{"id":25583,"date":"2023-04-28T09:58:23","date_gmt":"2023-04-28T08:58:23","guid":{"rendered":"https:\/\/www.gear4music.com\/blog\/?p=25583"},"modified":"2024-10-01T17:27:52","modified_gmt":"2024-10-01T16:27:52","slug":"best-tom-mics","status":"publish","type":"post","link":"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/","title":{"rendered":"The 11 Best Tom Mics to Make Your Drum Sound Pop"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#In_a_hurry\" >In a hurry?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#Best_tom_mics\" >Best tom mics<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#1_Sennheiser_MD_421_Kompakt\" >1. Sennheiser MD 421 Kompakt<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#2_Universal_Audio_SD-7_Dynamic_Microphone_with_Hemisphere_Modeling\" >2. Universal Audio SD-7 Dynamic Microphone with Hemisphere Modeling<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#3_SubZero_GD100\" >3. SubZero GD100<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#4_Shure_SM57\" >4. Shure SM57<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#5_Sennheiser_e604\" >5. Sennheiser e604<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#6_sE_Electronics_V_Beat\" >6. sE Electronics V Beat<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#7_Audix_D2\" >7. Audix D2<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#8_Sontronics_DM-1T\" >8. Sontronics DM-1T<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#9_Shure_Beta_56A\" >9. Shure Beta 56A<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#10_Beyerdynamic_M_201_TG\" >10. Beyerdynamic M 201 TG<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#11_Audio_Technica_ATM230PK\" >11. Audio Technica ATM230PK<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#What_to_look_for_in_a_tom_mic\" >What to look for in a tom mic<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#FAQs\" >FAQs<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#What_is_the_best_budget_tom_microphone\" >What is the best budget tom microphone?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#Can_you_use_the_SM57_for_toms\" >Can you use the SM57 for toms?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#What_mics_did_John_Bonham_use_for_his_drums\" >What mics did John Bonham use for his drums?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#What_type_of_microphones_are_used_for_toms\" >What type of microphones are used for toms?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#How_many_microphones_should_be_used_for_toms\" >How many microphones should be used for toms?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.gear4music.com\/blog\/best-tom-mics\/#Final_thoughts\" >Final thoughts<\/a><\/li><\/ul><\/nav><\/div>\n<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Intro&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>When recording or mixing live drums in bigger venues, it\u2019s not uncommon to need a little extra punch and detail from your toms. In a pinch, a good set of overheads could be enough to do the job, but mic&#8217;ing them up directly offers more depth, flexibility, and presence in the mix.<\/p>\n<p>For the clearest, punchiest drums you can acquire, setting up mics on every available source on the kit is the way to go &#8211; and this includes <strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Drum.html?page=1&amp;filters[247]=2602\" target=\"_blank\" rel=\"noopener\">tom mics<\/a><\/strong>!<\/p>\n<p>So, what are the <strong>best tom mics<\/strong>? In this article, we&#8217;ll discuss 11 of the best and give you some tips on what to look out for.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;In a hurry?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"In_a_hurry\"><\/span>In a hurry?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<table id=\"tablepress-12\" class=\"tablepress tablepress-id-12\">\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-1\">\n\t<td class=\"column-1\"><strong>Shure SM57 <\/strong><\/td><td class=\"column-2\">Ultra-robust and versatile   dynamic microphone with excellent sound pressure handling.<\/td><td class=\"column-3\"><strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" rel=\"noopener\" target=\"_blank\">Check the current price<\/a><\/strong><\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\"><strong>Universal Audio SD-7<\/strong><\/td><td class=\"column-2\">A versatile modelling mic with a focused hypercardioid polar pattern.<\/td><td class=\"column-3\"><strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling\/6EX4\" rel=\"noopener\" target=\"_blank\">Check the current price<\/a><\/strong><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\"><strong>Sennheiser MD 421 Kompakt<\/strong><\/td><td class=\"column-2\">Workhorse dynamic microphone for studios and live venues.<\/td><td class=\"column-3\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone\/6LA6\" rel=\"noopener\" target=\"_blank\">Check the current price<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-12 from cache -->\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Best tom mics&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; hover_enabled=&#8221;0&#8243; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Best_tom_mics\"><\/span>Best tom mics<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<h4><span class=\"ez-toc-section\" id=\"1_Sennheiser_MD_421_Kompakt\"><\/span>1. Sennheiser MD 421 Kompakt<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><i>Best premium option<\/i><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39858 alignright size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-300x300.jpg\" alt=\"Sennheiser MD 421 Kompakt Dynamic Instrument Microphone\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>A compact, versatile, legendary mic, redesigned with an easy mounting clip<\/li>\n<li>Excellent sound pressure handling<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Cardioid polar pattern may still pick up some spill on tighter kits<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone\/6LA6\" target=\"_blank\" rel=\"noopener\"><strong>Sennheiser MD 421 Kompakt<\/strong><\/a> is an extremely versatile dynamic microphone, giving most of the others on this list a run for their money.<\/p>\n<p>Commonly used on vocals, acoustic instruments, and guitar amps, this microphone is also incredible for percussion with its detailed, full-bodied, authoritative sound character. It can handle extremely high sound pressure levels with ease &#8211; perfect for use on drums.<\/p>\n<p>The MD 421 Kompakt also features a unique internal bass tube, providing an extended low-end response. This is great for that bassy thump or adding richness to your sound without losing any clarity. Better still, building on the <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\">Sennheiser MD 421 II<\/a><\/strong>, the Kompakt version makes setup even easier thanks to the redesigned mounting clip. For extra stability, the mic is also available with a <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone-with-Drum-Mount\/6MZB\" target=\"_blank\" rel=\"noopener\">drum mount<\/a><\/strong>.<\/p>\n<p>Durable and reliable, with a cardioid polar pattern for clean sound, the MD 421 Kompakt is a no-brainer for all kinds of microphone setups.