{"id":11591,"date":"2022-07-20T09:00:37","date_gmt":"2022-07-20T08:00:37","guid":{"rendered":"http:\/\/gear4musicblog.kinsta.cloud\/?p=11591"},"modified":"2024-05-03T14:17:44","modified_gmt":"2024-05-03T13:17:44","slug":"drum-microphone-guide","status":"publish","type":"post","link":"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/","title":{"rendered":"Drum Microphone Guide"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Where_to_start\" >Where to start?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Which_microphone_for_which_drum\" >Which microphone for which drum?\u00a0<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Kick_drum_microphones\" >Kick drum microphones \u00a0<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_Beta_91A\" >Shure Beta 91A<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Sennheiser_e902\" >Sennheiser e902<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_BETA_52A\" >Shure BETA 52A<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Snare_drum_microphones\" >Snare drum microphones \u00a0<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_SM57\" >Shure SM57<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Sennheiser_e604\" >Sennheiser e604<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#AKG_P4\" >AKG P4<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Toms\" >Toms \u00a0<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_Beta_98AMP\" >Shure Beta 98AMP<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Sennheiser_MD_421_II\" >Sennheiser MD 421 II<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_Beta_56A\" >Shure Beta 56A<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Overheads\" >Overheads \u00a0<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_Beta_181\" >Shure Beta 181<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Behringer_C-2\" >Behringer C-2<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#AKG_C414_XLS\" >AKG C414 XLS<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Drum_packs\" >Drum packs \u00a0<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#Shure_Drum_Microphone_Kit\" >Shure Drum Microphone Kit<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/#The_choice_is_yours\" >The choice is yours<\/a><\/li><\/ul><\/nav><\/div>\n<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Intro&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span data-contrast=\"auto\">Being a drummer means that microphones are probably the last thing on your mind, mainly because drums are always loud enough. There comes a time for every drummer, however, when you should start thinking about the mics you use. <\/span><\/p>\n<p><span data-contrast=\"auto\">You\u2019ve spent time perfecting your technique, and you\u2019ve got your drum kit sounding amazing, but how do you capture that sound? How do you make sure all the characteristics of your playing come across in the recording? <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">There&#8217;s a wide range of drum microphones out there, ranging from budget-friendly to premium quality. In this guide, we\u2019ll help you understand drum mics for both stage and studio. We\u2019ll look at the best offerings from brands such as Shure, Sennheiser, Behringer, and AKG.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Where to start?&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Where_to_start\"><\/span><span data-contrast=\"none\">Where to start?<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Some microphones are tailored towards studio recording, and some for live settings. <\/span><\/p>\n<p><span data-contrast=\"auto\">You can use most microphones for both environments, but usually, for live settings, you should look at \u201cclose-miking\u201d your drum kit. <\/span><\/p>\n<p><span data-contrast=\"auto\">Sometimes, you&#8217;ll get away with using fewer microphones, depending on the size of the venue. For example, if you&#8217;re playing for 150 people, you won&#8217;t need \u201coverhead\u201d microphones as the cymbals will be loud enough. In the studio, you&#8217;ll have time to focus entirely on your drum sound, using multiple microphones and capturing the \u201croom\u201d sound to add depth to your kit. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Before we start looking at our recommendations, keep in mind that the mics will only sound as good as the drum you are recording. If you&#8217;re using old drum heads and broken cymbals, they&#8217;ll still sound bad. <\/span><\/p>\n<p><span data-contrast=\"auto\">Take the time to make sure your drum kit sounds great on its own first. Once it does, it&#8217;ll help these microphones stand out and work to their potential. This will allow you, or a sound engineer, more control while mixing.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Which microphone for which drum? &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Which_microphone_for_which_drum\"><\/span><span data-contrast=\"none\">Which microphone for which drum?<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">We\u2019ll break this guide down by giving you a couple of recommendations for each drum and why they&#8217;re suited. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Let&#8217;s start with kick drum microphones and work our way around the kit. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Kick drum microphones  &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Kick_drum_microphones\"><\/span><span data-contrast=\"none\">Kick drum microphones <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:40,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">The kick drum is one of the most important elements of a drum kit. It provides the drive and pulse of the song. Whether it&#8217;s a recording or a live gig, you want to be able to hear and feel the thumping of a kick drum in your chest. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_Beta_91A\"><\/span>Shure Beta 91A<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11670 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-400x300.jpg\" alt=\"Beta91a\" width=\"400\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-400x300.jpg 400w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-1024x767.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-768x575.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-1080x809.jpg 1080w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-91A-Condenser-Kick-Drum-Microphone\/EVD\" target=\"_blank\" rel=\"noopener\">Shure Beta 91A<\/a><\/strong> may look different to others out there as it&#8217;s a boundary microphone. Its flat shape makes it easy to place inside any kick drum, and it can capture more attack from the beater. This gives your kick a punchy low end with brilliant detail in the higher frequencies. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The Beta 91A is a condenser microphone that provides a frequency response of 20Hz \u2013 20kHz, meaning you&#8217;ll get the most natural kick sound possible. The underside has a switch that can cut frequencies around 400hz to help remove any unwanted low-mids, making it super easy to get your desired drum sound. <\/span><\/p>\n<p><span data-contrast=\"auto\">Having the microphone inside the kick makes it perfect for minimising bleed from other drums and cymbals &#8211; which is great for recording. It doesn&#8217;t need to be placed on a stand, helping you maximise and declutter space on stage. And like all Shure microphones, this is built to last and can afford to be (ab)used on tour.<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-91A-Condenser-Kick-Drum-Microphone\/EVD\" target=\"_blank\" rel=\"noopener\">Shure Beta 91A Condenser Kick Drum Microphone<\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Sennheiser_e902\"><\/span>Sennheiser e902<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11681 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-300x300.jpg\" alt=\"Sennheiser e902\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-1536x1536.jpg 1536w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-1280x1280.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e902-Dynamic-Cardioid-Bass-Instrument-Microphone\/RSE\" target=\"_blank\" rel=\"noopener\">Sennheiser e902<\/a><\/strong> is more of a traditional-looking kick drum microphone. It&#8217;s a dynamic mic that can capture low frequencies in incredible detail. The cardioid polar pattern offers excellent off-axis sound rejection which minimises bleed from other instruments.<\/p>\n<p>With a frequency response of 20hz to 16khz, this microphone is perfect for capturing the boom from a kick drum. Not only will it help your kick cut through the mix, but it also offers a warm and round sound.