a dual-voice diaphragm that provides recording artists with two distinct sound signatures. The front side has all the warmth and darker complexity you need when recording spoken word vocals, guitar amplifiers, brass, woodwind, upright bass, and kick drums. The back is brighter and more flattering, making it ideal for vocals, string instruments, drum overheads, and percussion.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">You can even record the same audio source on both sides, layering overdubs to capture a different sonic experience each time.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">Again, Shure has created this mic with Roswellite that is completely immune to windblasts and phantom power. It\u2019s also immune to something called \u2018shape memory\u2019 meaning it won't get warped by extremely loud instruments like guitar cabinets or fast transients like snare drums. <\/span><\/p><p><span style=\"font-weight: 400;\">Plus, it's even built to withstand the noise of a jet engine thanks to the 146 dB max SPL!<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">If you want two distinct ribbon microphone sounds for recording versatility, start with the\u00a0 Shure KSM313\/NE Dual Voice Ribbon Microphone.<\/span><\/p><p><b>Who is the Shure KSM313\/NE Dual Voice Ribbon Microphone for?<\/b><\/p><ul><li><span style=\"font-weight: 400;\">Home studio owners<\/span><\/li><li><span style=\"font-weight: 400;\">Large studio owners<\/span><\/li><li><span style=\"font-weight: 400;\">Travelling producers<\/span><\/li><li><span style=\"font-weight: 400;\">Acoustic artists<\/span><\/li><li><span style=\"font-weight: 400;\">Voiceover artists<\/span><\/li><li><span style=\"font-weight: 400;\">Anyone recording extremely loud instruments\/sound sources<\/span><\/li><\/ul><p>\u00a0<\/p><h4><span style=\"font-weight: 400;\">4. sE Electronics VR1 Ribbon Mic<\/span><\/h4><p><span style=\"font-weight: 400;\"><img class=\" wp-image-8367 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/SE-VR1-1024x1024.jpg\" alt=\"1200 x 1200\" width=\"507\" height=\"507\" \/><\/span><span style=\"font-weight: 400;\">Next up, we have the <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/sE-Electronics-VR1-Ribbon-Mic\/DR1\" target=\"_blank\" rel=\"noopener\">sE Electronics VR1 Ribbon Mic<\/a><\/strong> which provides incredible ribbon microphone recording presence at a lower budget. <\/span><\/p><p><span style=\"font-weight: 400;\">This makes our best ribbon microphones shortlist thanks to its Rupert Neve-designed circuit that offers detailed highs and powerful lows.<\/span><\/p><p><span style=\"font-weight: 400;\">The key difference here between the others is that it captures a wider frequency response of 20Hz-18KHz, making it a great all-rounder for acoustic instruments when you need exceptional detail in the higher-end spectrum. <\/span><\/p><p><span style=\"font-weight: 400;\">What you gain in detail, you do lose in SPL owing to the 135dB max SPL \u2013 but good luck achieving that sound unless you have a jet engine in your studio.<\/span><\/p><p><span style=\"font-weight: 400;\">With this microphone, you can capture lower-level sound sources in great detail, provided you have enough gain, which makes it ideal for those who want to record acoustic guitars, vocals, string instruments, or retain the bite and edge on high gain guitar cabinets without sacrificing low end.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">It's a great ribbon mic for those who want pro-level sound on an intermediate budget.<\/span><\/p><p><b>Who is the sE Electronics VR1 Ribbon Mic for?<\/b><\/p><ul><li><span style=\"font-weight: 400;\">Home recording artists <\/span><\/li><li><span style=\"font-weight: 400;\">Voiceover artists <\/span><\/li><li><span style=\"font-weight: 400;\">Acoustic artists <\/span><\/li><li><span style=\"font-weight: 400;\">Piano players <\/span><\/li><li><span style=\"font-weight: 400;\">String recording artists<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li><\/ul><h4><span style=\"font-weight: 400;\">5. SubZero R1 Ribbon Microphone<\/span><\/h4><p><span style=\"font-weight: 400;\"><img class=\" wp-image-8368 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/Subzero-R1-1024x1024.jpg\" alt=\"1200 x 1200\" width=\"498\" height=\"498\" \/><\/span><span style=\"font-weight: 400;\">Last but not least, we have the<strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/SubZero-R1-Ribbon-Microphone\/154Q\" target=\"_blank\" rel=\"noopener\"> SubZero R1 Ribbon Microphone<\/a><\/strong> which offers lush ribbon mic detail at a beginner price range.