<\/p>\n<p>Shop now | <a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-Kompakt-Dynamic-Instrument-Microphone\/6LA6\" target=\"_blank\" rel=\"noopener\"><strong>Sennheiser MD 421 Kompakt<\/strong><\/a><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"2_Universal_Audio_SD-7_Dynamic_Microphone_with_Hemisphere_Modeling\"><\/span>2. Universal Audio SD-7 Dynamic Microphone with Hemisphere Modeling<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><em>Best modelling option <\/em><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-36619 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-300x300.jpg\" alt=\"Universal Audio SD-7 Dynamic Microphone with Hemisphere Modeling\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Versatile mic models included<\/li>\n<li>Excellent sound isolation<\/li>\n<li>High SPL tolerance<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Some users might want something more discreet than the white retro design<\/li>\n<\/ul>\n<p>The <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling\/6EX4\" target=\"_blank\" rel=\"noopener\">Universal Audio SD-7 Dynamic Microphone<\/a><\/strong> is built with groundbreaking Hemisphere modelling technology, providing not only exceptional sound quality but also the versatility of switching between five iconic mic models &#8211; DN-421B, DN-421S, RB-160, DN-409N, and DN-441. With these, you can find the exact sonic characteristics you&#8217;re after whilst capturing the deep, resonant tones of the toms with clarity and precision.<\/p>\n<p>The high SPL tolerance means you can use the SD-7 to record exceptionally loud performances without distortion. This makes it perfect for live drumming sessions and capturing other high-energy instruments like brass sections or electric guitars.<\/p>\n<p>Another great feature of the SD-7 is its hypercardioid polar pattern, which ensures you only pick up sound from your source, giving you crisp, focused recordings.<\/p>\n<p>The robust construction and stylish design of the SD-7 ensure that it also looks the part and can cope with the demands of going from gig to gig. This combination of aesthetic appeal, durability, and advanced technology makes the Universal Audio SD-7 an ideal choice for those looking to elevate their drum recording setup.<\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/Recording-and-Computers\/Universal-Audio-SD-7-Dynamic-Microphone-with-Hemisphere-Modeling\/6EX4\" target=\"_blank\" rel=\"noopener\">Universal Audio SD-7 Dynamic Microphone<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"3_SubZero_GD100\"><\/span>3. SubZero GD100<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><i>Great entry-level choice<\/i><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25604 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-300x300.jpg\" alt=\"SubZero GD100 mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Good all-rounder designed for multiple instruments<\/li>\n<li>Supercardioid polar pattern<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>No high-pass filtering options<\/li>\n<li>High-frequency response rolls off at 15 kHz for a darker sound<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/Recording-and-Computers\/SubZero-GD100-Dynamic-Microphone\/2VJO\" target=\"_blank\" rel=\"noopener\">SubZero GD100<\/a><\/strong> is a versatile dynamic instrument microphone.<\/p>\n<p>Great for guitar cabs, percussion, and brass as well as drums, this mic offers a solid frequency response with articulate low-mids that\u2019ll help bring out the thump of tom drums.<\/p>\n<p>Its hypercardioid polar pattern keeps things intense and focused, for the clarity you need.<\/p>\n<p>The GD100 has a great sound pressure handling of 132 dB, making it well-suited to the intensity of tom heads on both live stages and home studios.<\/p>\n<p>Coming in at a very inviting price with a durable metal enclosure, this microphone is totally reliable.<\/p>\n<p>Shop now | <strong><a href=\"\/Recording-and-Computers\/SubZero-GD100-Dynamic-Microphone\/2VJO\" target=\"_blank\" rel=\"noopener\">SubZero GD100<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"4_Shure_SM57\"><\/span>4. Shure SM57<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><i>Best budget option<\/i><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25597 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-300x300.jpg\" alt=\"Shure SM57 mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Extremely versatile<\/li>\n<li>Great sound pressure handling<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Cardioid polar pattern can still pick up spill in tighter spaces<\/li>\n<li>Larger body makes positioning more challenging<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/Recording-and-Computers\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">Shure SM57<\/a><\/strong> is a veritable swiss-army knife of microphones, becoming a fixture of microphone lockers in studios and live venues alike.<\/p>\n<p>Commonly used on guitar amps, acoustic guitars, horns, snare drums, and any number of other instruments that might crop up while recording, it should come as no surprise that one of the most versatile microphones ever is also great on tom drums.<\/p>\n<p>The SM57 features a uniquely contoured frequency response with a natural sound and presence boost that adds punch to any source, and its cardioid polar pattern keeps things focused on what\u2019s in front of it. Its flat grille makes it easy to position close to the source, letting you get defined bass by harnessing the proximity effect.<\/p>\n<p>The SM57\u2019s sound pressure handling allows it to capture the thundering boom of tom drums without clipping. Plus, it&#8217;s affordable, making it ideal for acquiring multiple to set up on your kit without breaking the bank.<\/p>\n<p>Shop now | <strong><a href=\"\/Recording-and-Computers\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">Shure SM57<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"5_Sennheiser_e604\"><\/span>5. Sennheiser e604<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25593 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-300x300.jpg\" alt=\"Sennheiser e604 microphone\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Convenient clip-on design for quick and easy setup<\/li>\n<li>Hum compensating coil for minimal noise<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Cardioid polar pattern can still pick up spill in tighter spaces<\/li>\n<li>Not especially versatile<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong> is another fixture of venues and studios.<\/p>\n<p>Commonly used on drums and other high-pressure instruments like brass, this dynamic microphone can manage incredibly loud sources very closely and continue to record without distortion.<\/p>\n<p>Its incredibly convenient clip-on design and cardioid polar pattern make it easy to set up on drum heads to get the sound you want.<\/p>\n<p>The e604\u2019s sound has boosted upper-mid and high frequencies to add further bite and punch to your toms, with a flat, accurate low-end to prevent muddiness. This clip-on microphone is built from a lightweight and extremely tough glass-fibre body.