<\/p>\n<p>Plus, its all-metal construction makes it perfect for touring &#8211; it&#8217;ll be able to survive most knocks and drops.<\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e902-Dynamic-Cardioid-Bass-Instrument-Microphone\/RSE\" target=\"_blank\" rel=\"noopener\">Sennheiser e902 Dynamic Cardioid Bass Instrument Microphone<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_BETA_52A\"><\/span>Shure BETA 52A<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11671 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-450x300.jpg\" alt=\"Beta52 \" width=\"450\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-450x300.jpg 450w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-1024x683.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-768x512.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-1536x1025.jpg 1536w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-1080x720.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-1280x854.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-980x654.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-480x320.jpg 480w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><span data-contrast=\"auto\">Shure\u2019s Beta range offers a wider frequency range and higher output than other microphones. When positioned in front of the kick drum&#8217;s sound hole, it provides a full low end. Its super-cardioid polar pattern then combats any unwanted bleed from other instruments, drums, or cymbals. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">All Beta microphones from Shure are made with a reinforced steel grille that is dent-resistant, making this microphone (almost) indestructible. <\/span><\/p>\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-52A-Bass-Drum-Microphone\/1UT\" target=\"_blank\" rel=\"noopener\">Beta 52A<\/a><\/strong> has been perfectly tailored for bass-heavy instruments, with a frequency range of 20Hz to 10Khz. As a pair, the Beta 52A and <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">91A are unstoppable. They produce an incredible kick sound, providing a great mix of attack from the inside mic and low-end weight from the Beta 52A on the outside.\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-52A-Bass-Drum-Microphone\/1UT\" target=\"_blank\" rel=\"noopener\">Shure Beta 52A Bass Drum Microphone<\/a><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Snare drum microphones  &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Snare_drum_microphones\"><\/span><span data-contrast=\"none\">Snare drum microphones <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Drummers are always looking for the perfect snare sound. You want something that&#8217;s going to capture the detail of the high frequencies and the punch of the low mids. <\/span><\/p>\n<p><span data-contrast=\"auto\">Snare drum mics are usually dynamic, and they can handle sound pressure levels (SPL) much better. However, that doesn\u2019t mean you shouldn\u2019t try and use condenser mics on snares as they also provide amazing detail. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_SM57\"><\/span>Shure SM57<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11672 size-medium alignleft\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/SM57_drum_desat-1-452x300.jpg\" alt=\"SM57\" width=\"452\" height=\"300\" \/>Arguably one of the best microphones out there for a snare, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">SM57<\/a><\/strong> is the industry standard. It&#8217;s hard to find a drummer that hasn\u2019t used an SM57 to mic up a snare at some point in their career.<\/p>\n<p><span data-contrast=\"auto\">The SM57 gives weight and body to your snare, as well as enough high-end presence that perfectly cuts through the mix.<\/span><\/p>\n<p><span data-contrast=\"auto\">As snares are relatively loud, a good snare mic needs to be able to withstand the SPL for prolonged periods of time. The SM57 can take hours of snare recording; it&#8217;s a reliable workhorse that can cope with the harshest of conditions, making it perfect for live gigs and touring too. <\/span><\/p>\n<p><span data-contrast=\"auto\">There&#8217;s a reason so many drummers and sound engineers rely on the SM57.\u00a0 <\/span><\/p>\n<p><span data-contrast=\"auto\">The quality and robust build of the microphone means that, even if it is hit with a stick, it will continue to keep working. Its flat grille allows you to place the microphone as close to the sound source as possible, guaranteeing full control of the proximity effect. So, you can get the snare sound you want. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">Shure SM57 Dynamic Instrument Microphone<\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Sennheiser_e604\"><\/span>Sennheiser e604<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11682 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-450x300.jpg\" alt=\"Sennheiser e604\" width=\"450\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-450x300.jpg 450w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-1024x683.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-768x512.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-1536x1024.jpg 1536w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-1080x720.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-1280x853.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-980x653.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-480x320.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20.jpg 1920w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><span data-contrast=\"auto\">Perfect for capturing the sound of snares, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong> has an integrated clip that easily attaches to a snare, making your set-up super quick and easy. You won&#8217;t need any additional microphone stands. <\/span><\/p>\n<p><span data-contrast=\"auto\">This microphone provides crisp, clear sounds with exceptionally high detail, especially for a dynamic microphone. It excels when it comes to mid and high-frequency sounds but can still deliver clear lows.<\/span><\/p>\n<p><span data-contrast=\"auto\">Your snare will have depth and clarity when it&#8217;s paired with the e604, and there&#8217;s no need to worry about distortion due to it being able to withstand high SPL. The interesting thing about this microphone is that it&#8217;s not very sensitive to any sudden impacts, meaning if you accidentally hit it with your stick, it won&#8217;t stand out in the mix. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604 Drum and Bass Instrument Microphone<\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"AKG_P4\"><\/span>AKG P4<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11686 size-medium alignleft\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview_1-300x300.jpg\" alt=\"AKG P4 \" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview_1-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview_1-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview_1.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span style=\"font-size: 16px;\">The <\/span><strong style=\"font-size: 16px;\"><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-P4-Dynamic-Instrument-Microphone\/TJX\" target=\"_blank\" rel=\"noopener\">AKG P4<\/a><\/strong><span style=\"font-size: 16px;\"> is a very safe choice when it comes to snare mics. It will provide your snare with a punchy, intense sound. Little to no EQ\u2019ing is needed when using this microphone, making it perfect for a beginner who just needs a mic that they can rely on.<\/span><\/p>\n<p><span data-contrast=\"auto\">Like the previous models, this mic can withstand high SPL and is built to last during any knocks or drops &#8211; perfect for live use. What&#8217;s more, its small size makes it extremely easy to place in your stick or cymbal bag so that you always have it to hand. <\/span><\/p>\n<p><span data-contrast=\"auto\">This microphone can be used with the integrated stand adapter as well as the external bracket, letting you mount it to a regular mic stand. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-P4-Dynamic-Instrument-Microphone\/TJX\" target=\"_blank\" rel=\"noopener\">AKG P4 Dynamic Instrument Microphone<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Toms  &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Toms\"><\/span><span data-contrast=\"none\">Toms <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Kick drums and snares are two drums that need to be miked up, no matter what type of gig you&#8217;re playing. However, depending on the venue and genre, you may not need to mic up the toms. For example, intimate jazz gigs or small venues can get away with just an overhead or no mic at all. That being said, here are the mics for toms we would recommend if you&#8217;re planning on playing a larger venue. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_Beta_98AMP\"><\/span>Shure Beta 98AMP<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11679 size-medium alignright\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-400x300.jpg\" alt=\"Beta-98AMp\" width=\"400\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-400x300.jpg 400w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-1024x767.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-768x575.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-1080x809.jpg 1080w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-98AMP-C-Miniature-Cardioid-Drum-Mic\/EVC\" target=\"_blank\" rel=\"noopener\">Beta 98AMP<\/a><\/strong> has been designed specifically for tom drums. Its flexible gooseneck teams with the Shure A75M universal drum mount for an easy setup and premium quality sound in seconds. Just attach the microphone to the rim of the drum and position it the way you like.\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">This microphone is quite special in that it comes with its own built-in pre-amp, which allows you to get a smooth, natural sound from your drums. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">As this is a condenser microphone, it picks up a high level of detail from the toms, capturing all the punchy lows and resonance you need. Plus, it enables the toms to sound incredibly natural when recorded. <\/span><span data-contrast=\"auto\">The Beta 98AMP is perfect for both live and studio settings.\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-98AMP-C-Miniature-Cardioid-Drum-Mic\/EVC\" target=\"_blank\" rel=\"noopener\">Shure Beta 98AMP\/C Miniature Cardioid Drum Mic<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Sennheiser_MD_421_II\"><\/span>Sennheiser MD 421 II<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11683 size-medium alignleft\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-300x300.jpg\" alt=\"Sennheiser MD 421 II\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-1024x1024.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-600x600.jpg 600w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-768x768.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-1536x1536.jpg 1536w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-1080x1080.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-1280x1280.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-980x980.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span data-contrast=\"auto\">When it comes to studio tom microphones, Sennheiser&#8217;s <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\">MD 421 II<\/a><\/strong> is probably one of the most used mics out there. <\/span><\/p>\n<p><span data-contrast=\"auto\">It gives amazing results every single time, allowing the engineer to get natural, punchy toms that are full of clarity, weight, and body. <\/span><\/p>\n<p><span data-contrast=\"auto\">The interesting thing about this microphone is that it has a five-position switch that can change the tone of the microphone. This switch allows you to cut the low end of the microphone at five different levels &#8211; perfect for removing any unwanted boom whilst keeping clarity in the top end. <\/span><\/p>\n<p>Getting a great sound can be as easy as pointing the microphone in front of the source and pressing record.<\/p>\n<p>Being a dynamic cardioid microphone means that the MD 421 II&#8217;s &#8220;off-axis&#8221; rejection is incredibly good. You&#8217;ll get little, if any, bleed from the cymbals, promising total control over the isolated toms in a mix.<\/p>\n<p>A lot of sound engineers and producers swear by this microphone as the &#8220;go-to&#8221; mic. Once you hear it on your toms, you&#8217;ll understand why.<\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\">Sennheiser MD 421 II Dynamic Instrument and Vocal Microphone<\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_Beta_56A\"><\/span>Shure Beta 56A<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11689 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta56_Snare_Desat-450x300.jpg\" alt=\"beta56 \" width=\"450\" height=\"300\" \/>Perfect for both toms and snare, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Beta 56A microphone<\/a><\/strong> can be clipped onto the rim of the drum, allowing you to capture the perfect tom sound whilst keeping the stage uncluttered.<\/p>\n<p>All the Shure Beta mics have an extended frequency range and higher output. You can even use the 56A for vocals if your drummer is brave enough to sing. The super-cardioid polar pattern means that there&#8217;s minimal bleed from other instruments or drums on the stage.<\/p>\n<p>The microphone&#8217;s advanced shock mount system eradicates vibration noise so that, even if you hit the mic or play the drums hard, the noise from the microphone won&#8217;t come through. Thanks to an almost-indestructible, hardened steel grille, the Beta 56A is ideal for toms. Beta mics will help your toms sound weighty and punchy with plenty of articulate detail.<\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Shure Beta 56A Snare\/Tom Microphone<\/a><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Overheads  &#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Overheads\"><\/span><span data-contrast=\"none\">Overheads <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Overheads are for capturing the overall sound of the drums &#8211; not just the cymbals. You want to make sure that the cymbals are not going to wash over everything else. <\/span><\/p>\n<p><span data-contrast=\"auto\">Condenser microphones are the best mics for overhead as they can capture more detail than a dynamic and usually have a much wider frequency range. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Overhead mics usually come in two different styles: a small diaphragm condenser (SDC) and a large diaphragm condenser (LDC). SDCs help cymbals and snare <em>really <\/em>cut through the mix. They usually offer a brighter, more \u201cmodern\u201d sound. An LDC, on the other hand, provides a warm mid-range, more low end, and more spacious sound.\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_Beta_181\"><\/span>Shure Beta 181<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11674 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-437x300.jpg\" alt=\"Beta181 \" width=\"437\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-437x300.jpg 437w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-1024x703.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-768x527.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-1536x1055.jpg 1536w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-1080x742.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-1280x879.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-980x673.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-480x330.jpg 480w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><span data-contrast=\"auto\">The Shure Beta 181 is a very unique microphone as it&#8217;s one of Shure&#8217;s only microphones with a removable capsule. Capsules allow you to change the polar pattern of the microphone, and with the Beta181 you can choose from <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Cardioid-Condenser-Microphone\/Q3D\" target=\"_blank\" rel=\"noopener\">cardioid<\/a><\/strong>, <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Supercardioid-Condenser-Microphone\/EV9\" target=\"_blank\" rel=\"noopener\">super-cardioid<\/a><\/strong>, <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Bidirectional-Condenser-Microphone\/EVB\" target=\"_blank\" rel=\"noopener\">bi-directional<\/a><\/strong>, and <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Omnidirectional-Condenser-Microphone\/EVA\" target=\"_blank\" rel=\"noopener\">omnidirectional<\/a><\/strong>. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">This makes the microphone versatile and well suited to drums and other instruments.<\/span><\/p>\n<p><span data-contrast=\"auto\">The frequency response is tailored for a wide dynamic range and can be used under high SPL conditions, meaning the Beta 181 is the perfect SDC microphone for drum overheads. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>This mic&#8217;s small size makes it great to have in a live setting as it won&#8217;t take up much space. Plus its robust construction can survive the brutal conditions of live touring.