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">With a frequency response of 30 Hz - 18kHz, you\u2019re going to enjoy a smooth top-end tonal quality and the low-end power you want from a ribbon microphone. <\/span><\/p><p><span style=\"font-weight: 400;\">The 99% pure aluminium, 2.5-micron ribbon gives you a vintage tone with a mellow sound quality that makes it perfect for acoustic guitar, but can also be used as a drum overhead where you want to capture the punch and power of a cocktail drum kit without losing the bottom end.<\/span> <span style=\"font-weight: 400;\">\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">Additionally, the impressive 148dB max SPL ensures you\u2019re not going to run into any volume problems, whilst the built-in pop filter and shock mount protect the ribbon, making it ideal for home studio enthusiasts who might have to pack down every day. <\/span><\/p><p><span style=\"font-weight: 400;\">Finally, the included shock mount is perfect for positioning the mic accurately when recording and reduces any mechanical noise.<\/span><\/p><p><span style=\"font-weight: 400;\">This is ribbon mic quality recording at a fraction of the cost \u2013 ideal for those just starting out in recording or experimenting with ribbon mics.<\/span><\/p><p><b>Who is the SubZero R1 Ribbon Microphone for?<\/b><\/p><ul><li><span style=\"font-weight: 400;\">Beginner recording artists<\/span><\/li><li><span style=\"font-weight: 400;\">Home studio recording artists<\/span><\/li><li><span style=\"font-weight: 400;\">Schools<\/span><\/li><li><span style=\"font-weight: 400;\">Theatres<\/span><\/li><li><span style=\"font-weight: 400;\">Internet radio<\/span><\/li><li><span style=\"font-weight: 400;\">Broadcasters<\/span><\/li><\/ul><hr \/><p><span style=\"font-weight: 400;\">That wraps up our complete guide to ribbon microphones. Post a comment below and let us know if you think we\u2019ve missed any of the best ribbon microphones, if you have any tips on recording with ribbon microphones or if you have any questions on the key benefits and uses of ribbon mics.<\/span><\/p><p><span style=\"font-weight: 400;\">S<\/span><span style=\"font-weight: 400;\">hop now | <a href=\"https:\/\/www.gear4music.com\/Studio-Equipment\/Microphones\" target=\"_blank\" rel=\"noopener\">Studio Microphones\u00a0<\/a><\/span><\/p><p><span style=\"font-weight: 400;\">Shop now | <a href=\"https:\/\/www.gear4music.com\/Microphones\/Ribbon.html\" target=\"_blank\" rel=\"noopener\">Ribbon Microphones\u00a0<\/a><\/span><\/p>","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[244,250,111],"tags":[102,290,161],"class_list":["post-8353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-sound-guides","category-live-sound-learn","category-live-sound","tag-beginners-guides","tag-guide","tag-shure"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What Is A Ribbon Microphone? 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We provide examples of what ribbon microphones are used for, benefits and some of the best ribbon mics we stock.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.gear4music.com\/blog\/what-is-a-ribbon-microphone-benefits-applications\/\" \/>\n<meta property=\"og:site_name\" content=\"Gear4music Blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Gear4music\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-10T11:31:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-16T15:43:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/05\/KSM313_Amp_Close_Horizontal_Front-1rs.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lee Glynn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@gear4music\" \/>\n<meta name=\"twitter:site\" content=\"@gear4music\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lee Glynn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"30 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/what-is-a-ribbon-microphone-benefits-applications\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/what-is-a-ribbon-microphone-benefits-applications\\\/\"},\"author\":{\"name\":\"Lee Glynn\",\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/#\\\/schema\\\/person\\\/53abe44abe1d8dcd2de212b8fdceb42c\"},\"headline\":\"What Is A Ribbon Microphone? 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