<\/p>\n<p>To ensure your recordings or live mixes sound clean, the e604 also has a hum-compensating coil that reduces self-noise.<\/p>\n<p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"6_sE_Electronics_V_Beat\"><\/span>6. sE Electronics V Beat<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25600 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-300x300.jpg\" alt=\"sE Electronics V Beat mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Compact design for easy positioning<\/li>\n<li>Excellent transient and frequency response<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>No high-pass filtering could risk low-end build-up<\/li>\n<\/ul>\n<p>The<strong> <a href=\"\/Recording-and-Computers\/sE-Electronics-V-Beat\/2TMZ\" target=\"_blank\" rel=\"noopener\">sE Electronics V Beat<\/a> <\/strong>is a dedicated and compact tom and snare drum microphone that makes setup and placement easy.<\/p>\n<p>Of course, the V Beat also has excellent transient and frequency responses to get a full-bodied tom sound. Great for live venues and touring, it&#8217;s another cost-effective choice for drums.<\/p>\n<p>The V Beat provides a DMC7 X capsule taken from sE\u2019s extremely popular V7 vocal microphone, giving you a great sound.<\/p>\n<p>It also has an extremely focused supercardioid polar pattern to give your toms an upfront, snappy character.<\/p>\n<p>The durable build quality ensures it\u2019s reliable with even the most intense drummers, chaotic stages, and long-term studio use.<\/p>\n<p>Shop now | <strong><a href=\"\/Recording-and-Computers\/sE-Electronics-V-Beat\/2TMZ\" target=\"_blank\" rel=\"noopener\">sE Electronics V Beat<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"7_Audix_D2\"><\/span>7. Audix D2<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25586 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-300x300.jpg\" alt=\"Audix D2 mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>High-gain design is perfect for intense sounds<\/li>\n<li>Hypercardioid polar pattern controls spill and gives upfront sound<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>High-gain design requires a lot of volume-boosting to balance in mix<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/Recording-and-Computers\/Audix-D2-High-Gain-Percussion-Dynamic-Microphone\/OIP\" target=\"_blank\" rel=\"noopener\">Audix D2<\/a><\/strong> is a high-gain dynamic microphone that\u2019s designed for all kinds of intense sources \u2013 especially percussion.<\/p>\n<p>Its hypercardioid polar pattern is extremely focused on whatever you set it up on.<\/p>\n<p>Such a precise pattern is great for live mic&#8217;ing and recording multiple performers in live studio sessions, letting you achieve an upfront sound for your toms.<\/p>\n<p>The D2\u2019s compact design makes it easy to position the microphones exactly where you need to on the drum heads to get the optimal sound for your mix.<\/p>\n<p>This mic\u2019s tough, hard-wearing body is built from machined aluminium with a hard coat to keep things looking professional and protect internal components for total reliability.<\/p>\n<p>Shop now | <strong><a href=\"\/Recording-and-Computers\/Audix-D2-High-Gain-Percussion-Dynamic-Microphone\/OIP\" target=\"_blank\" rel=\"noopener\">Audix D2<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"8_Sontronics_DM-1T\"><\/span>8. Sontronics DM-1T<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25602 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-300x300.jpg\" alt=\"Sontronics DM-1T mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Condenser design offers a more detailed and full sound than some dynamics<\/li>\n<li>10 dB pad for increasing headroom<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Lower SPL handling than many dynamics<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/PA-DJ-and-Lighting\/Sontronics-DM-1T-Tom-Drum-Microphone\/MXX\" target=\"_blank\" rel=\"noopener\">Sontronics DM-1T<\/a><\/strong> is a condenser microphone designed especially for tom drums.<\/p>\n<p>It has a detailed quality that\u2019s ideal for capturing both the booming lows and cracking high-end of the stick against the drum head, giving toms exceptional presence.<\/p>\n<p>Its cardioid polar pattern provides a focused but smoother characteristic that\u2019s great on other percussion instruments like bongos, djembe, and tabla.<\/p>\n<p>The DM-1T also offers a 10 dB attenuation. This attenuation helps prevent clipping, whilst a high sound pressure handling of 125 dB without the pad engaged, or 135 dB with it, making it ideal for handling heavy drummers without sacrificing sound quality.<\/p>\n<p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Sontronics-DM-1T-Tom-Drum-Microphone\/MXX\" target=\"_blank\" rel=\"noopener\">Sontronics DM-1T<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"9_Shure_Beta_56A\"><\/span>9. Shure Beta 56A<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25601 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-300x300.jpg\" alt=\"Shure Beta 56A mic\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Supercardioid polar pattern reduces spill and feedback<\/li>\n<li>Included swivel mount makes setup easy<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>High-frequency roll-off from 16 kHz can sound darker than other options<\/li>\n<li>Lacking in low end<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Shure Beta 56A<\/a><\/strong> is an extremely compact dynamic microphone for snare and tom drums.<\/p>\n<p>Commonly seen in live venues and studios, this robust microphone provides a supercardioid polar pattern that shines on big, percussive sounds, as well as brass and guitar amps.<\/p>\n<p>The Beta 56A is also very commonly used as a vocal microphone for drummers!<\/p>\n<p>Since its tight supercardioid pattern avoids spill from the rest of the kit, it\u2019s great for picking up a drummer\u2019s voice without catching errant cymbals or other drum hits.<\/p>\n<p>This mic\u2019s neodymium magnet also makes sure your sound is detailed, with increased sensitivity and higher output.<\/p>\n<p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Shure Beta 56A<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"10_Beyerdynamic_M_201_TG\"><\/span>10. Beyerdynamic M 201 TG<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><i>Best all-rounder<\/i><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25587 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-300x300.jpg\" alt=\"Beyerdynamic M 201 TG microphone\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li>Hypercardioid polar pattern adds punch and focus<\/li>\n<li>Good all-rounder instrument mic<\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li>Quiet output from low sensitivity<\/li>\n<li>Requires extra gain to get desirable levels<\/li>\n<\/ul>\n<p>The <strong><a href=\"\/PA-DJ-and-Lighting\/beyerdynamic-M-201-TG-Dynamic-Instrument-Microphone\/K2R\" target=\"_blank\" rel=\"noopener\">beyerdynamic M 201 TG<\/a> <\/strong>is a cardioid dynamic microphone with a compact pencil housing for easy positioning.<\/p>\n<p>It has the extreme focus of a hypercardioid polar pattern to prevent spill and feedback, which is great for live performances or getting an upfront sound on recordings.