<\/p>\n<p>With interchangeable capsules, you can use this mic to capture your snare or toms, or even act as a room mic. The possibilities are endless with the Shure Beta 181!<\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Cardioid-Condenser-Microphone\/Q3D\" target=\"_blank\" rel=\"noopener\">Shure Beta 181 Cardioid\u00a0\u00a0<\/a><\/strong><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Supercardioid-Condenser-Microphone\/EV9\" target=\"_blank\" rel=\"noopener\">Shure Beta 181 Supercardioid <\/a><\/strong><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Bidirectional-Condenser-Microphone\/EVB\" target=\"_blank\" rel=\"noopener\">Shure Beta 181 Bidirectional\u00a0\u00a0<\/a><\/strong><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Omnidirectional-Condenser-Microphone\/EVA\" target=\"_blank\" rel=\"noopener\">Shure Beta 181 Omnidirectional <\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Behringer_C-2\"><\/span>Behringer C-2<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11684 size-medium\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-6-300x300.jpg\" alt=\"C2\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-6-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-6-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-6.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Behringer-C-2-Condenser-Microphone-Matched-Pair\/K3\" target=\"_blank\" rel=\"noopener\">Beringer C-2 Microphone<\/a><\/strong> is another SDC for your cymbals and snare, and it&#8217;s perfect for anyone who&#8217;s on a budget. But don\u2019t be fooled by its incredibly low price, this microphone has a wide frequency range &#8211; 20hz to 20kHz &#8211; which means that no detail is missed.\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The C-2 also has an ultra-low noise FET input that helps to minimise and eliminate low-frequency distortion. <\/span><\/p>\n<p><span data-contrast=\"auto\">To give you total control of your drum tone, it features a bass-cut switch, which removes any unwanted boomy low frequencies that may make your mix sound muddy.\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">For overhead microphones, you&#8217;ll want a pair, which is easy with the C-2 as it&#8217;s both affordable and of incredible quality. Not only will a pair help your drums sound amazing in a mix, but stereo overheads will also help your bandmates listen to the full kit without having to take out their in-ear monitors if they use them. Your band will sound as tight as ever.<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Behringer-C-2-Condenser-Microphone-Matched-Pair\/K3\" target=\"_blank\" rel=\"noopener\">Behringer C-2 Condenser Microphone, Matched Pair<\/a><\/strong><\/p>\n<h4><span class=\"ez-toc-section\" id=\"AKG_C414_XLS\"><\/span>AKG C414 XLS<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11685 size-medium alignleft\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-7-300x300.jpg\" alt=\"AKG 414\" width=\"300\" height=\"300\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-7-300x300.jpg 300w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-7-480x480.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-7.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span data-contrast=\"auto\">AKG&#8217;s <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-C414-XLS-Condenser-Microphone\/DEJ\" target=\"_blank\" rel=\"noopener\">C414<\/a><\/strong> is a staple microphone that can be found in just about any professional studio. The reason for this is its versatility &#8211; it can be used for pretty much anything. In terms of drums, the C414 will usually be used as an overhead as it captures every single detail and nuance.\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The C414 features changeable polar patterns, accessed via the simple switch on the front of the mic. These polar patterns include cardioid, figure of eight, hypercardioid, omnidirectional, and wide cardioid. Such versatility makes the mic a go-to for drummers wanting to record with a large diaphragm condenser.\u00a0 <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">Along with changeable polar patterns, this microphone gives you even more control thanks to its bass-cut feature. <\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">This allows you to cut bass frequencies at 40hz, 80hz, and 160hz, which is great for overheads as it gives you the chance to focus on the mid to high frequencies of the kit. <\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">The AKG C141 is an iconic microphone and it&#8217;s easy to see why it&#8217;s used by so many professionals.\u00a0<\/span><\/p>\n<p>Shop now | <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-C414-XLS-Condenser-Microphone\/DEJ\" target=\"_blank\" rel=\"noopener\">AKG C414 XLS Condenser Microphone\u00a0<\/a><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Drum packs&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Drum_packs\"><\/span><span data-contrast=\"none\">Drum packs <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:259}\">\u00a0<\/span><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Choosing your own microphones is the ideal way to achieve a custom sound. However, some brands, like Shure, have created affordable drum packs that give you everything you need in one package. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<h4><span class=\"ez-toc-section\" id=\"Shure_Drum_Microphone_Kit\"><\/span>Shure Drum Microphone Kit<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span data-contrast=\"auto\">The Shure PGADrumKit Pack comes in a few different versions. They all include the PGA range of microphones from Shure &#8211; a budget-friendly series that provides exceptional build and sound quality. In fact, their standards are similar to <\/span><span data-contrast=\"auto\">the iconic microphones Shure offers. <\/span><\/p>\n<p><span data-contrast=\"auto\">The PGADrumKit packs are available in the following: <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;134225954&quot;:true,&quot;134225961&quot;:true,&quot;335552541&quot;:1,&quot;335559683&quot;:0,&quot;335559684&quot;:-2,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" data-aria-posinset=\"1\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT4-Drum-Microphone-Kit-4-Piece\/16RT\" target=\"_blank\" rel=\"noopener\">PGADRUMKIT4<\/a><\/strong><\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span><br \/><span data-contrast=\"auto\">2 x PGA56 snare\/tom microphone<\/span><br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span><br \/><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;134225954&quot;:true,&quot;134225961&quot;:true,&quot;335552541&quot;:1,&quot;335559683&quot;:0,&quot;335559684&quot;:-2,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" data-aria-posinset=\"2\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT6-Drum-Microphone-Kit-6-Piece\/16RU\" target=\"_blank\" rel=\"noopener\">PGADrumKit6<\/a><\/strong>\u00a0<\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span><br \/><span data-contrast=\"auto\">2 x PGA56 snare\/tom microphone<\/span><br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span><br \/><span data-contrast=\"auto\">2 x PGA81 instrument microphones<\/span><br \/><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;134225954&quot;:true,&quot;134225961&quot;:true,&quot;335552541&quot;:1,&quot;335559683&quot;:0,&quot;335559684&quot;:-2,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" data-aria-posinset=\"3\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT7-Drum-Microphone-Kit-7-Piece\/2JWI\" target=\"_blank\" rel=\"noopener\">PGADrumKit7<\/a><\/strong>\u00a0<\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span><br \/><span data-contrast=\"auto\">3 x PGA56 snare\/tom microphone<\/span><br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span><br \/><span data-contrast=\"auto\">2 x PGA81 instrument microphone<\/span><\/li>\n<\/ul>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> <span class=\"TextRun SCXW53002630 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW53002630 BCX0\">This is <\/span><span class=\"NormalTextRun SCXW53002630 BCX0\">the<\/span><span class=\"NormalTextRun SCXW53002630 BCX0\"> most <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW53002630 BCX0\">cost-effective<\/span><span class=\"NormalTextRun SCXW53002630 BCX0\"> way to make sure you get the microphones you need without sacrificing quality. All these PGA kits come with a carry case and accessories, perfect for getting any drummer started.