Blue Yeti Pro Professional USB Microphone

£256.00 (including VAT @ 20%)

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This item is available to order, and we do not currently have the item in stock.

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Estimated delivery to you: 9th November 2016
FREE Delivery available.

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30 day money back guarantee included

30 day money back guarantee included

Once the product is delivered, you have 30 days to decide that you definitely want to keep it. If you decide it is not suitable for any reason, you can return it back to us for replacement or full refund, including standard delivery charges.

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Optional: 5 year warranty: £12.80
(Includes 90 day money back guarantee)


The product price includes a one year warranty and 30 day money back guarantee.

However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.

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Product Ref: 19401

Blue Yeti Pro Professional USB Microphone


The Yeti Pro is the world's first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to four times the clarity found on CDs.

Product Ref: 19401

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  • 15.9%
  • £9.02
  • £324.72
Pay by Finance

To make it as easy as possible for you to get the gear you want, we offer a range of instant finance options. If you spend £250 or more online, you can choose to pay over 48, 36 or 24 months. The majority of decisions are given instantly, so you could get your new gear sooner than you thought!

Representative Example

To help you understand how our finance options work, the examples below are based on a total order value of £250:

Finance APR Deposit to Pay Payments Total Payable
Classic Credit 48 Months 14.9% 14.9% No Deposit 48 months: £6.83
Final payment: £6.83
No settlement fee
Classic Credit 36 Months 15.9% 15.9% No Deposit 36 months: £8.65
Final payment: £8.65
No settlement fee
Classic Credit 24 Months 18.9% 18.9% No Deposit 24 months: £12.41
Final payment: £12.41
No settlement fee

How to Apply

Applying for finance couldn't be easier - if your order totals £250 or more, simply proceed through the checkout as normal, then select Pay by Finance on the payment page, then click the orange APPLY FOR INSTANT FINANCE button. This will start your application with V12 Retail Finance, our finance partner, and completing this form should take approximately 10 minutes.

You should get an instant answer on whether your application has been successful, though in some rare cases V12 may need to look at the application in more detail.

Please note: This is only available on orders placed via the website and is not available in store or via phone currently.

Full Description

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The Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!), the Yeti Pro is your ultimate sound solution.

The legend of the Yeti continues with the most advanced and versatile multi-pattern USB microphone roaming the wild today. The Yeti Pro features tools and recording capabilities usually requiring multiple microphones and devices, all with the simplicity of a plug 'n play USB microphone.

Desktop or Studio, the possibilities are endless

You can quickly select from each of Yeti Pro's four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. The chart below shows each pattern's symbol, sound source direction, and suggested recording applications.


The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the "front" of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left and right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), and if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, and easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, and use your software to hard-pan the sound to the left or the right.


Cardioid is the most commonly used mode and can be useful in most any situation. If you are recording vocals, a podcast, or a voiceover, cardioid is likely your best choice. When recording in cardioid, sound directly in front of the microphone is picked up while the sound at the rear and sides of the microphone is not picked up. Therefore, you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct, rich sound, but will not offer as much airiness or presence as the other recording modes.


Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time, recording a conversation between multiple parties around a room, a conference call, or any other situations where you want to capture the ambience of 'being there.' Because sound is picked up from all directions in this mode, the orientation of the microphone isn't crucial, but as a good rule of thumb, start by orienting the front of the microphone at the primary sound source you wish to record.


Bidirectional means that the microphone picks up sound at the front and rear of the microphone, while the sounds to the sides are "rejected", or not picked up. The bidirectional setting is very useful in achieving a nuanced, pleasant sound when recording musical instruments, and is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source, rear of microphone facing another), you can achieve a natural sound without the complexity of using multiple microphones.


  • Power Required/Consumption: 5V 500mA (USB)/48V DC (analog)
  • Sample Rate: 192 kHz
  • Bit Rate: 24bit
  • Capsules: 3 Blue-proprietary 14mm condenser capsules
  • Polar Patterns: Cardioid, Bidirectional, Omnidirectional, Stereo
  • Frequency Response: 20Hz - 20kHz
  • Sensitivity: 4.5mV/Pa (1 kHz)
  • Max SPL: 120dB (THD: 0.5 1kHz)
  • Impedance: >16 ohms
  • Power Output (RMS): 130 mW
  • THD: 0.009
  • Frequency Response: 15 Hz ? 22 kHz
  • Signal to Noise: 114dB
  • Dimensions (extended in stand): 4.72"(12cm) x 4.92"(12.5cm) x 11.61"(29.5cm)
  • Cable: 12" Y-Cable and 3M USB cable


  • PC: Windows 7, Windows Vista, XP Home Edition or XP Professional USB 2.0 High Speed; 256 MB RAM (minimum)

  • Macintosh: Mac OSX (10.4.11 or higher) USB 2.0 High Speed; 256 MB RAM (minimum)