<\/p>\n<p>The M 201 TG is also great for live-streamed or filmed performances due to its low profile.<\/p>\n<p>Its humbucking coil prevents electrical noise and interference for a consistent and clean signal.<\/p>\n<p>While it shines on percussion sources, the M 201\u2019s frequency response is detailed enough to capture a huge number of other instruments, making it a no-brainer choice for constantly changing spaces with a variety of artists and instruments.<\/p>\n<p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/beyerdynamic-M-201-TG-Dynamic-Instrument-Microphone\/K2R\" target=\"_blank\" rel=\"noopener\">beyerdynamic M 201 TG<\/a><\/strong><\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"11_Audio_Technica_ATM230PK\"><\/span>11. Audio Technica ATM230PK<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25585 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-300x300.jpg\" alt=\"Audio Technica ATM230PK mics\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Pros<\/strong><\/p>\n<ul>\n<li><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Full set of three tom mics for full kits<\/span><\/li>\n<li><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Hypercardioid polar pattern for focused tom sound<\/span><\/li>\n<\/ul>\n<p><strong>Cons<\/strong><\/p>\n<ul>\n<li><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Not very versatile for other instruments<\/span><\/li>\n<\/ul>\n<p>The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Audio-Technica-ATM230PK-Drum-and-Percussion-Microphone-3-Pack\/1GXK\" target=\"_blank\" rel=\"noopener\">Audio Technica ATM230PK<\/a><\/strong> is a pack of three microphones for percussion, making it great for capturing all of your kit\u2019s toms at once.<\/p>\n<p>These mics feature a hypercardioid polar pattern for that extra clarity and punch you want in your drum bus, without spill from other instruments, other parts of the kit, or feedback.<\/p>\n<p>Their extremely low profile is great for staying discrete while on-camera, too, ideal for streamed live shows, YouTube videos, and studio diaries.<\/p>\n<p>The ATM230 has an extremely warm frequency response with a big sound that ensures thundering drum fills.<\/p>\n<p>The magnets in the microphone capsules of this pack are made of rare earth materials to offer improved output and clear, snappy transient response while managing incredibly high sound pressures without distortion.<\/p>\n<p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Audio-Technica-ATM230PK-Drum-and-Percussion-Microphone-3-Pack\/1GXK\" target=\"_blank\" rel=\"noopener\">Audio Technica ATM230PK<\/a><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;What to look for in a tom mic&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_to_look_for_in_a_tom_mic\"><\/span>What to look for in a tom mic<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-25589 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The main things to consider in a tom mic are <strong>frequency response and SPL handling<\/strong>.<\/p>\n<p>Frequency response gives you the most accurate measurement of a microphone\u2019s sound; the most important parts of the toms are the low mids, around 200 Hz to 500 Hz, and high mids from around 5 kHz to 7 kHz.<\/p>\n<p>If your chosen mic can pick up these areas well, you likely have the sound quality you want for recordings and live shows.<\/p>\n<p>SPL (Sound Pressure Level) handling is a measure of the maximum volume of a source a mic can capture without clipping.<\/p>\n<p>Percussion like toms tend to kick out quite a lot of pressure, so you\u2019ll want SPL handling above 130 dB. This should give your recordings enough headroom to sit in any mix without being a distorted mess in live shows.<\/p>\n<p>In studio settings, it\u2019s still good to have a high maximum SPL, but since you&#8217;ll have more control and flexibility, this isn\u2019t as essential as it is for live shows.<\/p>\n<p>Durability is also important for drum mics, you want something rugged and tough because drum mics can sometimes take a bit of a beating. An errant hit from a drumstick can always be a risk, and as any good live engineer knows, anything can go wrong on stage, so something that can take a bump is very important.<\/p>\n<p>A mic that&#8217;s robustly built with a solid metal housing should give you the performance you want. Fortunately, this is the case for most options on this list and a majority of alternatives \u2013 but when it comes to build quality, you do get what you pay for.<\/p>\n<p>Polar pattern is extremely important too, of course. However, with how most percussion mics are designed, you\u2019ll want some flavour of cardioid polar pattern, picking up the sources directly in front of it for ease of use.<\/p>\n<p>Alternatively, supercardioid and hypercardioid polar patterns add more off-axis rejection from the sides and rear. These are great for especially tight or busy stages, preventing spill from other instruments, other parts of the kit, and avoiding feedback. Supercardioid and hypercardioid also add a sort of presence and punch due to the intimacy of their pickup, putting your toms upfront.<\/p>\n<p>The final consideration is the size of the microphone. For live stages, livestreams, videography, and studio diaries, for example, or just to save space in a mic locker, you might want something compact or discrete. This also offers benefits to positioning to achieve the sound you want.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;FAQs&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"FAQs\"><\/span>FAQs<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<h4><span class=\"ez-toc-section\" id=\"What_is_the_best_budget_tom_microphone\"><\/span><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-25591 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>What is the best budget tom microphone?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The Sennheiser e604 is a great budget choice for a dedicated tom microphone due to its good sound quality and simple clip-on design. However, any dynamic microphones you might already have spare in your locker can do very well if your budget is too tight to add new mics to your setup. The SM57, while being more of an all-rounder is commonly seen in recording and live setups, and these do well on toms too.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"Can_you_use_the_SM57_for_toms\"><\/span>Can you use the SM57 for toms?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>You can absolutely use the SM57 on toms. Thanks to its wide dynamic range, reliability, affordability, and midrange sound, the SM57 is a great option for mic&#8217;ing up toms. The SM57 is great for studios &#8211; used everywhere, from budget home studios to high-end recording spaces &#8211; and for live use.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"What_mics_did_John_Bonham_use_for_his_drums\"><\/span>What mics did John Bonham use for his drums?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>When playing live, John Bonham\u2019s drum techs mic&#8217;d up every single part of his kit with SM57s. Toms, snares, overheads, and even the kick (with one at the front and one at the back) were all captured by an SM57. On record, Glyn Johns used a pair of Neumann U67s, one overhead, and one on the floor tom, as well as a Neumann U47 on the kick, and a Neumann U87 as a mono room mic to capture Bonham\u2019s thunderous drumming.