\u00a0<\/span><\/span><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11961 size-large\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-1024x601.jpg\" alt=\"Shure-PGADrumKit6\" width=\"1024\" height=\"601\" srcset=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-1024x601.jpg 1024w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-511x300.jpg 511w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-768x451.jpg 768w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-1080x634.jpg 1080w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-1280x751.jpg 1280w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-980x575.jpg 980w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6-480x282.jpg 480w, https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Shure-PGADrumKit6.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;72b2aac8-2a26-4106-af58-67527d130293&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;The choice is yours&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"The_choice_is_yours\"><\/span>The choice is yours<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span data-contrast=\"auto\">Hopefully, this article has given you a better understanding of drum microphones. The one thing to remember is that choosing the right mic comes down to what you&#8217;re using it for and what you want to achieve. Always think about your drum kit first and the microphone second, a bad kit will sound like a bad kit, whichever microphone you use. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Microphones are there to enhance and capture all the sonic details. Remember, you&#8217;ll also need some stands. We recommend the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/G4M-Studio-Mic-Stand-Pack-Drums\/69F7\" target=\"_blank\" rel=\"noopener\">G4M Studio Mic Stand Pack<\/a><\/strong>; these stands are robust and durable, support up to 2kg, and give you the convenience of having everything in one pack.\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">This is just a start to understanding drum mics. Once you start perfecting the techniques and tricks used for placing drum mics, that\u2019s when you can really start to customise and manipulate your sound.\u00a0 <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.gear4music.com\/Microphones\/Drum.html&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP DRUM MICROPHONES&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;e6ee07a9-4e60-40b4-a547-e1aa0a89644a&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;gcid-a3f0e0c4-68cb-4983-969e-b86a5466020b&#8221; button_border_color=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; button_on_hover=&#8221;off&#8221; custom_margin=&#8221;||||true|false&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;13.3vw||0px||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;9px|45px|9px|30px|true|false&#8221; custom_padding_tablet=&#8221;15px|45px|15px|30px|true|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; custom_css_main_element=&#8221;||height: 44px !important;&#8221; global_colors_info=&#8221;{%22gcid-a3f0e0c4-68cb-4983-969e-b86a5466020b%22:%91%22button_text_color%22%93,%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22button_border_color%22,%22button_icon_color%22,%22button_bg_color__hover%22%93}&#8221; custom_css_main_element_tablet=&#8221;width: 258px !important;||height: 55px !important;&#8221; custom_css_main_element_last_edited=&#8221;on|tablet&#8221; button_bg_color__hover_enabled=&#8221;on|hover&#8221; button_bg_color__hover=&#8221;#f08000&#8243; button_bg_enable_color__hover=&#8221;on&#8221; button_text_color__hover_enabled=&#8221;on|hover&#8221; button_text_color__hover=&#8221;#FFFFFF&#8221; button_icon_color__hover_enabled=&#8221;on|hover&#8221; button_icon_color__hover=&#8221;#000000&#8243; custom_css_main_element_phone=&#8221;width: 258px !important;||height: 55px !important;&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Being a drummer means that microphones are probably the last thing on your mind, mainly because drums are always loud enough. There comes a time for every drummer, however, when you should start thinking about the mics you use. You\u2019ve spent time perfecting your technique, and you\u2019ve got your drum kit sounding amazing, but how [&hellip;]<\/p>\n","protected":false},"author":33,"featured_media":11677,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"<p><span data-contrast=\"auto\">Being a drummer means that microphones are probably the last thing on your mind, mainly because drums are always loud enough. There comes a time for every drummer, however, when you should start thinking about the mics you use. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">You\u2019ve spent time perfecting your technique, and you\u2019ve got your drum kit sounding amazing, but how do you capture that sound to make sure all of the characteristics of your playing come across in the recording? <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">There's a wide range of drum microphones out there, ranging from budget-friendly to premium quality. In this guide, we\u2019re going to help you better understand drum mics for both stage and studio. We\u2019ll look at the best offerings from brands such as Shure, Sennheiser, Behringer, and AKG.\u00a0<\/span><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Where to start?<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">Some microphones are tailored towards studio recording, and some for live settings. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">You can use most microphones for both environments, but usually, for live settings, you should look at \u201cclose-miking\u201d your drum kit. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">Sometimes, you'll get away with using fewer microphones, depending on the size of the venue. For example, when playing for 150 people, you won't need \u201coverhead\u201d microphones as the cymbals will be loud enough. In the studio, you'll have time to focus entirely on your drum sound, using multiple microphones and capturing the \u201croom\u201d sound to add depth to your kit. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">Before we start looking at our recommendations, keep in mind that the mics will only sound as good as the drum you are recording. If you're using old drum heads and broken cymbals, they'll still sound bad. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">Take the time to make your drum kit sounds great on its own first. Once it does, it'll help these microphones stand out and work to their potential. This will allow you, or a sound engineer, more control while mixing.<\/span><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Which microphone for which drum?<\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":240,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">We\u2019ll break this guide down by giving you a couple of recommendations for each drum and why they're suited. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">Let's start with kick drum microphones and work our way around the kit. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Kick drum microphones <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":40,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">The kick drum is one of the most important elements of a drum kit. It provides the drive and pulse of the song. Whether it's a recording or a live gig, you want to be able to hear and feel the \u201cthumping\u201d of a kick drum in your chest. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<h4>Shure Beta 91A\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-91A-Condenser-Kick-Drum-Microphone\/EVD\" target=\"_blank\" rel=\"noopener\">Shure Beta 91A<\/a><\/strong> may look different to others out there as it's a \u201cboundary\u201d microphone. Its flat shape makes it easy to place inside any kick drum, and it can capture more attack from the beater. This gives your kick a \u201cpunchy\u201d low end with brilliant detail in the higher frequencies. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">The Beta 91A is a condenser microphone that provides a frequency response of 20Hz \u2013 20kHz, meaning you'll get the most natural kick sound possible. The underside has a switch that can cut frequencies around 400hz to help remove any unwanted low-mids, making it super easy to get your desired drum sound. <\/span>\u00a0<br \/>\u00a0<br \/><span data-contrast=\"auto\">Having the microphone inside the kick makes it perfect for minimising \u201cbleed\u201d from other drums and cymbals - which is great for recording. It doesn't need to be placed on a stand, helping you maximise and declutter space on stage. Like all Shure microphones, this is built to last and can afford to be (ab)used on tour. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11670 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-91A-Kick-Drum-HR-1024x767.jpg\" alt=\"Beta91a\" width=\"602\" height=\"451\" \/><\/p>\r\n<h4>Sennheiser e902<\/h4>\r\n<p>The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e902-Dynamic-Cardioid-Bass-Instrument-Microphone\/RSE\" target=\"_blank\" rel=\"noopener\">Sennheiser e902<\/a><\/strong> is more of a traditional-looking kick drum microphone. It's a dynamic mic that can capture low frequencies in incredible detail. The cardioid polar pattern offers excellent off-axis sound rejection which minimises bleed from other instruments. <br \/><br \/>With a frequency response from 20hz to 16khz, this microphone is perfect for capturing the \u201cboom\u201d from a kick drum. Not only will it help your kick cut through the mix, but it also offers a \u201cwarm\u201d and \u201cround\u201d sound.<\/p>\r\n<p>Plus, its all-metal construction makes it perfect for touring as it will be able to survive most knocks and drops.<\/p>\r\n<p><img class=\" wp-image-11681 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-19-1024x1024.jpg\" alt=\"Sennheiser e902\" width=\"598\" height=\"598\" \/><\/p>\r\n<h4>Shure BETA 52A \u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">Shure\u2019s Beta range offers a wider frequency range and higher output than other microphones. When positioned in front of the kick drum's sound hole, it provides a full low end, and its super-cardioid polar pattern combats any unwanted bleed from other instruments, cymbals, and other drums. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">All Beta microphones from Shure are made with a reinforced steel grille that is dent-resistant, making this microphone (almost) indestructible. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-52A-Bass-Drum-Microphone\/1UT\" target=\"_blank\" rel=\"noopener\">Beta 52A<\/a><\/strong> has been perfectly tailored for bass-heavy instruments, with a frequency range of 20Hz to 10Khz. As a pair, the Beta 52A and <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">91A are unstoppable. They produce an incredible kick sound, providing a great mix of attack from the inside mic and low-end weight from the Beta 52A on the outside.\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11671 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Drums_Beta52A_Close_Horizontal-1024x683.jpg\" alt=\"Beta52 \" width=\"600\" height=\"401\" \/><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Snare drum microphones <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":240,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">Drummers are always looking for the \u201cperfect\u201d snare sound. You want something that's going to capture all the detail of the high frequencies but also the \u201cpunch\u201d of the low mids. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">Snare drum mics are usually dynamic microphones as they can handle sound pressure levels (SPL) much better. However, that doesn\u2019t mean you shouldn\u2019t try and use condenser mics on snares as they provide amazing detail. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<h4>Shure SM57\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">Arguably one of the best microphones out there for a snare, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-SM57-Dynamic-Instrument-Microphone\/4ZV\" target=\"_blank\" rel=\"noopener\">SM57<\/a><\/strong> is the industry standard when it comes to snare mics. It's hard to find a drummer that hasn\u2019t used an SM57 to mic up a snare at some point in their career. It gives weight and body to your snare, as well as enough high-end presence that perfectly cuts through the mix.<\/span><\/p>\r\n<p><span data-contrast=\"auto\">As snares are relatively loud, a good snare mic needs to be able to withstand the SPL for prolonged periods of time. The SM57 can take hours and hours of snare recording; it's a reliable workhorse that can cope with the harshest of conditions, making it perfect for live gigs and touring. There's a reason so many drummers and sound engineers rely on the SM57.\u00a0 <\/span><\/p>\r\n<p><span data-contrast=\"auto\">The quality and robust build of the microphone means that, even if it is hit with a stick, it will continue to keep working. Its flat grille allows you to place the microphone as close to the sound source as possible, guaranteeing full control of the proximity effect. So, you can get the snare sound you want. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11672 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/SM57_drum_desat-1-1024x680.jpg\" alt=\"SM57\" width=\"599\" height=\"398\" \/><\/p>\r\n<h4>Sennheiser e604\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">Perfect for capturing the sound of snares, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-e604-Drum-and-Brass-Instrument-Microphone\/4RY\" target=\"_blank\" rel=\"noopener\">Sennheiser e604<\/a><\/strong> has an integrated clip that easily attaches to a snare, making your set-up super easy and quick. You won't need any additional microphone stands. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">This microphone provides crisp, clear sounds with exceptionally high detail, especially for a dynamic microphone. It excels when it comes to mid and high-frequency sounds but can still deliver clear lows.<\/span><br \/>\u00a0<br \/><span data-contrast=\"auto\">Your snare will have depth and clarity when it's paired with the e604, and there's no need to worry about distortion due to it being able to withstand high SPL. The interesting thing about this microphone is that it's not very sensitive to any sudden impacts, meaning if you accidentally hit it with your stick, it won't stand out in the mix. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11682 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-20-1024x683.jpg\" alt=\"Sennheiser e604\" width=\"600\" height=\"400\" \/><\/p>\r\n<h4>AKG P4\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-P4-Dynamic-Instrument-Microphone\/TJX\" target=\"_blank\" rel=\"noopener\">AKG P4<\/a><\/strong> is a very safe choice when it comes to snare mics. It will provide your snare with a punchy, intense sound. Little to no EQ\u2019ing is needed when using this microphone, making it perfect for a beginner who just needs a microphone that they can rely on. <\/span>\u00a0<\/p>\r\n<p><span data-contrast=\"auto\">Like the previous models, this mic can withstand high SPL and is built to last during any knocks or drops - perfect for live use. What's more, its small size makes it extremely easy to place in your stick or cymbal bag so that you always have it to hand. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">This microphone can be used with the integrated stand adapter as well as the external bracket, letting you mount it to a regular mic stand. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11686 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview_1.jpg\" alt=\"AKG P4 \" width=\"469\" height=\"469\" \/><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Toms <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":240,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">Kick drums and snares are two drums that need to be miked up no matter what type of gig you're playing. However, depending on the venue and genre, you may not need to mic up the toms. For example, intimate jazz gigs or small venues might get away with just using an overhead or no mic at all. That being said, here are the mics for toms we would recommend if you were planning on playing a larger venue. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<h4>Shure Beta 98AMP \u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-98AMP-C-Miniature-Cardioid-Drum-Mic\/EVC\" target=\"_blank\" rel=\"noopener\">Beta 98AMP<\/a><\/strong> has been designed specifically for tom drums. Its flexible gooseneck teams with the Shure A75M universal drum mount for an easy setup and premium quality sound in seconds. Just attach the microphone to the rim of the drum and achieve your perfect positioning.\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">This microphone is quite special in that it comes with its own built-in pre-amp which allows you to get a smooth, natural sound from your drums. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">As this is a condenser microphone, it picks up a high level of detail from the toms, capturing all the punchy lows and resonance you need. Plus, it enables the toms to sound incredibly natural when recorded. <\/span><span data-contrast=\"auto\">The Beta 98AMP is perfect for both live and studio settings.\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11679 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta-98AMP_Rack-Tom_desat-1024x767.jpg\" alt=\"Beta-98AMp\" width=\"600\" height=\"450\" \/><\/p>\r\n<h4>Sennheiser MD 421 II\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">When it comes to studio tom microphones, Sennheiser's <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Sennheiser-MD-421-II-Dynamic-Instrument-and-Vocal-Microphone\/UDC\" target=\"_blank\" rel=\"noopener\">MD 421 II<\/a><\/strong> is probably one of the most used mics out there. It gives amazing results every single time, allowing the engineer to get natural, punchy toms that are full of clarity, weight, and body. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">The interesting thing about this microphone is that it has a five-position switch that can change the tone of the microphone. This switch allows you to cut the low end of the microphone at five different levels - perfect for removing any unwanted boom whilst keeping clarity in the top end. <\/span>\u00a0<\/p>\r\n<p>Getting a great sound can be as easy as pointing the microphone in front of the source and pressing record. Being a dynamic cardioid microphone means that the MD 421 II's \"off-axis\" rejection is incredibly good. You'll get little, if any, bleed from the cymbals, promising total control over the isolated toms in a mix.<\/p>\r\n<p>A lot of sound engineers and producers swear by this microphone as the \"go-to\" mic. Once you hear it on your toms, you will understand why.\u00a0<\/p>\r\n<p><img class=\" wp-image-11683 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/MicrosoftTeams-image-21-1024x1024.jpg\" alt=\"Sennheiser MD 421 II\" width=\"600\" height=\"600\" \/><\/p>\r\n<h4>Shure Beta 56A\u00a0<\/h4>\r\n<p>Perfect for both toms and snare, the <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-56A-Snare---Tom-Microphone\/1UU\" target=\"_blank\" rel=\"noopener\">Beta 56A microphone<\/a><\/strong> can be clipped onto the rim of the drum, allowing you to capture the perfect tom sound whilst keeping the stage uncluttered.<\/p>\r\n<p>All the Shure Beta mics have an extended frequency range and higher output. You can even use the 56A for vocals if your drummer is brave enough to sing. The super-cardioid polar pattern means that there would be minimal bleed from other instruments or drums on the stage.<\/p>\r\n<p>The microphone's advanced shock mount system eradicates vibration noise so that, even if you hit the mic or play the drums hard, the noise from the microphone won't come through. Thanks to an almost-indestructible, hardened steel grille, the Beta 56A is ideal for toms. Beta mics will help your toms sound weighty and punchy with plenty of articulate detail.\u00a0<\/p>\r\n<p><img class=\" wp-image-11689 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta56_Snare_Desat-1024x683.jpg\" alt=\"beta56 \" width=\"600\" height=\"401\" \/><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Overheads <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":240,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">Overheads are for capturing the overall sound of the drums - not just the cymbals. You want to make sure that the cymbals are not going to wash over everything else. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">Condenser microphones are the best mics for overhead as they can capture more detail than a dynamic and usually have a much wider frequency range. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">Overhead mics usually come in two different styles: a small diaphragm condenser (SDC) and a large diaphragm condenser (LDC). SDCs help cymbals and snare <em>really <\/em>cut through the mix. They usually offer a brighter, more \u201cmodern\u201d sound. An LDC, on the other hand, provides a warm mid-range, more low end, and more spacious sound.\u00a0<\/span><\/p>\r\n<h4>Shure Beta 181\u00a0\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">The Shure Beta 181 is a very unique microphone as it's one of Shure's only microphones with a removable capsule. Capsules allow you to change the polar pattern of the microphone, and with the Beta181 you can choose from <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Cardioid-Condenser-Microphone\/Q3D\" target=\"_blank\" rel=\"noopener\">cardioid<\/a><\/strong>, <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Supercardioid-Condenser-Microphone\/EV9\" target=\"_blank\" rel=\"noopener\">super-cardioid<\/a><\/strong>, <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Bidirectional-Condenser-Microphone\/EVB\" target=\"_blank\" rel=\"noopener\">bi-directional<\/a><\/strong>, and <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-Beta-181-Side-Address-Omnidirectional-Condenser-Microphone\/EVA\" target=\"_blank\" rel=\"noopener\">omnidirectional<\/a><\/strong>. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">This makes the microphone versatile and well suited to drums and other instruments. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">The frequency response is tailored for a wide dynamic range and can be used under high SPL conditions, meaning the Beta 181 is the perfect SDC microphone for drum overheads. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p>This mic's small size makes it great to have in a live setting as it won't take up much space. Plus its robust construction can survive the brutal conditions of live touring.<\/p>\r\n<p>With interchangeable capsules, you can use this mic to capture your snare or toms, or even act as a room mic. The possibilities are endless with the Shure Beta 181!<\/p>\r\n<p><img class=\" wp-image-11674 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/Beta181_Pair_Drum_Overheads_Desat-1024x703.jpg\" alt=\"Beta181 \" width=\"607\" height=\"416\" \/><\/p>\r\n<h4>Behringer C-2\u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">The <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Behringer-C-2-Condenser-Microphone-Matched-Pair\/K3\" target=\"_blank\" rel=\"noopener\">Beringer C-2 Microphone<\/a><\/strong> is another SDC for your cymbals and snare, and it's perfect for anyone who's on a budget. But don\u2019t be fooled by its incredibly low price, this microphone has a wide frequency range - 20hz to 20kHz - which means that no detail is missed. The C-2 also has an ultra-low noise FET input that helps to minimise and eliminate low-frequency distortion. <\/span>\u00a0<br \/>\u00a0<br \/><span data-contrast=\"auto\">To give you total control of your drum tone, it features a bass-cut switch, which removes any unwanted boomy low frequencies that may make your mix sound muddy.\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">For overhead microphones, you'll want a pair, which is easy with the C-2 as it's both affordable and of incredible quality. Not only will a pair help your drums sound amazing in a mix, but stereo overheads will also help your bandmates listen to the full kit without having to take our their in-ear monitors, if they use them. Your band will sound as tight as ever.<\/span><\/p>\r\n<p><span data-contrast=\"auto\"><img class=\" wp-image-11684 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-6.jpg\" alt=\"C2\" width=\"388\" height=\"388\" \/>\u00a0<\/span><\/p>\r\n<h4>AKG C414 XLS \u00a0<\/h4>\r\n<p><span data-contrast=\"auto\">AKG's <strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/AKG-C414-XLS-Condenser-Microphone\/DEJ\" target=\"_blank\" rel=\"noopener\">C414<\/a><\/strong> is a staple microphone that can be found in just about any professional studio. The reason for this is its versatility - it can be used for pretty much anything. In terms of drums, the C414 will usually be used as an overhead as it captures every single detail and nuance.\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">The C414 features changeable polar patterns, accessed via the simple switch on the front of the mic. These polar patterns include cardioid, figure of eight, hypercardioid, omnidirectional, and wide cardioid. Such versatility makes the mic a go-to for drummers wanting to record with a large diaphragm condenser.\u00a0 <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">Along with changeable polar patterns, this microphone gives you even more control thanks to its bass-cut feature. This allows you to cut bass frequencies at 40hz, 80hz, and 160hz, which is great for overheads as it gives you the chance to focus on the mid to high frequencies of the kit. The AKG C141 is an iconic microphone and it's easy to see why it's used by so many professionals.