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"What_type_of_microphones_are_used_for_toms\"><\/span>What type of microphones are used for toms?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Dynamic microphones are most commonly used tom drums, as they have better SPL handling, and they capture the midrange frequencies that toms tend to sit in very well. These mics should have a cardioid, supercardioid, or hypercardioid polar pattern for focus and spill prevention. However, in recent years, we\u2019ve started to see more dedicated condenser microphones for toms, which can have better transients and wider frequency responses among other benefits.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"How_many_microphones_should_be_used_for_toms\"><\/span>How many microphones should be used for toms?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>To capture tom drums, you usually want as many microphones as you have toms in the kit. If your kit has three toms, as they tend to, use one microphone for each tom. This along with overheads, a hi-hat mic, a kick mic, and snare top and bottom, gives you a detailed and controllable drum mic setup with just eight microphones in total.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Final thoughts&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Final_thoughts\"><\/span>Final thoughts<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>In order to capture big, punchy tom drums, you want a focused midrange, a forward-facing polar pattern, and a durable body with good sound pressure handling. Whether dynamic, condenser, specifically designed to work on percussion, or an all-around instrument mic, every microphone on this list has these characteristics &#8211; which is why we&#8217;ve picked them as our 11 <strong>best tom mics<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;https:\/\/www.gear4music.com\/Microphones\/Drum.html?page=1&#038;filters%91247%93=2602&#8243; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP TOM DRUM MICS&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;e6ee07a9-4e60-40b4-a547-e1aa0a89644a&#8221; custom_button=&#8221;on&#8221; 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custom_css_main_element_tablet=&#8221;width: 258px !important;||height: 55px !important;&#8221; custom_css_main_element_last_edited=&#8221;on|tablet&#8221; button_bg_color__hover_enabled=&#8221;on|hover&#8221; button_bg_color__hover=&#8221;#f08000&#8243; button_bg_enable_color__hover=&#8221;on&#8221; button_text_color__hover_enabled=&#8221;on|hover&#8221; button_text_color__hover=&#8221;#FFFFFF&#8221; button_icon_color__hover_enabled=&#8221;on|hover&#8221; button_icon_color__hover=&#8221;#000000&#8243; custom_css_main_element_phone=&#8221;width: 258px !important;||height: 55px !important;&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;https:\/\/www.gear4music.com\/blog\/category\/live-sound\/live-sound-guides\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;READ MORE LIVE SOUND GUIDES&#8221; button_alignment=&#8221;center&#8221; 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global_colors_info=&#8221;{%22gcid-a3f0e0c4-68cb-4983-969e-b86a5466020b%22:%91%22button_text_color%22%93,%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22button_border_color%22,%22button_icon_color%22,%22button_bg_color__hover%22%93}&#8221; custom_css_main_element_tablet=&#8221;width: 258px !important;||height: 55px !important;&#8221; custom_css_main_element_last_edited=&#8221;on|tablet&#8221; button_bg_color__hover_enabled=&#8221;on|hover&#8221; button_bg_color__hover=&#8221;#f08000&#8243; button_bg_enable_color__hover=&#8221;on&#8221; button_text_color__hover_enabled=&#8221;on|hover&#8221; button_text_color__hover=&#8221;#FFFFFF&#8221; button_icon_color__hover_enabled=&#8221;on|hover&#8221; button_icon_color__hover=&#8221;#000000&#8243; custom_css_main_element_phone=&#8221;width: 258px !important;||height: 55px !important;&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When recording or mixing live drums in bigger venues, it\u2019s not uncommon to need a little extra punch and detail from your toms. In a pinch, a good set of overheads could be enough to do the job, but mic&#8217;ing them up directly offers more depth, flexibility, and presence in the mix.<\/p>\n","protected":false},"author":13,"featured_media":39860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"<p>When recording or mixing live drums in bigger venues, it\u2019s not uncommon to need a little extra punch and detail from your toms. In a pinch, a good set of overheads could be enough to do the job, but mic'ing them up directly offers more depth, flexibility, and presence in the mix.<\/p><p>For the clearest, punchiest drums you can acquire, setting up mics on every available source on the kit is the way to go - and this includes <strong><a href=\"https:\/\/www.gear4music.com\/Microphones\/Drum.html?page=1&filters[247]=2602\" target=\"_blank\" rel=\"noopener\">tom mics<\/a><\/strong>!\u00a0<\/p><p>So, what are the <strong>best tom mics<\/strong>? In this article, we'll discuss 11 of the best and give you some tips on what to look out for.<\/p><hr \/><h3>In a hurry?<\/h3><p>[table id=12 \/]<\/p><hr \/><h3>Best tom mics<\/h3><h4>1. SubZero GD100<\/h4><p><i>Great entry-level choice<\/i><\/p><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Good all-rounder designed for multiple instruments<\/td><td width=\"301\">No high-pass filtering options<\/td><\/tr><tr><td width=\"301\">Supercardioid polar pattern<\/td><td width=\"301\">High frequency response rolls off at 15 kHz for a darker sound<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25604 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/SubZero-GD100-300x300.jpg\" alt=\"SubZero GD100 mic\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/Recording-and-Computers\/SubZero-GD100-Dynamic-Microphone\/2VJO\" target=\"_blank\" rel=\"noopener\">SubZero GD100<\/a><\/strong> is a versatile dynamic instrument microphone.<\/p><p>Great for guitar cabs, percussion, and brass as well as drums, this mic offers a solid frequency response with articulate low-mids that\u2019ll help bring out the thump of tom drums.<\/p><p>Its hypercardioid polar pattern keeps things intense and focused, for the clarity you need.<\/p><p>The GD100 has a great sound pressure handling of 132 dB, making it well-suited to the intensity of tom heads on both live stages and home studios.<\/p><p>Coming in at a very inviting price with a durable metal enclosure, this microphone is totally reliable.<\/p><p>Shop now | <strong><a href=\"\/Recording-and-Computers\/SubZero-GD100-Dynamic-Microphone\/2VJO\" target=\"_blank\" rel=\"noopener\">SubZero GD100<\/a><\/strong><\/p><hr \/><h4>2. Shure SM57<\/h4><p><i>Best budget option<\/i><\/p><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Extremely versatile<\/td><td width=\"301\">Cardioid polar pattern can still pickup spill in tighter spaces<\/td><\/tr><tr><td width=\"301\">Great sound pressure handling<\/td><td width=\"301\">Larger body makes positioning more challenging<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25597 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-SM57-300x300.jpg\" alt=\"Shure SM57 mic\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/Recording-and-Computers\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">Shure SM57<\/a><\/strong> is a veritable swiss-army knife of microphones, becoming a fixture of microphone lockers in studios and live venues alike.<\/p><p>Commonly used on guitar amps, acoustic guitars, horns, snare drums, and any number of other instruments that might crop up while recording, it should come as no surprise that one of the most versatile microphones ever is also great on tom drums.<\/p><p>The SM57 features a uniquely contoured frequency response with a natural sound and presence boost that adds punch to any source, and its cardioid polar pattern keeps things focused on what\u2019s in front of it. Its flat grille makes it easy to position close to the source, letting you get defined bass by harnessing the proximity effect.<\/p><p>The SM57\u2019s sound pressure handling allows it to capture the thundering boom of tom drums without clipping. Plus, it's affordable, making it ideal for acquiring multiple to set up on your kit without breaking the bank.<\/p><p>Shop now | <strong><a href=\"\/Recording-and-Computers\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">Shure SM57<\/a><\/strong><\/p><hr \/><h4>3. Sennheiser e604<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Convenient clip-on design for quick and easy setup<\/td><td width=\"301\">Cardioid polar pattern can still pickup spill in tighter spaces<\/td><\/tr><tr><td width=\"301\">Hum compensating coil for minimal noise<\/td><td width=\"301\">Not especially versatile<\/td><\/tr><\/tbody><\/table><p><img class=\"wp-image-25593 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-e604-300x300.jpg\" alt=\"Sennheiser e604 microphone\" width=\"300\" height=\"300\" \/><\/p><p>\u00a0<\/p><p>The <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong> is another fixture of venues and studios.<\/p><p>Commonly used on drums and other high-pressure instruments like brass, this dynamic microphone can manage incredibly loud sources very closely and continue to record without distortion.<\/p><p>Its incredibly convenient clip-on design and cardioid polar pattern make it easy to set up on drum heads to get the sound you want.<\/p><p>The e604\u2019s sound has boosted upper-mid and high frequencies to add further bite and punch to your toms, with a flat, accurate low-end to prevent muddiness. This clip-on microphone is built from a lightweight and extremely tough glass-fibre body.<\/p><p>To ensure your recordings or live mixes sound clean, the e604 also has a hum-compensating coil that reduces self-noise.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong><\/p><hr \/><h4>4. sE Electronics V Beat<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Compact design for easy positioning<\/td><td width=\"301\">No high-pass filtering could risk low-end build-up<\/td><\/tr><tr><td width=\"301\">Excellent transient and frequency response<\/td><td width=\"301\">\u00a0<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25600 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/sE-Electronics-V-Beat-300x300.jpg\" alt=\"sE Electronics V Beat mic\" width=\"300\" height=\"300\" \/>The<strong> <a href=\"\/Recording-and-Computers\/sE-Electronics-V-Beat\/2TMZ\" target=\"_blank\" rel=\"noopener\">sE Electronics V Beat<\/a> <\/strong>is a dedicated and compact tom and snare drum microphone that makes setup and placement easy.<\/p><p>Of course, the V Beat also has excellent transient and frequency responses to get a full-bodied tom sound. Great for live venues and touring, it's another cost-effective choice for drums.<\/p><p>The V Beat provides a DMC7 X capsule taken from sE\u2019s extremely popular V7 vocal microphone, giving you a great sound.<\/p><p>It also has an extremely focused supercardioid polar pattern to give your toms an upfront, snappy character.<\/p><p>The durable build quality ensures it\u2019s reliable with even the most intense drummers, chaotic stages, and long-term studio use.<\/p><p>Shop now | <strong><a href=\"\/Recording-and-Computers\/sE-Electronics-V-Beat\/2TMZ\" target=\"_blank\" rel=\"noopener\">sE Electronics V Beat<\/a><\/strong><\/p><hr \/><h4>5. Audix D2<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">High-gain design is perfect for intense sounds<\/td><td width=\"301\">High-gain design requires a lot of volume-boosting to balance in mix<\/td><\/tr><tr><td width=\"301\">Hypercardioid polar pattern controls spill and gives upfront sound<\/td><td width=\"301\">\u00a0<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25586 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audix-D2-300x300.jpg\" alt=\"Audix D2 mic\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/Recording-and-Computers\/Audix-D2-High-Gain-Percussion-Dynamic-Microphone\/OIP\" target=\"_blank\" rel=\"noopener\">Audix D2<\/a><\/strong> is a high-gain dynamic microphone that\u2019s designed for all kinds of intense sources \u2013 especially percussion.<\/p><p>Its hypercardioid polar pattern is extremely focused on whatever you set it up on.<\/p><p>Such a precise pattern is great for live mic'ing and recording multiple performers in live studio sessions, letting you achieve an upfront sound for your toms.<\/p><p>The D2\u2019s compact design makes it easy to position the microphones exactly where you need to on the drum heads to get the optimal sound for your mix.<\/p><p>This mic\u2019s tough, hard-wearing body is built from machined aluminium with a hard coat to keep things looking professional and protect internal components for total reliability.<\/p><p>Shop now | <strong><a href=\"\/Recording-and-Computers\/Audix-D2-High-Gain-Percussion-Dynamic-Microphone\/OIP\" target=\"_blank\" rel=\"noopener\">Audix D2<\/a><\/strong><\/p><hr \/><h4>6. Sontronics DM-1T<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Condenser design offers a more detailed and full sound than some dynamics<\/td><td width=\"301\">Lower SPL handling than many dynamics<\/td><\/tr><tr><td width=\"301\">10 dB pad for increasing headroom<\/td><td width=\"301\">\u00a0<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25602 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sontronics-DM-1T-300x300.jpg\" alt=\"Sontronics DM-1T mic\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/PA-DJ-and-Lighting\/Sontronics-DM-1T-Tom-Drum-Microphone\/MXX\" target=\"_blank\" rel=\"noopener\">Sontronics DM-1T<\/a><\/strong> is a condenser microphone designed especially for tom drums.<\/p><p>It has a detailed quality that\u2019s ideal for capturing both the booming lows and cracking high-end of the stick against the drum head, giving toms exceptional presence.<\/p><p>Its cardioid polar pattern provides a focused but smoother characteristic that\u2019s great on other percussion instruments like bongos, djembe, and tabla.<\/p><p>The DM-1T also offers a 10 dB attenuation.<\/p><p>This attenuation helps prevent clipping, whilst a high sound pressure handling of 125 dB without the pad engaged, or 135 dB with it, making it ideal for handling heavy drummers without sacrificing sound quality.