\u00a0<\/span><\/p>\r\n<p><img class=\" wp-image-11685 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/preview-7.jpg\" alt=\"AKG 414\" width=\"458\" height=\"458\" \/><\/p>\r\n<hr \/>\r\n<h3><span data-contrast=\"none\">Drum packs <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559738\":240,\"335559739\":0,\"335559740\":259}\">\u00a0<\/span><\/h3>\r\n<p><span data-contrast=\"auto\">Picking your own microphones is the ideal way to achieve your own custom sound. However, some brands, like Shure, have created affordable drum packs that give you everything you need in one package. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<h4>Shure Drum Microphone Kit<\/h4>\r\n<p><span data-contrast=\"auto\">The Shure PGADrumKit Pack comes in a few different versions. They all include the PGA range of microphones from Shure - a budget-friendly series that provides exceptional build and sound quality. In fact, their standards are similar to <\/span><span data-contrast=\"auto\">the iconic microphones Shure offers. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">The PGADrumKit packs are available in the following: <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<ul>\r\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{\"134225954\":true,\"134225961\":true,\"335552541\":1,\"335559683\":0,\"335559684\":-2,\"335559685\":720,\"335559991\":360,\"469769226\":\"Symbol\",\"469769242\":[8226],\"469777803\":\"left\",\"469777804\":\"\uf0b7\",\"469777815\":\"hybridMultilevel\"}\" data-aria-posinset=\"1\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT4-Drum-Microphone-Kit-4-Piece\/16RT\" target=\"_blank\" rel=\"noopener\">PGADRUMKIT4<\/a><\/strong><\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span><br \/><span data-contrast=\"auto\">2 x PGA56 snare\/tom microphone<\/span><br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span>\u00a0<br \/><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/li>\r\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{\"134225954\":true,\"134225961\":true,\"335552541\":1,\"335559683\":0,\"335559684\":-2,\"335559685\":720,\"335559991\":360,\"469769226\":\"Symbol\",\"469769242\":[8226],\"469777803\":\"left\",\"469777804\":\"\uf0b7\",\"469777815\":\"hybridMultilevel\"}\" data-aria-posinset=\"2\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT6-Drum-Microphone-Kit-6-Piece\/16RU\" target=\"_blank\" rel=\"noopener\">PGADrumKit6<\/a><\/strong>\u00a0<\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span>\u00a0<br \/><span data-contrast=\"auto\">2 x PGA56 snare\/tom microphone<\/span><br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span>\u00a0<br \/><span data-contrast=\"auto\">2 x PGA81 instrument microphones<\/span>\u00a0<br \/><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/li>\r\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{\"134225954\":true,\"134225961\":true,\"335552541\":1,\"335559683\":0,\"335559684\":-2,\"335559685\":720,\"335559991\":360,\"469769226\":\"Symbol\",\"469769242\":[8226],\"469777803\":\"left\",\"469777804\":\"\uf0b7\",\"469777815\":\"hybridMultilevel\"}\" data-aria-posinset=\"3\" data-aria-level=\"1\"><span data-contrast=\"auto\"><strong><a href=\"https:\/\/www.gear4music.com\/PA-DJ-and-Lighting\/Shure-PGADRUMKIT7-Drum-Microphone-Kit-7-Piece\/2JWI\" target=\"_blank\" rel=\"noopener\">PGADrumKit7<\/a><\/strong>\u00a0<\/span><br \/><span data-contrast=\"auto\">1 x PGA52 kick drum microphone<\/span>\u00a0<br \/><span data-contrast=\"auto\">3 x PGA56 snare\/tom microphone<\/span>\u00a0<br \/><span data-contrast=\"auto\">1 x PGA57 instrument microphone<\/span>\u00a0<br \/><span data-contrast=\"auto\">2 x PGA81 instrument microphone<\/span>\u00a0<\/li>\r\n<\/ul>\r\n<p><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\"> <span class=\"TextRun SCXW53002630 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW53002630 BCX0\">This is <\/span><span class=\"NormalTextRun SCXW53002630 BCX0\">the<\/span><span class=\"NormalTextRun SCXW53002630 BCX0\"> most <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW53002630 BCX0\">cost-effective<\/span><span class=\"NormalTextRun SCXW53002630 BCX0\"> way to make sure you get the microphones you need without sacrificing quality. All these PGA kits come with a carry case and accessories, perfect for any drummer to get started.\u00a0<\/span><\/span><\/span><\/p>\r\n<p><img class=\" wp-image-11675 aligncenter\" src=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/PGA_DrumKit6_Composite_Library_HR_Desat.jpg\" alt=\"PGAdrumkit \" width=\"658\" height=\"386\" \/><\/p>\r\n<hr \/>\r\n<h3>The choice is yours<\/h3>\r\n<p><span data-contrast=\"auto\">Hopefully, this article has given you a better understanding of drum microphones. The one thing to remember is that choosing the right mic comes down to what you're using it for and what you want to achieve. Always think about your drum kit first and the microphone second, a bad kit will sound like a bad kit, whichever microphone you use. <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p><span data-contrast=\"auto\">Microphones are there to enhance and capture all the sonic details. <\/span><\/p>\r\n<p><span data-contrast=\"auto\">This is just a start to understanding drum mics. Once you start getting perfecting the techniques and tricks used for placing drum mics, that\u2019s when you can really start to customise and manipulate your sound.\u00a0 <\/span><span data-ccp-props=\"{\"201341983\":0,\"335559739\":160,\"335559740\":259}\">\u00a0<\/span><\/p>\r\n<p>\u00a0<\/p>\r\n<!-- wp:paragraph \/-->","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[144,241,244,111],"tags":[165,290,188,161,104],"class_list":["post-11591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-drums","category-drum-guides","category-live-sound-guides","category-live-sound","tag-drums","tag-guide","tag-microphones","tag-shure","tag-studio-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Drum Microphone Guide<\/title>\n<meta name=\"description\" content=\"Buying microphones for your drums can be tricky. 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We&#039;ve made life easier for you with this handy guide.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.gear4music.com\/blog\/drum-microphone-guide\/\" \/>\n<meta property=\"og:site_name\" content=\"Gear4music Blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Gear4music\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-20T08:00:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-03T13:17:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/storage.googleapis.com\/stateless-blog-g4m-co-uk\/2022\/07\/KSM32_GLXD6_Beta-57A_Drumkit_Overhead_Stage_Performance_2020-Branding-437-e1657626724480.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1001\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jordan Balla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@gear4music\" \/>\n<meta name=\"twitter:site\" content=\"@gear4music\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jordan Balla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/\"},\"author\":{\"name\":\"Jordan Balla\",\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/#\\\/schema\\\/person\\\/d113181745c75a0dd4889e8558b87002\"},\"headline\":\"Drum Microphone Guide\",\"datePublished\":\"2022-07-20T08:00:37+00:00\",\"dateModified\":\"2024-05-03T13:17:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/\"},\"wordCount\":3552,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/storage.googleapis.com\\\/stateless-blog-g4m-co-uk\\\/2022\\\/07\\\/KSM32_GLXD6_Beta-57A_Drumkit_Overhead_Stage_Performance_2020-Branding-437-e1657626724480.jpg\",\"keywords\":[\"Drums\",\"Guide\",\"Microphones\",\"Shure\",\"Studio &amp; Production\"],\"articleSection\":[\"Drums &amp; Percussions\",\"Guides\",\"Guides\",\"Live Sound &amp; DJ\"],\"inLanguage\":\"en\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/\",\"url\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/\",\"name\":\"Drum Microphone Guide\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.gear4music.com\\\/blog\\\/drum-microphone-guide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/storage.googleapis.com\\\/stateless-blog-g4m-co-uk\\\/2022\\\/07\\\/KSM32_GLXD6_Beta-57A_Drumkit_Overhead_Stage_Performance_2020-Branding-437-e1657626724480.jpg\",\"datePublished\":\"2022-07-20T08:00:37+00:00\",\"dateModified\":\"2024-05-03T13:17:44+00:00\",\"description\":\"Buying microphones for your drums can be tricky. 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