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Sontronics-DM-1T-Tom-Drum-Microphone\/MXX\" target=\"_blank\" rel=\"noopener\">Sontronics DM-1T<\/a><\/strong><\/p><hr \/><h4>7. Shure Beta 56A<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Supercardioid polar pattern reduces spill and feedback<\/td><td width=\"301\">High-frequency roll-off from 16 kHz can sound darker than other options<\/td><\/tr><tr><td width=\"301\">Included swivel mount makes setup easy<\/td><td width=\"301\">Lacking in low end<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25601 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-56A-300x300.jpg\" alt=\"Shure Beta 56A mic\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Shure Beta 56A<\/a><\/strong> is an extremely compact dynamic microphone for snare and tom drums.<\/p><p>Commonly seen in live venues and studios, this robust microphone provides a supercardioid polar pattern that shines on big, percussive sounds, as well as brass and guitar amps.<\/p><p>The Beta 56A is also very commonly used as a vocal microphone for drummers!<\/p><p>Since its tight supercardioid pattern avoids spill from the rest of the kit, it\u2019s great for picking up a drummer\u2019s voice without catching errant cymbals or other drum hits.<\/p><p>This mic\u2019s neodymium magnet also makes sure your sound is detailed, with increased sensitivity and higher output.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Shure Beta 56A<\/a><\/strong><\/p><hr \/><h4>8. Beyerdynamic M 201 TG<\/h4><p><i>Best all-rounder<\/i><\/p><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Hypercardioid polar pattern adds punch and focus<\/td><td width=\"301\">Quiet output from low sensitivity<\/td><\/tr><tr><td width=\"301\">Good all-rounder instrument mic<\/td><td width=\"301\">Requires extra gain to get desirable levels<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25587 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/beyerdynamic-M-201-TG-300x300.jpg\" alt=\"Beyerdynamic M 201 TG microphone\" width=\"300\" height=\"300\" \/>The <strong><a href=\"\/PA-DJ-and-Lighting\/beyerdynamic-M-201-TG-Dynamic-Instrument-Microphone\/K2R\" target=\"_blank\" rel=\"noopener\">beyerdynamic M 201 TG<\/a> <\/strong>is a cardioid dynamic microphone with a compact pencil housing for easy positioning.<\/p><p>It has the extreme focus of a hypercardioid polar pattern to prevent spill and feedback, which is great for live performances or getting an upfront sound on recordings.<\/p><p>The M 201 TG is also great for live-streamed or filmed performances due to its low profile.<\/p><p>Its humbucking coil prevents electrical noise and interference for a consistent and clean signal.<\/p><p>While it shines on percussion sources, the M 201\u2019s frequency response is detailed enough to capture a huge number of other instruments, making it a no-brainer choice for constantly changing spaces with a variety of artists and instruments.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/beyerdynamic-M-201-TG-Dynamic-Instrument-Microphone\/K2R\" target=\"_blank\" rel=\"noopener\">beyerdynamic M 201 TG<\/a><\/strong><\/p><hr \/><h4>9. Shure Beta 98AMP\/C<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Detailed condenser capsule for fuller sound<\/td><td width=\"301\">High output requires careful gain management in studios or on stage<\/td><\/tr><tr><td width=\"301\">Gooseneck design makes positioning and adjustment easy<\/td><td width=\"301\">Clamp mounting can cause low-frequency build-up<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25596 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Shure-Beta-98AMP-C-300x300.jpg\" alt=\"Shure Beta 98AMP\/C mic\" width=\"300\" height=\"300\" \/>The <a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-98AMP-C-Miniature-Cardioid-Drum-Mic\/EVC\" target=\"_blank\" rel=\"noopener\"><strong>Shure Beta 98AMP\/C<\/strong><\/a> is a miniature gooseneck microphone.<\/p><p>It's designed for percussion of all kinds but is especially well-suited to snares and toms.<\/p><p>With an ultra-thin diaphragm and condenser capsule, the Beta 98AMP\/C provides a full, rounded sound with an incredible transient response.<\/p><p>The Beta 98A\u2019s durable construction provides the reliability we\u2019ve all come to expect from Shure, making it a great option to keep in any mic locker.<\/p><p>This, alongside its gooseneck clip-on design, makes setting it up easy and tweaking the capsule\u2019s position to achieve your ideal sound incredibly fast.<\/p><p>It's great for quick setups and teardowns in live venues, as well as getting the <i>perfect<\/i> studio recording.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Shure-Beta-98AMP-C-Miniature-Cardioid-Drum-Mic\/EVC\" target=\"_blank\" rel=\"noopener\">Shure Beta 98AMP\/C<\/a><\/strong><\/p><hr \/><h4>10. Sennheiser MD 421 II<\/h4><p><i>Best premium option<\/i><\/p><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\">Excellent all-rounder for almost any source<\/td><td width=\"301\">Cardioid polar pattern may still pick up some spill on tighter kits<\/td><\/tr><tr><td width=\"301\">Well-tuned frequency response with focused midrange<\/td><td width=\"301\">Larger form factor isn't ideal for smaller venues or studios<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25594 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Sennheiser-MD-421-II-300x300.jpg\" alt=\"Sennheiser MD 421 II mic\" width=\"300\" height=\"300\" \/>The <a href=\"\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\"><strong>Sennheiser MD 421 II<\/strong><\/a> is an extremely versatile dynamic microphone, giving most of the others on this list a run for their money.<\/p><p>Commonly used on vocals, acoustic instruments, and guitar amps, this microphone is also incredible for percussion with its detailed, full-bodied, authoritative sound character.<\/p><p>The MD 421 II features a five-position low-cut filter for removing low frequencies exactly where you want to remove them, depending on the source.<\/p><p>This is great on toms, letting you keep that low-end while keeping them out of the way of kick drums or bass guitars in the mix.<\/p><p>Durable and reliable, with a cardioid polar pattern for clean sound, the MD 421 II is a no-brainer for all kinds of microphone setups.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\">Sennheiser MD 421 II<\/a><\/strong><\/p><hr \/><h4>11. Audio Technica ATM230PK<\/h4><p>\u00a0<\/p><table><tbody><tr><td width=\"301\"><strong>Pros<\/strong><\/td><td width=\"301\"><strong>Cons<\/strong><\/td><\/tr><tr><td width=\"301\"><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Full set of three tom mics for full kits<\/span><\/td><td width=\"301\"><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Not very versatile for other instruments<\/span><\/td><\/tr><tr><td width=\"301\"><span class=\"ui-provider gr b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\">Hypercardioid polar pattern for focused tom sound<\/span><\/td><td width=\"301\">\u00a0<\/td><\/tr><\/tbody><\/table><p>\u00a0<\/p><p><img class=\"wp-image-25585 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Audio-Technica-ATM230PK-300x300.jpg\" alt=\"Audio Technica ATM230PK mics\" width=\"300\" height=\"300\" \/>The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Audio-Technica-ATM230PK-Drum-and-Percussion-Microphone-3-Pack\/1GXK\" target=\"_blank\" rel=\"noopener\">Audio Technica ATM230PK<\/a><\/strong> is a pack of three microphones for percussion, making it great for capturing all of your kit\u2019s toms at once.<\/p><p>These mics feature a hypercardioid polar pattern for that extra clarity and punch you want in your drum bus, without spill from other instruments, other parts of the kit, or feedback.<\/p><p>Their extremely low profile is great for staying discrete while on-camera, too, ideal for streamed live shows, YouTube videos, and studio diaries.<\/p><p>The ATM230 has an extremely warm frequency response with a big sound that ensures thundering drum fills.<\/p><p>The magnets in the microphone capsules of this pack are made of rare earth materials to offer improved output and clear, snappy transient response while managing incredibly high sound pressures without distortion.<\/p><p>Shop now | <strong><a href=\"\/PA-DJ-and-Lighting\/Audio-Technica-ATM230PK-Drum-and-Percussion-Microphone-3-Pack\/1GXK\" target=\"_blank\" rel=\"noopener\">Audio Technica ATM230PK<\/a><\/strong><\/p><hr \/><h3>What to look for in a tom mic<\/h3><p><img class=\"size-medium wp-image-25589 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-2-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>The main things to consider in a tom mic are <strong>frequency response and SPL handling<\/strong>.<\/p><p>Frequency response gives you the most accurate measurement of a microphone\u2019s sound; the most important parts of the toms are the low mids, around 200 Hz to 500 Hz, and high mids from around 5 kHz to 7 kHz.<\/p><p>If your chosen mic can pick up these areas well, you likely have the sound quality you want for recordings and live shows.<\/p><p>SPL (Sound Pressure Level) handling is a measure of the maximum volume of a source a mic can capture without clipping.<\/p><p>Percussion like toms tend to kick out quite a lot of pressure, so you\u2019ll want SPL handling above 130 dB. This should give your recordings enough headroom to sit in any mix without being a distorted mess in live shows.<\/p><p>In studio settings, it\u2019s still good to have a high maximum SPL, but since you'll have more control and flexibility, this isn\u2019t as essential as it is for live shows.<\/p><p>Durability is also important for drum mics, you want something rugged and tough because drum mics can sometimes take a bit of a beating. An errant hit from a drumstick can always be a risk, and as any good live engineer knows, anything can go wrong on stage, so something that can take a bump is very important.<\/p><p>A mic that's robustly built with a solid metal housing should give you the performance you want. Fortunately, this is the case for most options on this list and a majority of alternatives \u2013 but when it comes to build quality, you do get what you pay for.<\/p><p>Polar pattern is extremely important too, of course. However, with how most percussion mics are designed, you\u2019ll want some flavour of cardioid polar pattern, picking up the sources directly in front of it for ease of use.<\/p><p>Alternatively, supercardioid and hypercardioid polar patterns add more off-axis rejection from the sides and rear. These are great for especially tight or busy stages, preventing spill from other instruments, other parts of the kit, and avoiding feedback. Supercardioid and hypercardioid also add a sort of presence and punch due to the intimacy of their pickup, putting your toms upfront.<\/p><p>The final consideration is the size of the microphone. For live stages, livestreams, videography, and studio diaries, for example, or just to save space in a mic locker, you might want something compact or discrete. This also offers benefits to positioning to achieve the sound you want.<\/p><hr \/><h3>FAQs<\/h3><h4><img class=\"size-medium wp-image-25591 alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2023\/04\/Lifestyle-4-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>What is the best budget tom microphone?<\/h4><p>The Sennheiser e604 is a great budget choice for a dedicated tom microphone due to its good sound quality and simple clip-on design. However, any dynamic microphones you might already have spare in your locker can do very well if your budget is too tight to add new mics to your setup. The SM57, while being more of an all-rounder is commonly seen in recording and live setups, and these do well on toms too.<\/p><hr \/><h4>Can you use the SM57 for toms?<\/h4><p>You can absolutely use the SM57 on toms. Thanks to its wide dynamic range, reliability, affordability, and midrange sound, the SM57 is a great option for mic'ing up toms. The SM57 is great for studios - used everywhere, from budget home studios to high-end recording spaces - and for live use.<\/p><hr \/><h4>What mics did John Bonham use for his drums?<\/h4><p>When playing live, John Bonham\u2019s drum techs mic'd up every single part of his kit with SM57s. Toms, snares, overheads, and even the kick (with one at the front and one at the back) were all captured by an SM57. On record, Glyn Johns used a pair of Neumann U67s, one overhead, and one on the floor tom, as well as a Neumann U47 on the kick, and a Neumann U87 as a mono room mic to capture Bonham\u2019s thunderous drumming.<\/p><hr \/><h4>What type of microphones are used for toms?<\/h4><p>Dynamic microphones are most commonly used tom drums, as they have better SPL handling, and they capture the midrange frequencies that toms tend to sit in very well. These mics should have a cardioid, supercardioid, or hypercardioid polar pattern for focus and spill prevention. However, in recent years, we\u2019ve started to see more dedicated condenser microphones for toms, which can have better transients and wider frequency responses among other benefits.<\/p><hr \/><h4>How many microphones should be used for toms?<\/h4><p>To capture tom drums, you usually want as many microphones as you have toms in the kit. If your kit has three toms, as they tend to, use one microphone for each tom. This along with overheads, a hi-hat mic, a kick mic, and snare top and bottom, gives you a detailed and controllable drum mic setup with just eight microphones in total.<\/p><hr \/><h3>Final thoughts<\/h3><p>In order to capture big, punchy tom drums, you want a focused midrange, a forward-facing polar pattern, and a durable body with good sound pressure handling. Whether dynamic, condenser, specifically designed to work on percussion, or an all-around instrument mic, every microphone on this list has these characteristics - which is why we've picked them as our 11 <strong>best tom mics<\/strong>.<\/p>","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[244,111],"tags":[165,290,169,188,220,161],"class_list":["post-25583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-sound-guides","category-live-sound","tag-drums","tag-guide","tag-live-sound","tag-microphones","tag-sennheiser","tag-shure"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The 11 Best Tom Mics to Make Your Drums Pop | Gear4music<\/title>\n<meta name=\"description\" content=\"For the clearest drums possible, setting up mics on every available source on the kit is the way to go. 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